The film's troublesome production schedule is brought vividly to life through Tony Earnshaw's enthusiastic style - including new research and original interviews. Earnshaw's book tracks the film's development from the original ghost story Casting the Runes by M R James through the various shooting scripts, alternative titles, and the challenging production work, to the final theatrical release. Along the way there are anecdotes, analysis and fascinating insights into British movie making in the 1950s, as well as previously unseen production designs by Sir Ken Adam, who went on to create the gadgets and secret bases that helped make the Bond series an international phenomenon. With a comprehensive location guide and biographies of all the onstage and backstage players, Beating The Devil - the Making of Night of the Demon is the definitive book on what has been described as "The Casablanca of Horror Films".

Secret, strange, dark, impure and dissonant...Enter the haunted landscapes of folk horror, a world of ­pagan ­village conspiracies, witch finders, and teenagers awakening to evil; of dark fairy tales, backwoods cults and obsolete technologies. Beginning with the classics Night of the Demon, Witchfinder General, The Wicker Man and Blood on Satan's Claw, We Don't Go Back surveys the genre of screen folk horror from across the world. Travelling from Watership Down to The Texas Chain Saw Massacre, with every stop inbetween, We Don't Go Back is a thoughtful, funny and essential overview of folk horror in TV and cinema."A beautiful rumination on the dark films and television that shaped me and a generation of odd children, for good or ill, worth a year of your time, because you won't just read the book, you'll feel a burning desire to watch everything mentioned within." - Robin Ince"A comprehensive, accessible and often riotously funny tome weaving together folk horror in all its forms, from British television to the American backwoods, from Eastern European fairytales to the vengeful ghosts of East Asia. Ingham explores uncanny landscapes haunted by things buried, old cultures converging with the reluctance of contemporary reason, that very tension that gives his book its name. He attempts to both define folk horror and free it from definition, creating the ultimate guide to the genre's manifestations on film and offering a convincing argument as to why the genre resonates so compellingly with people today." - Kier-La Janisse, author of House of Psychotic Women

At least three of director Jacques Tourneur's films--Cat People, I Walked with a Zombie and The Leopard Man--are recognized as horror classics. Yet his contributions to these films are often minimized by scholars, with most of the credit going to the films' producer, Val Lewton. A detailed examination of the director's full body of work reveals that those elements most evident in the Tourneur-Lewton collaborations--the lack of monsters and the stylized use of suggested violence--are equally apparent in Tourneur's films before and after his work with Lewton. Mystery and sensuality were hallmarks of his style, and he possessed a highly artistic visual and aural style. This insightful critical study examines each of Tourneur's films, as well as his extensive work on MGM shorts (1936-1942) and in television. What emerges is evidence of a highly coherent directorial style that runs throughout Tourneur's works.

This selection of twenty-one short stories by M.R. James--a first-classwriter of supernatural fiction--represents his best work, including "CountMagnus," "The Rose Garden," "The Uncommon Prayer-book," "Rats," "The Malice ofInanimate Objects," and "A Vignette," as well as the title story.

In the epic finale to New York Times bestselling author Julie Kagawa’s Shadow of the Fox trilogy, the scroll has been taken, and no one is safe. To save everyone she loves from imminent death, kitsune shapeshifter Yumeko gave up the final piece of the Scroll of a Thousand Prayers. Now she and her ragtag band of companions must make one desperate final effort to stop the Master of Demons from using the scroll to call the Great Kami Dragon and make the wish that will plunge the empire into chaos. Shadow clan assassin Kage Tatsumi has regained control of his body and agreed to a true deal with the devil—the demon inside him, Hakaimono. They will share his body and work with Yumeko to stop a madman, and to separate Hakaimono from Tatsumi and the cursed sword that trapped the demon for nearly a millennium. But even with their combined skills and powers, this unlikely team of heroes knows the forces of evil may be impossible to overcome. And there is another player in the battle for the scroll, a player who has been watching, waiting for the right moment to pull strings that no one even realized existed…until now. Books in the Shadow of the Fox trilogy: Shadow of the Fox Soul of the Sword Night of the Dragon

In order to save his uncle, Malachi is forced to summon Santa Muerte, the deity of death. He offers a year of his life in exchange for her help. With his soul on the line, he must do her bidding, to regain his freedom. After Malachi learns he has become an angel of death, he attempts to escape, and faces a battle with Muerte. A battle which he wins. In fear of not knowing if he killed her or not, Malachi retreats to the underworld. Secrets are revealed about Malachi’s past, when Daniel travels through time to discover the lies about Malachi’s parent’s deaths and a mysterious figure who appeared to him as a child attempting to alter his memory. And one final discovery about his past will change everything. “Night Of The Demon” is the second of three books from Author G.W. Mullins’ “Rise Of The Dark Lighter.” This new series is a continuation of his “From The Dead Of Night” books, featuring the Best-Selling titles “Daniel Is Waiting” and “Daniel Returns.”

An anthology of thrillers and chillers from 19th Century France. In Theophile Gautier's The Dead in Love, a man develops an obsessive passion for a woman who has returned from the grave, while Honore de Balzac's The Red Inn is on a crime which is committed by one person in thought and another in deed.