This is sure an interesting read full of adventure, thrilling suspense and melodrama. Join Adaeze and Oma’s modern-day adventure in the six-part short story series, You Stepped On My Foot, follow Oluchi and Nneka’s suspenseful investigation into mami water events in Tianna, relish the melancholic thrill in the historical fictional dramatization of one of the most popular Igbo folk songs, Ekworo Nwunye Di, learn how to avoid capture by mysterious monsters in Nightfall At Ifite-Oma, among many other interesting short stories that explore Igbo folklore and Igbo history. It should be quickly pointed out that the stories are genuinely inspired by Igbo folklore and true Igbo history. So, this is certainly not yet another Pan Africanist or Afro-Centrist literature, where Africans or Black people generally can do no wrong and have done no wrong since the beginning of time. Expect to read about invasions of African villages by other Black people in pre-colonial times because it did happen, and Igbos had their fair share of these waves of devastating invasions and tyrannical impositions from other Black people. But more importantly, be prepared to absolutely enjoy this book which takes these events and artistically craft short stories that entertain you. You will soon discover that the truth is indeed stranger than fiction.

"Examines the Igbo social system and view of the world. Covers their contact with European culture and the warfare that raged within the Igbo borders."--Textbooks.com viewed Dec. 8, 2020.

This collection of papers-all but one previously unpublished-presents the results of recent field research in the disciplines of history, political science, anthropology, sociology, and economics. The chief emphasis here is on change: on viewing African women as agents of change from the first arrival of Europeans to the present; and on seeking to change the perspective from which African women have been studied in the past. The papers encompass settings as diverse as eighteenth-century Senegal and contemporary Mozambique. Politically and socially, too, the local settings are various, including an Igbo village, the marketplaces of Abidjan and Accra, a development scheme in rural Tanzania, the churches of Freetown, and the streets of Mombasa. The contributors are Iris Berger, James L. Brain, George E. Brooks, Jr., Margaret Jean Hay, Barbara C. Lewis, Leith Mullings, Kamene Okonjo, Claire Robertson, Filomina Chioma Steady, Margaret Strobel, and Judith VanAllen.

So much has been written and published on Nollywood, our Nollywood; the phenomenal Nigerian film industry producing thousands of home videos telling stories of Nigerians from the past to the present and has caught the attention of the rest of the world to say WOW African magic? Did you know that Ivorian rebels in the bush stopped fighting when a shipment of Nollywood DVDs arrived from Lagos? Did you know that Zambian mothers said that their children now talk with accents copied from Nollywood movies? Did you know that when the President of Sierra Leone asked Genevieve Nnaji to join him on the campaign trail he attracted record crowds at rallies, because of her? Yes, Nollywood is our African magic that has hooked the world. The maiden edition of NOLLYWOOD MIRROR(R) SERIES is a celebration of the best of Nollywood.