Replete with complexities, abjection, beauty and joy, Women Painting Women offers new ways to imagine the portrayal of women, from Alice Neel to Jordan Casteel A thematic exploration of nearly 50 female artists who choose women as subject matter in their works, Women Painting Women includes nearly 50 portraits that span the 1960s to the present. International in scope, the book recognizes female perspectives that have been underrepresented in the history of postwar figuration. Painting is the focus, as traditionally it has been a privileged medium for portraiture, particularly for white male artists. The artists here use painting and women as subject matter and as vehicles for change. They range from early trailblazers such as Emma Amos and Alice Neel to emerging artists such as Jordan Casteel, Somaya Critchlow and Apolonia Sokol. All place women--their bodies, gestures and individuality--at the forefront. The pivotal narrative in Women Painting Women is how the artists included use the conventional portrait of a woman as a catalyst to tell another story outside of male interpretations of the female body. They conceive new ways to activate and elaborate on the portrayal of women by exploring themes of the Body, Nature Personified, Selfhood and Color as Portrait. Replete with complexities, realness, abjection, beauty, complications, everydayness and joy, the portraits in this volume make way for women artists to share the stage with their male counterparts in defining the image of woman and how it has evolved. Artists include: Rita Ackermann, Njideka Akunyili Crosby, Emma Amos, María Berrío, Louise Bonnet, Lisa Brice, Joan Brown, Jordan Casteel, Somaya Critchlow, Kim Dingle, Marlene Dumas, Celeste Dupuy-Spencer, Nicole Eisenman, Tracey Emin, Natalie Frank, Hope Gangloff, Eunice Golden, Jenna Gribbon, Alex Heilbron, Ania Hobson, Luchita Hurtado, Chantal Joffe, Hayv Kahraman, Maria Lassnig, Christiane Lyons, Danielle Mckinney, Marilyn Minter, Alice Neel, Elizabeth Peyton, Paula Rego, Faith Ringgold, Deborah Roberts, Susan Rothenberg, Jenny Saville, Dana Schutz, Joan Semmel, Amy Sherald, Lorna Simpson, Arpita Singh, Sylvia Sleigh, Apolonia Sokol, May Stevens, Claire Tabouret, Mickalene Thomas, Nicola Tyson and Lisa Yuskavage.

“In her long and extraordinary career, Cicely Tyson has not only succeeded as an actor, she has shaped the course of history.” –President Barack Obama, 2016 Presidential Medal of Freedom ceremony “Just as I Am is my truth. It is me, plain and unvarnished, with the glitter and garland set aside. In these pages, I am indeed Cicely, the actress who has been blessed to grace the stage and screen for six decades. Yet I am also the church girl who once rarely spoke a word. I am the teenager who sought solace in the verses of the old hymn for which this book is named. I am a daughter and a mother, a sister and a friend. I am an observer of human nature and the dreamer of audacious dreams. I am a woman who has hurt as immeasurably as I have loved, a child of God divinely guided by his hand. And here in my ninth decade, I am a woman who, at long last, has something meaningful to say.” –Cicely Tyson

This book accompanies an exhibition, The Nakeds, which is devoted to drawings of the body exposed. The naked body is frequently the physical terrain artists traverse in search of psychological truth. How to represent love, shame, solitude and sexual yearning?Drawing from the self or life model, from reproduction or the imagination, has provided artists with the freedom to explore desires, fears and fantasies. The Nakeds takes as its starting point selected drawings of the single figure by Egon Schiele. From here, it considers work by artists from the post-war period to the present day.Essays by the co-curators, artist David Austen and art historian Dr. Gemma Blackshaw, will investigate Schiele's drawings of the single figure, the contested issue of art and pornography in Vienna around 1900, Schiele as seen through the lens of contemporary female artists, the role of photography and of memory in the realisation of drawings, and a consideration of the artists' choice of media.Artist Nicola Tyson contributes Dear Egon Schiele, a new letter in her published series of letters to dead artists.The Nakeds, exhibition takes place between, 25 September 2014 - 29 November 2014, at Drawing Room, Tannery Arts, London.Inside image caption: George Condo, Couple, 2007. Pencil on paper, 45.1 x 43.1 cm. Courtesy Simon Lee Gallery, London, Private collection UK.

