Nicolas Cage - The Method Man Of Cinemas celebrates the legend, the Academy Award-winning actor, the global superstar, and a cult icon that most movie-goers and lovers all over the world are familiar with. Written in beautiful and easy-to-read language, this biography sheds a spotlight on the grand life of Nicolas Cage, for fans and readers keen on knowing what made the extraordinary actor a great icon of cinemas and a little more. You will love it!

Nicolas Cage - The Method Man Of Cinemas celebrates the legend, the Academy Award-winning actor, the global superstar, and a cult icon that most movie-goers and lovers all over the world are familiar with. Written In beautiful and easy-to-read language, this biography sheds a spotlight on the grand life of Nicolas Cage, for fans and readers keen on knowing what made the extraordinary actor a great icon of cinemas and a little more. You will love it!

Since his Oscar-winning performance inLeaving Las Vegas, Nicholas Cage has become one of the most high-profile stars of contemporary cinema. Yet despite all the media attention, Cage remains one of Hollywood’s most inscrutable stars; in fact, his real life is as curious as some of the characters he plays. This new book follows the actor’s life and appraises his career, including his roles in cult movies likeRaising ArizonaandWild at Heart,his oddball leading-man parts in films likeMoonstruck,and his incarnation as action hero inCon AirandFace/Off.Complete with photos and a filmography, this is a must-read for Nicolas Cage’s many fans.

"The cinema isn't a slice of life, it's a slice of cake"--Alfred Hitchcock. "If you make a popular movie, you start to think where have I failed?"--Woody Allen. "A film is the world in an hour and a half"--Jean-Luc Godard. "I think you have to be slightly psychopathic to make movies"--David Cronenberg. This compendium contains more than 3,400 quotations from filmmakers and critics discussing their craft. About 1,850 film people are included--Bunuel, Capra, Chaplin, Disney, Fellini, Fitzgerald, Griffith, Kael, Kurasawa, Pathe, Sarris, Schwarzenegger, Spielberg, Waters and Welles among them. The quotations are arranged under 31 topics such as acting, animation, audience, budget, casting, critics, costume design, directing, locations, reviews, screenwriting, special effects and stardom. Indexing by filmmakers (or critics), by film titles and by narrow subjects provides a rich array of points of access.

A celebration of Nicolas Cage — the man and the meme Nicolas Cage: leading man or character actor? Action hero or goofball comedian? Internet joke or one of the greatest actors of his generation? Beyond the gif bait and easy punchline, Nicolas Cage continually frustrates easy categorization or understanding. In National Treasure, pop culture writer Lindsay Gibb studies Nicolas Cage's acting style and makes sense of the trajectory of his eclectic career. In the process, Gibb debunks the common claim that Cage makes bad choices. While his selection of roles is seemingly inscrutable, Cage challenges critics and audiences alike by refusing to be predictable or to conform to the Hollywood approach to acting. Much like one of his mentors, David Lynch, Cage aims for art in movie-making. Is there a method to his madness? Is he in on the joke? In this clear-eyed and well-argued volume of the Pop Classics series, Gibb answers both questions with a resounding hell yes.

Most people are too busy to keep up with all the good movies they’d like to see, so why should anyone spend their precious time watching the bad ones? In Why It’s OK to Love Bad Movies, philosopher and cinematic bottom feeder Matthew Strohl enthusiastically defends a fondness for disreputable films. Combining philosophy of art with film criticism, Strohl flips conventional notions of "good" and "bad" on their heads and makes the case that the ultimate value of a work of art lies in what it can add to our lives. By this measure, some of the worst movies ever made are also among the best. Through detailed discussions of films such as Troll 2, The Room, Batman & Robin, Twilight, Ninja III: The Domination, and a significant portion of Nicolas Cage’s filmography, Strohl argues that so-called "bad movies" are the ones that break the rules of the art form without the aura of artistic seriousness that surrounds the avant-garde. These movies may not win any awards, but they offer rich opportunities for creative engagement and enable the formation of lively fan communities, and they can be a key ingredient in a fulfilling aesthetic life. Key Features: Written in a humorous, approachable style, appealing to readers with no background in philosophy. Elaborates the rewards of loving bad movies, such as forming unlikely social bonds and developing refinement without narrowness. Discusses a wide range of beloved bad movies, including Plan 9 from Outer Space, The Core, Battlefield Earth, and Freddy Got Fingered. Contains the most extensive discussion of Nicolas Cage ever included in a philosophy book.

The first editon was called "the most valuable film reference in several years" by Library Journal. The new edition published in hardcover in 2001 includes more than 670 entries. The current work is a paperback reprint of that edition. Each entry contains a mini-essay that defines the topic, followed by a chronological list of representative films. From the Abominable Snowman to Zorro, this encyclopedia provides film scholars and fans with an easy-to-use reference for researching film themes or tracking down obscure movies on subjects such as suspended animation, viral epidemics, robots, submarines, reincarnation, ventriloquists and the Olympics ("Excellent" said Cult Movies). The volume also contains an extensive list of film characters and series, including B-movie detectives, Western heroes, made-for-television film series, and foreign film heroes and villains.