The bestselling novel of love and sacrifice under fascist rule, and “a treat for the mind. One of the best books I have read in a long time” (Isabel Allende). Raimund Gregorius, a professor of dead languages at a Swiss secondary school, lives a life governed by routine. Then, an enigmatic Portuguese woman stirs his interest in an obscure, and mind-expanding book of philosophy that opens the possibility of changing Raimund’s existence. That same night, he takes the train to Lisbon to research the book’s phantom author, Amadeu de Prado, a renowned physician whose principles led him to confront Salazar’s dictatorship. Raimund, now obsessed with unlocking the mystery behind the man, is determined to meet all those on whom Prado left an indelible mark. Among them: his eighty-year-old sister, who maintains her brother’s house as if it were a museum; an elderly cleric and torture survivor confined to a nursing home; and Prado’s childhood friend and eventual partner in the Resistance. The closer Raimund comes to the truth of Prado’s life, and eventual fate, an extraordinary tale takes shape amid the labyrinthine memories of Prado’s intimate circle of family and friends, working in utmost secrecy to fight dictatorship, and the betrayals that threaten to expose them. “A meditative, deliberate exploration of loneliness, language and the human condition” (The San Diego Union-Tribune), Night Train to Lisbon “call[s] to mind the magical realism of Jorge Amado or Gabriel Garcia Marquez . . . allusive and thought-provoking, intellectually curious and yet heartbreakingly jaded,” and inexorably propelled by the haunting mystery at its heart (The Providence Journal). Night Train to Lisbon was adapted into Bille August’s award-winning 2013 film starring Jeremy Irons, Lena Olin, Christopher Lee, and Charlotte Rampling.

International Bestseller: “A moody, tightly constructed historical thriller . . . a good mystery story and an effective evocation of a faraway time and place.” —The New York Times After Jews living in sixteenth-century Portugal are dragged to the baptismal font and forced to convert to Christianity, many of these New Christians persevere in their Jewish prayers and rituals in secret and at great risk; the hidden, arcane practices of the kabbalists, a mystical sect of Jews, continue as well. One such secret Jew is Berekiah Zarco, an intelligent young manuscript illuminator. Inflamed by love and revenge, he searches, in the crucible of the raging pogrom, for the killer of his beloved uncle Abraham, a renowned kabbalist, discovered murdered in a hidden synagogue along with a young girl in dishabille. Risking his life in streets seething with mayhem, Berekiah tracks down answers among Christians, New Christians, Jews, and the fellow kabbalists of his uncle, whose secret language and codes by turns light and obscure the way to the truth he seeks. A marvelous story, a challenging mystery, and a telling tale of the evils of intolerance, The Last Kabbalist of Lisbon both compels and entertains. “The story moves quickly . . . a literary and historical treat.” —Library Journal ''Remarkable . . . The fever pitch of intensity Zimler maintains is at times overwhelming but never less than appropriate to the Hieronymous Bosch-like landscape he describes. Simultaneously, though, he is able to capture, within the bedlam, quiet moments of tenderness and love.” —Booklist (starred review)

From the author of Night Train to Lisbon: a father’s story about his daughter unravels “[a] tale of grief, fraud, guilt and madness . . . Revelatory” (The New York Times Book Review). Pascal Mercier’s international bestseller Night Train to Lisbon mesmerized readers around the world, and was adapted into a film starring Jeremy Irons. Now, in Lea, Mercier returns with a mysterious tale of a father’s love and a daughter’s ambition in the wake of devastating tragedy. It starts with the death of Martijn van Vliet’s wife. Grief-stricken, his young daughter Lea retreats into the darkness of mourning. Then she hears the unfamiliar sound of a violin being played in the hall of a train station, and she is brought back to life—vowing to learn the instrument. Martijn, witnessing this delicate spark, promises to do everything in his power to keep her happy. But as Lea blossoms into a musical prodigy, her relationship with her father starts to disintegrate. Desperate to hold on to her, Martijn is pushed to commit an act that threatens to destroy them both. A revelatory portrait of artistic genius and madness, Lea delves into the damaging power of jealousy as well as the poignant ways we strive to understand our families and ourselves. A New York Times Book Review Paperback Row Selection

Night Train to Lisbon is a sensuous tale of the pursuit of love and passion against all odds, set in the 1930s when the world was on the brink of war and suspicion of loyalty, motivation, and intent -- to both country and lover -- was at flood tide. Carson Weatherell is a privileged young American woman traveling in Europe in 1936, courtesy of her aunt and uncle who live abroad and have kindly offered to show her the sights. A bout of illness and self-pity almost send her back to her sheltered Connecticut life, but on an overnight train to Lisbon, she suddenly can't imagine returning home. On that train she meets Alec Breve, a young British scientist traveling with a group of colleagues -- and in his company, Carson finds that she's enjoying herself, certainly for the first time since she left New York Harbor, and quite possibly for the first time in her life. In Lisbon, Carson and Alec begin an intense love affair, but their bliss is threatened when Carson's uncle reveals that Alec might be a spy for Germany. He insists that it is essential that Alec be trapped and brought to justice, and the only person who can deliver an unsuspecting Alec to the proper authorities is Carson. Desperate to believe in her new love -- and terrified of discovering she has fallen for a traitor -- Carson must choose whether to prove her lover innocent or leave him to face the consequences on his own. A riveting page-turner, Night Train to Lisbon travels back to the days when war loomed, the Mitford sisters dazzled, and night trains brimmed with romance and intrigue, delivering a mesmerizing novel of a love that must truly conquer all in order to survive.

A girl's death leads Inspector Zé Coelho to unsolved crimes from Portugal's past.

Night trains have long fascinated us with the possibilities of their private sleeping compartments, gilded dining cars, champagne bars and wealthy travellers. Authors from Agatha Christie to Graham Greene have used night trains to tell tales of romance, intrigue and decadence against a rolling background of dramatic landscapes. The reality could often be as thrilling: early British travellers on the Orient Express were advised to carry a revolver (as well as a teapot). In Night Trains, Andrew Martin attempts to relive the golden age of the great European sleeper trains by using their modern-day equivalents. This is no simple matter. The night trains have fallen on hard times, and the services are disappearing one by one. But if the Orient Express experience can only be recreated by taking three separate sleepers, the intriguing characters and exotic atmospheres have survived. Whether the backdrop is 3am at a Turkish customs post, the sun rising over the Riviera, or the constant twilight of a Norwegian summer night, Martin rediscovers the pleasures of a continent connected by rail. By tracing the history of the sleeper trains, he reveals much of the recent history of Europe itself. The original sleepers helped break down national barriers and unify the continent. Martin uncovers modern instances of European unity - and otherwise - as he traverses the continent during 'interesting times', with Brexit looming. Against this tumultuous backdrop, he experiences his own smaller dramas, as he fails to find crucial connecting stations, ponders the mystery of the compartment dog, and becomes embroiled in his very own night train whodunit.

An escape story and a love story told by one refugee to another, in a Portuguese interlude in the World War II flight of refugees from Europe. The narrator is a German who returned to see his wife and bring her out of Germany, but tragedy strikes the two.