In the light of current events, particularly the ‘post September 11th’ debates with much focus on aspects of the ‘clash of civilisation’ thesis, the issue of Islamic identity is a crucial one. Whilst Friedrich Nietzsche was addressing an audience of a different culture and age, his own originality, creativity, psychological, philological and historical insights allows for a fresh and enlightening understanding of Islam within the context of our modern era. In this book, Roy Jackson sets out to determine: Why did Nietzsche feel inclined to be so generous towards the Islamic tradition yet so critical of Western Christianity? How important was religion for Nietzsche’s views on such matters as moral and political philosophy and how does this help us to understand the Islamic response to modernity? How does Nietzsche’s distinctive outlook and methodology help us to understand such key Islamic paradigms as the Qur’an, the Prophet, and the ‘Rightly-Guided’ Caliphs? Nietzsche and Islam provides an original and fresh insight into Nietzsche’s views on religion and shows that his philosophy can make an important contribution to what is considered to be Islam’s key paradigms. As such it will be of interest to a diverse readership and will provide useful material for researchers when thinking about religion, Islam and the future.

"One of the most important works of German and European intellectual history published in years. . . . It will be welcomed by intellectual historians as a long overdue history of the multivalent reception and reworking of Nietzsche."—Jeffrey Herf, author of Reactionary Modernism

​This book is the first sustained scholarly account of women and goddesses in presocratic philosophy. It approaches the origin of western philosophy via Nietzsche, Feminism, and Embodied Cognition in order to argue that the presocratics were reviving, within the largely patriarchal and death-glorifying culture of archaic Greece, a paleo/neolithic goddess-centered religiosity that affirmed life and rebirth. By taking readers from prehistoric Europe to classical Athens, Joseph I. Breidenstein Jr. provides a novel narrative of the dawn of western philosophy which is more comprehensive than traditional accounts and which helps us address contemporary problems—the patriarchal attitudes and ideas that continue to corrupt academic-philosophical culture; the fascist-dominator lifestyle that continues to threaten western democracy and which is encouraged by the patriarchal aspects of academia; and the consumerism that continues to result from a materialistic-secular paradigm that is being increasingly recognized as both intellectually untenable and socially unsustainable.

Lyrically evoking the Española Valley and its residents through conversations, encounters, and recollections, The Pastoral Clinic is at once a devastating portrait of addiction, a rich ethnography of place, and an eloquent call for a new ethics of care. --amazon.com.

American novelist Edith Wharton (1862–1937) is best known today for her tales of the city and the experiences of patrician New Yorkers in the “Gilded Age.” This book pushes against the grain of critical orthodoxy by prioritizing other “species of spaces” in Wharton’s work. For example, how do Wharton’s narratives represent the organic profusion of external nature? Does the current scholarly fascination with the environmental humanities reveal previously unexamined or overlooked facets of Wharton’s craft? I propose that what is most striking about her narrative practice is how she utilizes, adapts, and translates pastoral tropes, conventions, and concerns to twentieth-century American actualities. It is no accident that Wharton portrays characters returning to, or exploring, various natural localities, such as private gardens, public parks, chic mountain resorts, monumental ruins, or country-estate “follies.” Such encounters and adventures prompt us to imagine new relationships with various geographies and the lifeforms that can be found there. The book addresses a knowledge gap in Wharton and the environmental humanities, especially recent debates in ecocriticism. The excavation of Wharton's words and the background of her narratives with an eye to offering an ecocritical reading of her work is what the book focuses on.