"To the layman, all printing types look the same. But for typographers, graphic artists and others of that lunatic fringe who believe that the letters we look at daily (and take entirely for granted) are of profound importance, the question of how letters are formed, what shape they assume, and how they have evolved remains one of passionate and continuing concern. Lawson explores the vast territory of types, their development and uses, their antecedents and offspring, with precision, insight, and clarity. Written for the layman but containing exhaustive research, drawings and synopses of typefaces, this book is an essential addition to the library of anyone s typographic library. It is, as Lawson states, not written for the printer convinced that there are already too many typefaces, but rather for that curious part of the population that believes the opposite; that the subtleties of refinement as applies to roman and cursive letters have yet to be fully investigated and that the production of the perfect typeface remains a goal to be as much desired by present as by future type designers. Anyone aspiring to typographic wisdom should own and treasure this classic."--Amazon description.

This book aims to provide the critical tools to help scholars in their use of Samaritan manuscripts. The basic codicological tools is a series of complementary data-bases compiled from typological studies of the physical properties of manuscripts. Each typology is in effect a diachronic profile created by painstaking comparison and analysis of the physical properties of manuscripts of known provenance and/or date. Using these typologies or diachronic profiles it is possible to evaluate the chronology of the physical characteristics of any manuscript - the quire or gathering structure, ink, ruling, spacing of the text on the folio, sewing of the sections ... Naturally, the more information available about the physical properties of any manuscript the better the chance of making correlations between the typologies of different properties. The basic rule in palaeography and codicology is that the researcher works on an inductive basis from as wide a sample as possible of dated manuscripts. It is hoped that in the studies in this volume, evidence has been provided which will serve as a guide both to the appearance and the nature of Samaritan manuscripts and to the evaluative process that one would employ in examining them for codicological purposes. The reader should be able to apply the criteria provided here to the evaluation of whatever data can be retrieved from any undated Samaritan manuscripts with which he is confronted. Alan D. Crown in the preface

Overzicht van vooral de 20e-eeuwse Nederlandse typografie.

A history of the continent-spanning Armenian print tradition in the early modern period Early Modernity and Mobility explores the disparate yet connected histories of Armenian printing establishments in early modern Europe and Asia. From 1512, when the first Armenian printed codex appeared in Venice, to the end of the early modern period in 1800, Armenian presses operated in nineteen locations across the Armenian diaspora. Linking far-flung locations in Amsterdam, Livorno, Marseille, Saint Petersburg, and Astrakhan to New Julfa, Madras, and Calcutta, Armenian presses published a thousand editions with more than half a million printed volumes in Armenian script. Drawing on extensive archival research, Sebouh David Aslanian explores why certain books were published at certain times, how books were sold across the diaspora, who read them, and how the printed word helped fashion a new collective identity for early modern Armenians. In examining the Armenian print tradition Aslanian tells a larger story about the making of the diaspora itself. Arguing that “confessionalism” and the hardening of boundaries between the Armenian and Roman churches was the “driving engine” of Armenian book history, Aslanian makes a revisionist contribution to the early modern origins of Armenian nationalism.

Printing the Talmud: Complete Editions, Tractates and Other Works, and the Associated Presses from the Mid-17th Century through the 18th Century is a profusely illustrated major work describing the complete editions of the Talmud printed from about 1650 to slightly after 1800. Apart from the intrinsic value of those editions, their publication was often contentious due to disputes, often bitter, between rival publishers, embroiling rabbis and communities throughout Europe. The cities and editions encompassed include Amsterdam, Frankfort am Main, Frankfurt on the Oder, Prague, and Sulzbach. This edition of Printing the Talmud addresses these editions as an opening to discuss the history of the subject presses, their other titles and their general context in Jewish history.

Language Culture Type grew out of the first international type-design competition, the 2001 bukva: raz!, whose goal was to promote global cultural pluralism, interaction, and diversity in typographic communications. The book lavishly presents the winning entries, along with information about each typeface, its language, and its designer. A series of essays gives context for the interplay of types and languages in the world today -- including the attempt to mesh all existing scripts into a single digital encoding system called Unicode. It also delves into the specific issues around developing typefaces for the many linguistic cultures in the world, from the various Cyrillic letterforms to Vietnam's ancient ideographic script.