The bonds of family are tested in the wake of a profound tragedy, providing a look at the darker side of our society

Winner of the Shamus Award for Best Novel Working late-night surveillance at a luxury condominium development, Chicago private investigator Joe Kozmarski encounters a burglary crew. Two of the crew members show up in a police cruiser dressed in uniform. In the chaos that follows, Kozmarski shoots and kills one of the thieves, who, like the rest of the crew, is one of Chicago's Finest. And just like that Kozmarski finds he's in for many a bad night's sleep. Kozmarski joins the burglary crew, working as an inside agent for his old friend Lieutenant Bill Gubman. Facing dangerous suspicions from both the criminal gang and the uncorrupted ranks of the police department, uncertain about who wishes to help him stay alive and who wishes to kill him, Kozmarski takes his wildest ride yet. A Bad Night's Sleep pushes full throttle through the streets of Chicago to a stunning conclusion.

“A painful truth of family life: the most tender emotions can change in an instant. You think your parents love you but is it you they love, or the child who is theirs?” --Joyce Carol Oates, My Life as a Rat Which should prevail: loyalty to family or loyalty to the truth? Is telling the truth ever a mistake and is lying for one’s family ever justified? Can one do the right thing, but bitterly regret it? My Life as a Rat follows Violet Rue Kerrigan, a young woman who looks back upon her life in exile from her family following her testimony, at age twelve, concerning what she knew to be the racist murder of an African-American boy by her older brothers. In a succession of vividly recalled episodes Violet contemplates the circumstances of her life as the initially beloved youngest child of seven Kerrigan children who inadvertently “informs” on her brothers, setting into motion their arrests and convictions and her own long estrangement. Arresting and poignant, My Life as a Rat traces a life of banishment from a family—banishment from parents, siblings, and the Church—that forces Violet to discover her own identity, to break the powerful spell of family, and to emerge from her long exile as a “rat” into a transformed life.

Four brand-new novellas by the #1 New York Times-bestselling, National Book Award-winning “grand mistress of ghoulishness” (Publishers Weekly). An academic in Pennsylvania discovers a terrifying trauma from her past after inheriting a house in Cardiff, Maine from someone she has never heard of. A pubescent girl, overcome with loneliness, befriends a feral cat that becomes her protector from the increasingly aggressive males that surround her. A brilliant but shy college sophomore is distraught to discover that she’s pregnant, and the professor who takes her under his wing may not have innocent intentions. And a woman who marries into a family shattered by tragedy finds herself haunted by her predecessor’s voice, an inexplicably befouled well, and a compulsive attraction to a garage that took two lives. In these psychologically daring, chillingly suspenseful pieces, the author of We Were the Mulvaneys and Blonde writes about women facing threats past and present, once again cementing her reputation for “great intelligence and dead-on imaginative powers” (Los Angeles Times Book Review).

Finalist for the Mary Higgins Clark Award From the award-winning author of There Was an Old Woman comes a riveting tale of domestic noir, infused with old Hollywood folklore and glamour, set in a town rife with egotism and backstabbing and where fame and infamy are often interchangeable. Los Angeles 1986: When Deirdre Unger arrived in Beverly Hills to help her bitter, disappointed father sell his dilapidated house, she discovers his lifeless body floating face down in the swimming pool. At first, Deirdre assumes her father’s death was a tragic accident. But the longer she stays in town, the more she suspects that it is merely the third act in a story that has long been in the making. The sudden re-surfacing of Deirdre’s childhood best friend Joelen Nichol—daughter of the legendary star Elenor “Bunny” Nichol—seems like more than a coincidence. Back in 1958, Joelen confessed to killing her movie star mother’s boyfriend. Deirdre happened to be at the Nichols house the night of the murder—which was also the night she suffered a personal tragedy of her own. Could all of these events be connected? Her search to find answers forces Deirdre to confront a truth she has long refused to believe: beneath the slick veneer of Beverly Hills lie secrets that someone will kill to keep buried.

'America's preeminent fiction writer' New Yorker 'A raw, propulsive tale of love and grief' Mail on Sunday Michaela and her husband have moved to the starkly beautiful but uncanny landscape of New Mexico, to take residency at a distinguished academic institute. But then Gerard is stricken with a mysterious illness, initially misdiagnosed, and soon their life begins to resemble a nightmare. At thirty-seven, Michaela faces the terrifying prospect of widowhood - and the loss of Gerard, whose identity has greatly shaped her own. In vividly depicted scenes of escalating suspense, Michaela cares desperately for Gerard in his final days, and then careens through the chaos of the days after he is gone. Her love for her husband, however fierce and selfless, has not been enough to save him and his death is beyond her comprehension. A love that refuses to be surrendered at death - is this the blessing of a unique married love, or a curse that must be exorcized? Breathe is an exploration of haunting, a horror story about the raw madness of grief, and an intense, heart-wrenching love story that grapples with the philosophical questions most fundamental to our existence.

A new collection of thirteen mesmerizing stories by American master Joyce Carol Oates, including the 2017 Pushcart Prize–winning “Undocumented Alien” The diverse stories of Beautiful Days, Joyce Carol Oates explore the most secret, intimate, and unacknowledged interior lives of characters not unlike ourselves, who assert their independence in acts of bold and often irrevocable defiance. “Fleuve Bleu” exemplifies the rich sensuousness of Oates’s prose as lovers married to other persons vow to establish, in their intimacy, a ruthlessly honest, truth-telling authenticity missing elsewhere in their complicated lives, with unexpected results. In “Big Burnt,” set on lushly rendered Lake George, in the Adirondacks, a cunningly manipulative university professor exploits a too-trusting woman in a way she could never have anticipated. In a more experimental but no less intimate mode, “Les beaux jours” examines the ambiguities of an intensely erotic, exploitative relationship between a “master” artist and his adoring young female model. And the tragic “Undocumented Alien” depicts a young African student enrolled in an American university who is suddenly stripped of his student visa and forced to undergo a terrifying test of courage. In these stories, as elsewhere in her fiction, Joyce Carol Oates exhibits her fascination with the social, psychological, and moral boundaries that govern our behavior—until the hour when they do not.