Among the most influential and enigmatic thinkers of the modern age, Nietzsche and Heidegger have become pivotal in the struggle to define postmodernism. In this work, Gregory Smith offers the most comprehensive examination to date of the turn to postmodernity in the writings of these philosophers. Smith argues that, while much of postmodern thought is rooted in Nietzsche and Heidegger, it has ironically attempted, whether unwittingly or by design, to deflect their philosophy back onto a modern path. Other alternative paths emanating from both Nietzschean and Heideggerian thought that might more powerfully speak to postmodern culture have been ignored. Nietzsche and Heidegger, Smith suggests, have made possible a far more revolutionary critique of modernity then even their most ardent postmodern admirers have realized. Smith contends that the influences on the postmodern in the thought of Nietzsche and Heidegger are founded in a new vision of praxis liberated from theory. Ultimately, these philosophers do transcend the nihilism often found in the guise of postmodernism. Their thought is, moreover, consistent with the possibility of limited constitutional government and the rule of law. Smith's book takes the first step toward recovering these possibilities and posing the fundamental questions of politics and ethics in ways that have heretofore been closed off by late-modern thought.

Nietzsche and Heidegger, Smith argues, have made possible a far more revolutionary critique of modernity than even their most ardent postmodern admirers have realized.

Heidegger, Art, and Postmodernity offers a radical new interpretation of Heidegger's later philosophy, developing his argument that art can help lead humanity beyond the nihilistic ontotheology of the modern age. Providing pathbreaking readings of Heidegger's 'The Origin of the Work of Art' and his notoriously difficult Contributions to Philosophy (From Enowning), this book explains precisely what postmodernity meant for Heidegger, the greatest philosophical critic of modernity, and what it could still mean for us today. Exploring these issues, Iain D. Thomson examines several postmodern works of art, including music, literature, painting and even comic books, from a post-Heideggerian perspective. Clearly written and accessible, this book will help readers gain a deeper understanding of Heidegger and his relation to postmodern theory, popular culture and art.

Catherine Zuckert examines the work of five key philosophical figures from the nineteenth and twentieth centuries through the lens of their own decidedly postmodern readings of Plato. She argues that Nietzsche, Heidegger, Gadamer, Strauss, and Derrida, convinced that modern rationalism had exhausted its possibilities, all turned to Plato in order to rediscover the original character of philosophy and to reconceive the Western tradition as a whole. Zuckert's artful juxtaposition of these seemingly disparate bodies of thought furnishes a synoptic view, not merely of these individual thinkers, but of the broad postmodern landscape as well. The result is a brilliantly conceived work that offers an innovative perspective on the relation between the Western philosophical tradition and the evolving postmodern enterprise.

Are we moving inevitably into an irreversible era of postnationalism and globalism? In Political Philosophy and the Republican Future, Gregory Bruce Smith asks, if participation in self-government is not central to citizens’ vision of the political good, is despotism inevitable? Smith's study evolves around reconciling the early republican tradition in Greece and Rome as set out by authors such as Aristotle and Cicero, and a more recent tradition shaped by thinkers such as Machiavelli, Locke, Montesquieu, Adam Smith, Madison, and Rousseau. Gregory Smith adds a further layer of complexity by analyzing how the republican and the larger philosophical tradition have been called into question by the critiques of Nietzsche, Heidegger, and their various followers. For Smith, the republican future rests on the future of the tradition of political philosophy. In this book he explores the nature of political philosophy and the assumptions under which that tradition can be an ongoing tradition rather than one that is finished. He concludes that political philosophy must recover its phenomenological roots and attempt to transcend the self-legislating constructivism of modern philosophy. Forgetting our past traditions, he asserts, will only lead to despotism, the true enemy of all permutations of republicanism. Cicero's thought is presented as a classic example of the phenomenological approach to political philosophy. A return to the architectonic understanding of political philosophy exemplified by Cicero is, Smith argues, the key to the republican future.

By the time Martin Heidegger passed away on May 26th, 1976, he had become the most important and controversial philosopher of his age. While many of his former students had become important philosophers and thinkers in their own right, Heidegger also inspired countless others, like Jacques Derrida, Michel Foucault, and Jean-Paul Sartre. The second edition of the Historical Dictionary of Heidegger's Philosophy is an historical perspective on the development of Heidegger's thought in all its nuances and facets. Schalow and Denker cast light on the historical influences that shaped the thinker and his time through a chronology; an introductory essay; a bibliography; appendixes that include German and Greek to English glossaries of terms and a complete listing of Heidegger's writings, lectures, courses, and seminars; and a cross-referenced dictionary section offering over 600 entries on concepts, people, works, and technical terms. This volume is an invaluable resource for student and scholar alike.

Gregory Fried offers in this book a careful investigation of Martin Heidegger’s understanding of politics. Disturbing issues surround Heidegger’s commitment to National Socialism, his disdain for liberal democracy, and his rejection of the Enlightenment. Fried confronts these issues, focusing not on the historical debate over Heidegger’s personal involvement with Nazism, but on whether and how the formulation of Heidegger’s ontology relates to his political thinking as expressed in his philosophical works. The inquiry begins with Heidegger’s interpretation of Heraclitus, particularly the term polemos (“war,” or, in Heidegger’s usage, “confrontation”). Fried contends that Heidegger invests polemos with broad ontological significance and that his appropriation of the word provides important insights into major strands of his thinking—his conception of the human being, understanding of truth, and interpretation of history—as well as the meaning of the so-called turn in his thought. Although Fried finds that Heidegger’s politics are continuous with his thought, he also argues that Heidegger’s work raises important questions about contemporary identity politics. Fried also shows that many postmodernists, despite attempts to distance themselves from Heidegger, fail to avoid some of the same political pitfalls his thinking entailed.