When it was published in 1932, this revolutionary first fiction redefined the art of the novel with its black humor, its nihilism, and its irreverent, explosive writing style, and made Louis-Ferdinand Celine one of France's--and literature's--most important 20th-century writers. The picaresque adventures of Bardamu, the sarcastic and brilliant antihero of Journey to the End of the Night move from the battlefields of World War I (complete with buffoonish officers and cowardly soldiers), to French West Africa, the United States, and back to France in a style of prose that's lyrical, hallucinatory, and hilariously scathing toward nearly everybody and everything. Yet, beneath it all one can detect a gentle core of idealism.

As the tricolor rose over revolutionary France, language, with its ability to define ideals and allegiances, was both a threat to authority and weapon to be wielded. In the early years of the Republic, the Académie Française, the royal body responsible for the French language, was suppressed by the National Convention at the urging of the Abbé Grégoire and the artist Jacques-Louis David. However, by 1795, the National Convention recognized that language could be used to its advantage, leading it to commission a fifth edition of the Dictionnaire de l'Académie française, which would unquestionably become the most controversial edition in the Académie's history. The National Convention expected this dictionary to champion the ideals of Revolution and Republic, but when it appeared three years later it did quite the opposite. Instead, the fifth edition virtually ignored the Revolution and the linguistic innovations that had transformed the French language, even omitting two of the most famous and enduring neologisms spawned by the Revolution--ancien régime and Terror. Present-tense definitions of abolished institutions and anachronistic values dominated the work and the Revolution was consigned to a brief and hastily-prepared supplement at the end of the second volume. Because of its failure to capture the current state of the French language, most contemporaries judged it harshly, and its deficiencies led the Parisian publisher Nicolas Moutardier to publish a competing dictionary in 1802. The dictionary became the focus of protracted litigation that Napoleon Bonaparte's government increasingly used to assert its control over language. Indeed, Bonaparte met personally with the commission of the Institut National (the republican successor to the Académie) and made clear his desire that the new edition not contain revolutionary neologisms. Eager to see the new edition appear, the Bonapartist regime committed financial resources and established a timetable for its completion within five years. However, it was only in 1835, after the fall of Bonaparte and the Bourbons, that the sixth edition would appear. Although the Académie was one of the most prominent institutions under the Old Regime, scholarship on the Académie remains largely neglected. Drawing on previously untapped sources in the Archives de l'Institut and Archives Nationales, The Place of Words is the first book-length study of the controversial fifth edition of the Dictionnaire de l'Académie française. Spanning more than half a century of changing regimes, this study provides unique insight into the ways in which each government, from the publication of the fourth edition in 1762 to the sixth in 1835, viewed the role of language as an instrument of control.

Winner of the 2015 American Library in Paris Book Award The Marquis de Lafayette at age nineteen volunteered to fight under George Washington and became the French hero of the American Revolution. In this major biography Laura Auricchio looks past the storybook hero and selfless champion of righteous causes who cast aside family and fortune to advance the transcendent aims of liberty and fully reveals a man driven by dreams of glory only to be felled by tragic, human weaknesses. Drawing on substantial new research conducted in libraries, archives, museums, and private homes in France and the United States, Auricchio, gives us history on a grand scale revealing the man and his complex life, while challenging and exploring the complicated myths that have surrounded his name for more than two centuries

Since its first publication to mark the bicentenary of the French Revolution in 1989, this Oxford History has established itself as the Revolution's most authoritative and comprehensive one-volume history in English, and has recently been translated into Chinese. Running from the accession of Louis XVI in 1774, it traces the history of France through revolution, terror, and counter-revolution to the final triumph of Napoleon in 1802. It also analyses the impact of events in France upon the rest of Europe and the world beyond. The study shows how a movement which began with optimism and general enthusiasm soon became a tragedy, not only for the ruling orders, but also for the millions of ordinary people whose lives were disrupted by religious upheaval, economic chaos, and civil and international war. Now in its third edition, this volume has been fully updated in the light of current research, and includes an appendix surveying the past and present historiography of the revolutionary period.

This book challenges common historical misperceptions of both the history of the sciences in early modern France and the history of the French Enlightenment. By reexamining the moral, political, and social ideas of those who defended the ascendency of the sciences, this book demonstrates the evolution of political views.