The Maori language biographies of Maori who appear in The Dictionary of New Zealand Biography Vol 1.

Nga Iwi o Tainui is a classic work of New Zealand and Maori history, first published in 1995. A bilingual collection, in 67 chapters, of the histories, genealogies, songs and chants of the Tainui people, it represents the culmination of a life's work by the scholar and historian Dr Pei Te Hurinui Jones. His beautiful Maori text is matched on facing pages by Dr Bruce Biggs's English translations, a layout which facilitates a close study of the Maori language, valuable for scholars and students alike. Genealogical tables and map references place each separate incident in its social and geographical context. Extensive footnotes provide further information and there is a complete index to all place names and personal names in the text. Nga Iwi o Tainui received an Honour Award at the 1996 Montana New Zealand Book Awards.

This eloquent and detailed Taranki history has grown out of research for the Ngati Ruanui tribal treaty claim against the New Zealand Crown. From pre-Hawaiki times it follows the Aotea canoe from Ranigatea in the Pacific to New Zealand Aotearoa and the settlement of Turi and his people at Patea. The battles and alliances over the centuries and the rich and varied Ngati Ruanui history form the narrative background for the arrival of Pakeha from Europe and the devastation and land confiscations that followed. The story of the successful negotiation of the Ngati Ruanui treaty settlement and the creation of Te Rananga o Ngati Ruanui is told here for the first time. The central theme of this important book is the unwavering determination of the Ngati Ruanui tribe to hold on to their land and their autonomy.

Professor Durie discusses traditions and customs and addresses contemporary needs in order to build development strategies for the launch of the Maori population into the new millenium. This work also suggests models for the development of other indigenous peoples.

The Routledge Companion to Cultural Property contains new contributions from scholars working at the cutting edge of cultural property studies, bringing together diverse academic and professional perspectives to develop a coherent overview of this field of enquiry. The global range of authors use international case studies to encourage a comparative understanding of how cultural property has emerged in different parts of the world and continues to frame vital issues of national sovereignty, the free market, international law, and cultural heritage. Sections explore how cultural property is scaled to the state and the market; cultural property as law; cultural property and cultural rights; and emerging forms of cultural property, from yoga to the national archive. By bringing together disciplinary perspectives from anthropology, archaeology, law, Indigenous studies, history, folklore studies, and policy, this volume facilitates fresh debate and broadens our understanding of this issue of growing importance. This comprehensive and coherent statement of cultural property issues will be of great interest to cultural sector professionals and policy makers, as well as students and academic researchers engaged with cultural property in a variety of disciplines.

Tangata Whenua: A History presents a rich narrative of the Māori past from ancient origins in South China to the twenty-first century, in a handy paperback format. The authoritative text is drawn directly from the award-winning Tangata Whenua: An Illustrated History; the full text of the big hardback is available in a reader-friendly edition, ideal for students and for bedtime reading, and a perfect gift for those whose budgets do not stretch to the illustrated edition. Maps and diagrams complement the text, along with a full set of references and the important statistical appendix. Tangata Whenua: An Illustrated History was published to widespread acclaim in late 2014. This magnificent history has featured regularly in the award lists: winner of the 2015 Royal Society Science Book Prize, shortlisted for the international Ernest Scott Prize, winner of the Te Kōrero o Mua (History) Award at the Ngā Kupu ora Aotearoa Māori Book Awards, and Gold in the Pride in Print Awards. The importance of this history to New Zealand cannot be overstated. Māori leaders emphatically endorsed the book, as have reviewers and younger commentators. They speak of the way Tangata Whenua draws together different strands of knowledge – from historical research through archaeology and science to oral tradition. They remark on the contribution this book makes to evolving knowledge, describing it as ‘a canvas to paint the future on’. And many comment on the contribution it makes to the growth of understanding between the people of this country.

Indigenous peoples have our own ways of defining oral history. For many, oral sources are shaped and disseminated in multiple forms that are more culturally textured than just standard interview recordings. For others, indigenous oral histories are not merely fanciful or puerile myths or traditions, but are viable and valid historical accounts that are crucial to native identities and the relationships between individual and collective narratives. This book challenges popular definitions of oral history that have displaced and confined indigenous oral accounts as merely oral tradition. It stands alongside other marginalized community voices that highlight the importance of feminist, Black, and gay oral history perspectives, and is the first text dedicated to a specific indigenous articulation of the field. Drawing on a Maori indigenous case study set in Aotearoa New Zealand, this book advocates a rethinking of the discipline, encouraging a broader conception of the way we do oral history, how we might define its form, and how its politics might move beyond a subsuming democratization to include nuanced decolonial possibilities.