Qing China (1644–1912) witnessed a resurgence in architectural painting, a traditional subject category known as jiehua, or boundary painting. Drawing Boundaries concerns itself with the symbolic implications of this impressive and little studied reflorescence. Beginning with a concise and well-illustrated history of the evolution of the tradition, this exciting new study reveals how these images were deployed in the Manchu (Qing) imperial court to define political, social, or cultural boundaries. Characterized by grand conception and regal splendor, the paintings served to enhance the imperial authority of rulers and, to a segment of the elite, to advertise social status. Drawing Boundaries thus speaks to both issues of painting and architectural style and the discourse of powerful cultural forms. In addition to the analysis of how the style of image construction suggests these political and social motivations, the book identifies another aspect of traditional architectural representation unique to the Qing: the use of architectural representation to render form and space. Anita Chung makes the fascinating observation that these renderings create an overwhelming sense of “being there,” a characteristic, she argues, that underscores the Qing concern for the substance of things—a sensibility toward the physical world characteristic of the period and emblematic of a new worldview.

Compiled by scholars at the court of Liu An, king of Huainan, in the second century B.C.E, The Huainanzi is a tightly organized, sophisticated articulation of Western Han philosophy and statecraft. Outlining "all that a modern monarch needs to know," the text emphasizes rigorous self-cultivation and mental discipline, brilliantly synthesizing for readers past and present the full spectrum of early Chinese thought. The Huainanzi locates the key to successful rule in a balance of broad knowledge, diligent application, and the penetrating wisdom of a sage. It is a unique and creative synthesis of Daoist classics, such as the Laozi and the Zhuangzi; works associated with the Confucian tradition, such as the Changes, the Odes, and the Documents; and a wide range of other foundational philosophical and literary texts from the Mozi to the Hanfeizi. The product of twelve years of scholarship, this remarkable translation preserves The Huainanzi's special rhetorical features, such as parallel prose and verse, and showcases a compositional technique that conveys the work's powerful philosophical appeal. This path-breaking volume will have a transformative impact on the field of early Chinese intellectual history and will be of great interest to scholars and students alike.

In Making the New World Their Own, Qiong Zhang offers a systematic study of how Chinese scholars in the late Ming and early Qing came to understand that the earth is shaped as a globe. This notion arose from their encounters with Matteo Ricci, Giulio Aleni and other Jesuits. These encounters formed a fascinating chapter in the early modern global integration of space. It unfolded as a series of mutually constitutive and competing scholarly discourses that reverberated in fields from cosmology, cartography and world geography to classical studies. Zhang demonstrates how scholars such as Xiong Mingyu, Fang Yizhi, Jie Xuan, Gu Yanwu, and Hu Wei appropriated Jesuit ideas to rediscover China’s place in the world and reconstitute their classical tradition. Winner of the Chinese Historians in the United States (CHUS) "2015 Academic Excellence Award"

◆ Cool Creatures, Hot Planet: Exploring the Seven Continents follows Marty and Deb Essen on a three-and-a-half-year-long adventure to some of the wildest places on all seven continents. The American couple began crisscrossing the globe with the simple intention of searching for rare and interesting wildlife. When their travels coincided with the U.S. invasion of Iraq, the added element made them unwitting ambassadors for peace. Their experiences—from amusing to life threatening—changed their lives forever. This is not your average travelogue. Marty Essen has written a book that entertains, informs, and poignantly reminds us that we all share a small planet. Locations visited include: Belize, Peru (the Amazon Rainforest), Argentina, Australia (Queensland), Canada (Alberta, British Columbia, Yukon Territory, and Northwest Territories), Antarctica, Europe (Spain, France, Switzerland, and Andorra), Malaysia (Borneo), and Africa (Zimbabwe). “This is a wonderful book—a labor of love—that describes in soul-stirring language what it is like to live with the people, the animals, the birds, the snakes, the insects, the jungles, the treacherous rivers, the gorgeous scenery of seven continents. It is the best travel and exploratory work I have yet encountered. Marty Essen and his wife, Deb, are two highly intelligent, imaginative, and brave people.”—Senator George McGovern, 1972 Democratic nominee for president “An exciting and adventurous read. Cool Creatures, Hot Planet by Marty Essen is a roller coaster ride through the natural world that will both entertain and enlighten readers.”—Jeff Corwin, The Jeff Corwin Experience

"Simple text and full-color photography introduce beginning readers to nine-banded armadillos. Developed by literacy experts for students in kindergarten through third grade"--

Since its original publication in Chinese in the 1930s, this work has been accepted by Chinese scholars as the most important contribution to the study of their country's philosophy. In 1952 the book was published by Princeton University Press in an English translation by the distinguished scholar of Chinese history, Derk Bodde, "the dedicated translator of Fung Yu-lan's huge history of Chinese philosophy" (New York Times Book Review). Available for the first time in paperback, it remains the most complete work on the subject in any language. Volume I covers the period of the philosophers, from the beginnings to around 100 B.C., a philosophical period as remarkable as that of ancient Greece. Volume II discusses a period lesser known in the West--the period of classical learning, from the second century B.C. to the twentieth century.