The Empress of Crime's life was the ultimate detective story – revealed for the first time in this forthright and perceptive biography.

A lovingly crafted biography of New Zealand Crimewriting Queen, Ngaio Marsh who, like Dorothy Sayers and Agatha Christie, wrote detective fiction during mystery's goldn age. Ngaio Marsh wrote more than thirty polished English detective novels between 1934 and her death in 1982. How did she do it? To say would give away the story of her life, but those who have already met her elegant sleuth Roderick Alleyn know he, too, kept his footing in diverse plots, managing the local idiom whether crime cracking in Britain, on the continent, or in New Zealand. Marsh's talent was as varied as her heritage. A gifted artist, a spirited dramatist, actress, and producer, her crime fiction embraces her triple interests. May are set in the worlds of art and theater.

A high-society homicide is the talk of the London season . . .“Marsh’s writing is a pleasure.” —The Seattle Times It’s debutante season in London, and that means giggles and tea-dances, white dresses and inappropriate romances . . ..and much too much champagne. And, apparently, a blackmailer, which is where Inspector Roderick Alleyn comes in. The social whirl is decidedly not Alleyn’s environment, so he brings in an assistant in the form of Lord “Bunchy” Gospell, everybody’s favorite uncle. Bunchy is more than lovable; he’s also got some serious sleuthing skills. But before he can unmask the blackmailer, a murder is announced. And everyone suddenly stops giggling . . . “It’s time to start comparing Christie to Marsh instead of the other way around.” —New York Magazine “[Her] writing style and vivid characters and settings made her a mystery novelist of world renown.” —The New York Times

Roderick Alleyn is back in this unique crime novel begun by Ngaio Marsh during the Second World War and now completed by Stella Duffy in a way that has delighted reviewers and critics alike.

A local busybody is silenced for good in this tale by “a peerless practitioner of the slightly surreal, English-village comedy-mystery” (Kirkus Reviews). In their Dorset village, neither Miss Campanula nor her friend Miss Prentice are known as lovable little old ladies. They’re waspish, gossiping snobby little old ladies, passionate only about their amateur theatrical productions, their narrowly defined opinions about how everyone else should behave . . ..and, perhaps, about the local vicar. But could one of them have been sufficiently unpleasant to provoke a murderer? For Miss Campanula has perished on her piano bench—and it’s unclear whether Miss Prentice may have been the actual intended victim . . . “A goodie.” —Kirkus Reviews “It’s time to start comparing Christie to Marsh instead of the other way around.” —New York Magazine “In her ironic and witty hands the mystery novel can be civilized literature.” —The New York Times

England is at war--this means "spy fever" for a quarrelsome collection of patriots at a shabby New Zealand resort, and a macabre murder that shocks even Scotland Yard!

A series of Ngaio Marsh editions concludes with an edition of her autobiography.