The “riveting”* true story of the fiery summer of 1970, which would forever transform the town of Oxford, North Carolina—a classic portrait of the fight for civil rights in the tradition of To Kill a Mockingbird *Chicago Tribune On May 11, 1970, Henry Marrow, a twenty-three-year-old black veteran, walked into a crossroads store owned by Robert Teel and came out running. Teel and two of his sons chased and beat Marrow, then killed him in public as he pleaded for his life. Like many small Southern towns, Oxford had barely been touched by the civil rights movement. But in the wake of the killing, young African Americans took to the streets. While lawyers battled in the courthouse, the Klan raged in the shadows and black Vietnam veterans torched the town’s tobacco warehouses. Tyson’s father, the pastor of Oxford’s all-white Methodist church, urged the town to come to terms with its bloody racial history. In the end, however, the Tyson family was forced to move away. Tim Tyson’s gripping narrative brings gritty blues truth and soaring gospel vision to a shocking episode of our history. FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD “If you want to read only one book to understand the uniquely American struggle for racial equality and the swirls of emotion around it, this is it.”—Milwaukee Journal Sentinel “Blood Done Sign My Name is a most important book and one of the most powerful meditations on race in America that I have ever read.”—Cleveland Plain Dealer “Pulses with vital paradox . . . It’s a detached dissertation, a damning dark-night-of-the-white-soul, and a ripping yarn, all united by Tyson’s powerful voice, a brainy, booming Bubba profundo.”—Entertainment Weekly “Engaging and frequently stunning.”—San Diego Union-Tribune

In a near future where a series of environmental disasters has left much of the country underwater, Pearl lives on a floating oyster farm with her father and younger sister, Clover. Following her mum's death several years earlier, Pearl refuses to set foot on land, believing her illness was caused by the poisons in the ground. Meanwhile, Clover dreams of school, friends and a normal life. Then Nat comes to spend the summer at the sea farm while his scientist mum conducts some experiments. Leaving behind the mainland, with its strict rules and regulations, he brings with him a secret. But when the sisters promise to keep his secret safe, little do they realize that they may be risking everything... A thrilling and thought-provoking ecological adventure from the author of the highly acclaimed WHERE THE WORLD TURNS WILD. Perfect for fans of THE EXPLORER, THE LAST WILD and WHERE THE RIVER RUNS GOLD. PRAISE FOR WHERE THE WORLD TURNS WILD: "A sense of the natural world's curative power runs through this adventurous story like a seam of gold." - Guardian "Some books are excellent story-telling, and some books broaden your knowledge and mind, and some just ought to be written and this book is all three. I loved it." - Hilary McKay, author of THE SKYLARKS' WAR "A brilliant adventure that pulls you headlong into Juniper and Bear's world, where survival depends upon finding the wild." - Gill Lewis, author of A STORY LIKE THE WIND "An absorbing, thought-provoking début tapping into pertinent ecological themes." - The Bookseller "Wondrous, warm-hearted, wildly exhilarating [...] The world is familiar and frightening, the relationships between characters beautifully rendered - Nicola Penfold is an author to watch." - Nizrana Farook, author of THE GIRL WHO STOLE AN ELEPHANT

Black holes, dark matter, gravity, time, motion--these phenomena fascinate physicists and artists alike. Both strive to discover how they shape our world. The connection between art and science is gaining increasing significance in contemporary art.Now, the influence of physics on today's art, design, and architecture is being more closely examined. Curated by Ariane Koek, the founder of the arts program Arts at CERN, the exhibition Entangle - Physics and the Artistic Imagination and its companion catalog present the works of thirteen contemporary artists who are inspired by physics and its investigation of natural phenomena. Besides their works, this ground-breaking publication also contains interviews with the artists and physicists who share their different ways of seeing.Featuring interviews with and works of art by Sarah Sze, Julius von Bismarck, Julian Charrière, Sou Fujumoto, Iris van Herpen, Ryoji Ikeda, William Kentridge, Rafael Lozano-Hemmer, Goshka Macuga, Davide Quayola, Solveig Settemsda, Keith Tyson, Jorinde Voigt, and Carey Young. Exhibition:16.11.2018--14.04.2019, BIldmuseet Umeå

The first university-level textbook on the power, condition, and expanse of contemporary fine art drawing A Companion to Contemporary Drawing explores how 20th and 21st century artists have used drawing to understand and comment on the world. Presenting contributions by both theorists and practitioners, this unique textbook considers the place, space, and history of drawing and explores shifts in attitudes towards its practice over the years. Twenty-seven essays discuss how drawing emerges from the mind of the artist to question and reflect upon what they see, feel, and experience. This book discusses key themes in contemporary drawing practice, addresses the working conditions and context of artists, and considers a wide range of personal, social, and political considerations that influence artistic choices. Topics include the politics of eroticism in South American drawing, anti-capitalist drawing from Eastern Europe, drawing and conceptual art, feminist drawing, and exhibitions that have put drawing practices at the centre of contemporary art. This textbook: Demonstrates ways contemporary issues and concerns are addressed through drawing Reveals how drawing is used to make powerful social and political statements Situates works by contemporary practitioners within the context of their historical moment Explores how contemporary art practices utilize drawing as both process and finished artifact Shows how concepts of observation, representation, and audience have changed dramatically in the digital era Establishes drawing as a mode of thought Part of the acclaimed Wiley Blackwell Companions to Art History series, A Companion to Contemporary Drawing is a valuable text for students of fine art, art history, and curating, and for practitioners working within contemporary fine art practice.