The author chronicles his quest for spiritual roots, describes his early Zen experiences and his gradual reawakening to life through Zen.

In August 1968, naturalist-explorer Peter Matthiessen returned from Africa to his home in Sagaponack, Long Island, to find three Zen masters in his driveway—guests of his wife, a new student of Zen. Thirteen years later, Matthiessen was ordained a Buddhist monk. Written in the same format as his best-selling The Snow Leopard, Nine-Headed Dragon River reveals Matthiessen's most daring adventure of all: the quest for his spiritual roots.

The journey of Buddhism over centuries, from India to China and then to Japan, is the stuff of mythology. But now, in our own time, we have witnessed and documented its historic crossing of the Pacific and its subsequent evolution in the Americas and Europe. In 1982, writer Peter Muryo Matthiessen, the first dharma successor of Roshi Bernie Glassman, traveled with Glassman to pay respects to the teachers in their lineage, some of the great living Zen masters of twentieth–century Japan. What took place was an important meeting of minds representing the past, present, and future of Zen practice, an intimate connection between ancestors and descendants marking a critical point in the Zen journey from the East to the West. This historic event was captured in the moment by the selective lens of Peter Cunningham. Matthiessen's exquisite poetic accounts of this pilgrimage, which formed a part of his book Nine–Headed Dragon River, accompany the photos.

Dale Wright offers a wide-ranging exploration of issues that have a bearing on the contemporary meaning of enlightenment. He considers the historical meanings of enlightenment within various Buddhist traditions, but does so in order to expand on the larger question that our lives press upon us--what kinds of lives should we aspire to live here, now, and into the future?

Compelling exploration of how journeys to a Buddhist culture changed 30 Western writers as they explored the meaning of 'no-self'.

This book argues that the religious import of American environmental literature has yet to be fully recognized or understood. Making Nature Sacred explores how the quest for 'natural revelation' has been pursued through successive phases of American literary and intellectual history.