Night Voices tells the little-known story of young Polish Jewish idealists, survivors of the Holocaust, who chose to support Poland's post-war communist government in the belief that socialism offered the path to a more just society. It is the story of Poland in the years leading up to the war, the horrors Polish Jews faced during the Nazi occupation, the brief period of hope when they believed they were building a better society, and their gradual disillusionment as state sponsored corruption, brutality, Stalinist paranoia, and anti-Semitism developed. The story is told through the memories of four people, Stasia Alapin Rubilowicz, her husband Mietek Rubilowicz, her son Peter Alapin, and her friend Alina. Life in Poland before and during the war is seen primarily through Stasia's eyes, who evokes her youth in an affluent family, largely assimilated into Polish society. This life was shattered forever in her early adulthood when the Nazis invaded, bringing death and destruction to Poland and to Polish Jews in particular. She recounts the anguish of life in the Warsaw Ghetto, her escape from it, her survival on the run, her betrayal to the Gestapo by a woman who had known her at school, and her rescue from prison by Christian Polish friends at the risk of their lives. In the second half of the book we are introduced to Mietek and her friend Alina, who describe their experiences in Poland during and after the war and their hopes that communism would rid the country of bigotry injustice, and want. But as old hatreds, now supported by a perverted catechism of socialist dogma, reawakened anti-Semitism they became increasingly disillusioned, ultimately deciding they had no recourse but to leave Poland and start a new life elsewhere. By 1968 the Polish communist leadership, through a campaign of intimidation and harassment, had succeeded in ridding Poland of virtually all its surviving Jews. Night Voices is a testimony both to the strength of the human spirit and to our capacity for self-delusion.

From the Pulitzer Prize-winning author of Martin Dressler: sixteen new stories—“spellbinding, masterly, sublime” (The New York Times Book Review)—that delve into the secret lives and desires of ordinary people, alongside retellings of myths and legends that highlight the aspirations of the human spirit. Beloved for the lens of the strange he places on small town life, Steven Millhauser further reveals in Voices in the Night the darkest parts of our inner selves to brilliant and dazzling effect. Here are stories of wondrously imaginative hyperrealism, stories that pose unforgettably unsettling what-ifs, or that find barely perceivable evils within the safe boundaries of our towns, homes, and even within our bodies. Here, too, are stories culled from religion and fables: Samuel, who hears the voice of God calling him in the night; a young, pre-enlightenment Buddha, who searches for his purpose in life; Rapunzel and her Prince, who struggle to fit the real world to their dream. Heightened by magic, the divine, and the uncanny, shot through with sly and winning humor, Voices in the Night seamlessly combines the whimsy and surprise of the familiar with intoxicating fantasies that take us beyond our daily lives, all done with the hallmark sleight of hand and astonishing virtuosity of one of our greatest contemporary storytellers.

Roxy is the queen of sex advice—can she work her magic on the man who needs her the most? Laurie Macari is no longer the hottest thing on radio. His phone-in programme, Late Night with Laurie, is falling in the ratings and he's in danger of being shunted off to the graveyard shift. Dr Roxy Rose is the American sex therapist whose provocative advice and sultry voice are exactly what Laurie's boss reckons is needed to spice up his show. At first, Laurie resents Dr Roxy muscling in on his airtime, but sparks fly between them, on-air and off. The more time they spend in the cramped studio, the more Laurie comes to realise the sex life that can benefit most from Dr Roxy's magic is his own. Together they play ever more kinky games, as bratty Roxy submits to Laurie's dominant demands, but what will Roxy's ultimate reward be on the night of the big radio awards ceremony?

This massive collection of original stories and articles inspired by the 'Cthulhu Mythos' created by H.P. Lovecraft was published in Japan in 2002 as a two-volume set under the name Hishinkai. The list of contributing authors is a who's-who of Japanese horror fiction, featuring some of the finest writers in Japan today. In cooperation with Tokyo Sogensha, the Japanese publishers, and the anthology editor, Mr. Asamatsu Ken, we are proud to present these dark visions of the Mythos as interpreted by Japanese authors. You will find some stories that return like old friends, carrying on the Lovecraft tradition, while others will shock you with totally new and unexpected vistas of horror. Each story is accompanied by a thought-provoking introduction by Robert M. Price, the recognized master of the Mythos. The cover is by Yamada Akihiro, who has handled many of the covers for the Japanese-language editions of Lovecraft and other Mythos works, and has established a name for himself in the States as well.

"A lyrical, monumental work of fact and imagination." — Kirkus Reviews (starred review) Arrogance and innocence, hubris and hope — twenty-four haunting voices of the Titanic tragedy, as well as the iceberg itself, are evoked in a stunning tour de force. Slipping in telegraphs, undertaker’s reports, and other records, poet Allan Wolf offers a breathtaking, intimate glimpse at the lives behind the tragedy, told with clear-eyed compassion and astounding emotional power.

From one of Italy’s greatest writers, a stunning novel “filled with shimmering, risky, darting observation” (Colm Tóibín) After WWII, a small Italian town struggles to emerge from under the thumb of Fascism. With wit, tenderness, and irony, Elsa, the novel’s narrator, weaves a rich tapestry of provincial Italian life: two generations of neighbors and relatives, their gossip and shattered dreams, their heartbreaks and struggles to find happiness. Elsa wants to imagine a future for herself, free from the expectations and burdens of her town’s history, but the weight of the past will always prove unbearable, insistently posing the question: “Why has everything been ruined?”