The New York Times bestselling author revisits his signature world of Midkemia in this first book in a new trilogy that ushers in the third, and most dramatic, Riftwar yet: the Darkwar Flight of Nighthawks picks up two years after Exile’s Return as Pug, the powerful sorcerer, awakens from a nightmare that portends destruction for all of Midkemia. Disturbed by his dream, Pug calls for a convening of the Conclave of Shadows. Meanwhile, in a small town on the other side of Midkemia, two young brothers are coming of age. As they travel away from home, towards apprenticeships and adulthood, the boys are attacked by bandits and mistakenly transported to Sorcerer’s Isle, the home of the Conclave of Shadows. Though they are untrained and unready, the brothers will join the powerful, mysterious Conclave to confront Midkemia’s most looming evil yet—the Nighthawks, assassins feared throughout the centuries. And Pug will face his old nemesis, the evil wizard formerly known as Sidi, now Leso Varen, in a confrontation with everything at stake: his honor, his life, and the future of Midkemia.

A fascinating study of Edward Hopper's iconic Nighthawks painting and its deep significance for understanding American culture. Staying up Much Too Late discusses the painting Nighthawks and the painter Edward Hopper and their central importance to twentieth-century American culture. Topics include individualism, New York City, Arthur "Weegee" Fellig, diners, pornography, capitalism, advertising, cigarettes, American philosophy, World War II, Gravity's Rainbow, Blade Runner, Pulp Fiction, Russ Meyer, R. Crumb, David Lynch, and film noir What links these together is the painting's pessimistic take on American culture, which it also seems to epitomize. Despite its desolate feel, Nighthawks has become a familiar icon, reproduced on posters and postcards, in movies and on television shows. But Nighthawks is more than just a masterful painting. It is a portal into that rarely acknowledged but pervasive dark side of the American psyche.

There's nothing Ruth Galloway hates more than amateur archaeologists, but when a group of them stumble upon Bronze Age artifacts alongside a dead body, she finds herself thrust into their midst--and into the crosshairs of a string of murders circling ever closer.

In her late thirties, Gretchen Newberry left her office job in Portland, Oregon, to become a wildlife biologist studying nighthawks. The common nighthawk, Chordeiles minor, has long fascinated birders, scientists, farmers, and anyone who has awoken to its raspy calls on a hot city night. In The Nighthawk's Evening, Newberry charts her journey across North America to study these birds, from the islands of British Columbia to rooftops in South Dakota, Oregon sagebrush, and Wisconsin forests. This acrobatic, night-flying bird nests on rooftops and flocks in the thousands as it migrates from Alaska to Argentina and back every year. Nighthawks are strange animals, reptiles with feathers, sleepy during the day, but quick, agile, and especially adept at survival. They have the ability to withstand extreme temperatures and adapt to many habitats, but they are struggling for survival in the Anthropocene. Newberry's story focuses on the bird itself--its complex conservation status and cultural significance--and the larger, often hidden world of nocturnal animals. Along the way, she gives readers insight into the daily life of a scientist, especially one who works primarily at night. The Nighthawk's Evening uses one scientist and one species to explore the challenges, disappointments, and successes of scientific research and conservation efforts. An accessible work of science, it will appeal to birders, students, wildlife managers, and anyone who is fascinated by urban wildlife.

From National Book Award winner Charles Johnson, “the celebrated novelist, short story writer, screenwriter, and essayist…comes a small treasure, one to be read and considered and reread” (The New York Times Book Review), showcasing his incredible range and resonant voice. Charles Johnson’s Night Hawks presents an eclectic, masterful collection of stories tied together by Buddhist themes and displaying all the grace, heart, and insight for which he has long been known. Spanning genres from science fiction to realism, “Johnson’s writing, filled with the sort of long, layered sentences you can get happily lost in, conveys a kindness; a sense that all of us…have our own stories” (The Seattle Times). In “The Weave,” Ieesha and her boyfriend carry out a heist at the salon from which she has just been fired—coming away with thousands of dollars of merchandise in the form of hair extensions. “Night Hawks,” the titular story, draws on Johnson’s friendship with the late playwright August Wilson to construct a narrative about two writers who meet at night to talk. In “Kamadhatu,” a lonely Japanese abbot has his quiet world upended by a visit from a black American Buddhist whose presence pushes him toward the awakening he has long found elusive. “Occupying Arthur Whitfield,” about a cab driver who decides to rob the home of a wealthy passenger, reminds readers to be grateful for what they have. And “The Night Belongs to Phoenix Jones” combines the real-life story of a “superhero” in the city of Seattle with an invented narrative about an aging English professor who decides to join him. With precise, elegant, and moving language, Johnson creates an “arresting” array of “indelible moments that show Johnson to be a master of the short form” (Library Journal, starred review). Night Hawks is “a masterpiece…[that] ultimately offers a message of empowerment and hope” (Oprah.com).

Carleton A. Coon, Sr., and Hoe L. Sanders formed the Coon-Sanders Orchestra in 1919 in Kansas City, Missouri. Three years later, under the name "Nighthawks," the band began broadcasting experimental, highly-popular midnight radio programs over Kansas City's WDAF. Their music was played all over the world, and the band remained one of America's top bands until Coon's death in 1932. Here is the complete history of the Coon-Sanders Orchestra, the band whose saucy, and bustling music and carefree and extravagant musicians symbolized the era between World War I and the Great Depression.

** "Set in 1836, Fergus’s superior sequel . . . brings the period to life as he expertly melds setting and plot." Starred Publishers Weekly ** For Fans of Madeline Miller and Geraldine Brooks, and Historical Mysteries Involving Witchcraft, Second Sight, and Amish, Mennonite, and Pennsylvania Dutch Communities. In this thrilling second in the Gideon Stoltz Mystery series that Booklist called “An appealing debut that deserves a boost from enthusiastic hand-sellers,” it’s now 1836 in the fast-growing town of Adamant. The young Pennsylvania Dutch sheriff Gideon has a new case when a beautiful woman—suspected of witchcraft and residing in a nearby German settlement—is murdered. Suffering from a head injury after a fall off his horse, Gideon can’t recall anything that happened at the time of the woman’s death. As flashes of memory return, he realizes that not only did he know the victim, he was with her the night she died. As Gideon delves into the investigation, he must include himself in the list of suspects. When Gideon uncovers another dead body, he’s launched on a path to discover the truth, no matter the outcome. Gideon’s estranged wife, True, has her own reluctant methods of investigation. Gifted with unwelcome powers of second sight, True realizes that her husband’s life is in danger—and puts her own life on the line to save him. Nighthawk’s Wing unflinchingly examines the oppressed status of women in the 1830 and like the first in the series, it has “an atmospheric setting and a strong sense of place” (Library Journal). Nighthawk’s Wing beckons all readers who crave authenticity in early American historical novels, including those intrigued by witchcraft, spells, and visions. This compelling mystery glides along the edge between the gritty reality of the early 1800s and —a parallel world of spirits and haunted souls.