In the early morning hours of December 8, 1969, 300 SWAT team officers initiated a violent battle with a handful of Los Angeles-based members of the Black Panther Party for Self-Defense (BPP) that lasted for five hours and went through 5,000 rounds of ammunition. From a tactical standpoint, the Los Angeles Police Department considered the encounter a disaster, but it was a victory for the Panthers and the community that supported them. A key reason for that victory was the actions of a 19-year-old “captain” in the Party: Wayne Pharr. Nine Lives of a Black Panther gives a blow-by-blow account of how the BPP prepared for and survived the massive military-style attack. But it also tells Wayne’s riveting life story. Because of his dedication to the black liberation struggle, Wayne was hunted, beaten, and almost killed by the police in four separate events. The Los Angeles branch was the proving ground for some of the most beloved and colorful characters in Panther lore, including Bunchy Carter, Masai Hewitt, Geronimo “Ji-Jaga” Pratt, and Elaine Brown. Nine Lives of a Black Panther relates Wayne’s triumph over police terror, internal warfare, and personal demons, and illuminates the entire history of one of the most dedicated, dynamic, vilified, and targeted chapters of the BPP. Wayne Pharr was a captain of the Los Angeles branch of the Black Panther Party for Self Defense and has traveled throughout the country as a BPP spokesman. He now works as a realtor in Los Angeles.

In the early morning hours of December 8, 1969, three hundred officers of the newly created elite paramilitary tactical unit known as SWAT initiated a violent battle with a handful of Los Angeles&–based members of the Black Panther Party for Self-Defense (BPP). Five hours and five thousand rounds of ammunition later, three SWAT team members and three Black Panthers lay wounded. From a tactical standpoint, the Los Angeles Police Department (LAPD) considered the encounter a disaster. For the Panthers and the community that supported them, the shootout symbolized a victory. A key contributor to that victory was the nineteen-year-old rank-and-file member of the BPP Wayne Pharr. Nine Lives of a Black Panther tells Wayne's riveting story of the Los Angeles branch of the BPP and gives a blow-by-blow account of how it prepared for and survived the massive military-style attack. Because of his dedication to the black liberation struggle, Wayne was hunted, beaten, and almost killed by the LAPD in four separate events. Here he reveals how the branch survived attacks such as these, and also why BPP cofounder Huey P. Newton expelled the entire Southern California chapter and deemed it &“too dangerous to remain a part of the national organization.&” The Los Angeles branch was the proving ground for some of the most beloved and colorful characters in Panther lore, including Bunchy Carter, Masai Hewitt, Geronimo &“ji-Jaga&” Pratt, and Elaine Brown. Nine Lives fills in a missing piece of Black Panther history, while making clear why black Los Angeles was home to two of the most devastating riots in the history of urban America. But it also eloquently relates one man's triumph over police terror, internal warfare, and personal demons. It will doubtless soon take its place among the classics of black militant literature.

In his youth Mumia Abu-Jamal helped found the Philadelphia branch of the Black Panther Party, wrote for the national newspaper, and began his life-long work of exposing the violence of the state as it manifests in entrenched poverty, endemic racism, and unending police brutality and celebrating a people's unending quest for freedom. In We Want Freedom, Mumia combines personal experience with extensive research to provide a compelling history of the Black Panther Party--what it was, where it came from, and what rose from its ashes. Mumia also pays special attention to the U.S. government's disruption of the organization through COINTELPRO and similar operations. While Abu-Jamal is a prolific writer and probably the world's most famous political prisoner, this book is unlike any of Mumia's previous works. In We Want Freedom, Abu-Jamal applies his sharp critical faculties to an examination of one of the U.S.'s most revolutionary and most misrepresented groups. A subject previously explored by various historians and forever ripe for "insider" accounts, the Black Panther Party has not yet been addressed by a writer with the well-earned international acclaim of Abu-Jamal, nor with his unique combination of a powerful, even poetic, voice and an unsparing critical gaze. Abu-Jamal is able to make his own Black Panther Party days come alive as well as help situate the organization within its historical context, a context that included both great revolutionary fervor and hope, and great repression. In this era, when the US PATRIOT Act dismantles some of the same rights and freedoms violated by the FBI in their attack on the Black Panther Party, the story of how the Party grew and matured while combating such invasions is a welcome and essential lesson.

The hidden history of the haunted and beloved city of New Orleans, told through the intersecting lives of nine remarkable characters. “Nine Lives is stunning work. Dan Baum has immersed himself in New Orleans, the most fascinating city in the United States, and illuminated it in a way that is as innovative as Tom Wolfe on hot rods and Truman Capote on a pair of murderers. Full of stylistic brilliance and deep insight and an overriding compassion, Nine Lives is an instant classic of creative nonfiction.” —Robert Olen Butler, Pulitzer Prize–winning author of A Good Scent from a Strange Mountain Nine Lives is a multivoiced biography of a dazzling, surreal, and imperiled city, told through the lives of night unforgettable characters and bracketed by two epic storms: Hurricane Betsy, which transformed New Orleans in the 1960s, and Hurricane Katrina, which nearly destroyed it. Dan Baum brings the kaleidoscopic portrait to life, showing us what was lost in the storm and what remains to be saved. BONUS: This edition contains a Nine Lives discussion guide.

Histories of the US sixties invariably focus on New York City, but Los Angeles was an epicenter of that decade's political and social earthquake. L.A. was a launchpad for Black Power-where Malcolm X and Angela Davis first came to prominence and the Watts uprising shook the nation-and home to the Chicano walkouts and Moratorium, as well as birthplace of 'Asian America' as a political identity, base of the antiwar movement, and of course, centre of California counterculture. Mike Davis and Jon Wiener provide the first comprehensive movement history of L.A. in the sixties, drawing on extensive archival research, scores of interviews with principal figures of the 1960s movements, and personal histories (both Davis and Wiener are native Los Angelenos). Following on from Davis's award-winning L.A. history, City of Quartz, Set the Night on Fire is a fascinating historical corrective, delivered in scintillating and fiercely elegant prose.

WINNER OF THE EISNER AWARD • A bold and fascinating graphic novel history of the revolutionary Black Panther Party. Founded in Oakland, California, in 1966, the Black Panther Party for Self-Defense was a radical political organization that stood in defiant contrast to the mainstream civil rights movement. This gripping illustrated history explores the impact and significance of the Panthers, from their social, educational, and healthcare programs that were designed to uplift the Black community to their battle against police brutality through citizen patrols and frequent clashes with the FBI, which targeted the Party from its outset. Using dramatic comic book-style retellings and illustrated profiles of key figures, The Black Panther Party captures the major events, people, and actions of the party, as well as their cultural and political influence and enduring legacy.

This book examines a range of visual expressions of Black Power across American art and popular culture from 1965 through 1972. It begins with case studies of artist groups, including Spiral, OBAC and AfriCOBRA, who began questioning Western aesthetic traditions and created work that honored leaders, affirmed African American culture, and embraced an African lineage. Also showcased is an Oakland Museum exhibition of 1968 called "New Perspectives in Black Art," as a way to consider if Black Panther Party activities in the neighborhood might have impacted local artists’ work. The concluding chapters concentrate on the relationship between selected Black Panther Party members and visual culture, focusing on how they were covered by the mainstream press, and how they self-represented to promote Party doctrine and agendas.