Lucile Morris Upton landed her first newspaper job out West in the early 1920s, then returned home to spend half a century reporting on the Ozarks world she knew best. Having come of age just as women gained the right to vote, she took advantage of opportunities that presented themselves in a changing world. During her years as a journalist, Upton rubbed shoulders with presidents, flew with aviation pioneer Wiley Post, covered the worst single killing of US police officers in the twentieth century, wrote an acclaimed book on the vigilante group known as the Bald Knobbers, charted the growth of tourism in the Ozarks, and spearheaded a movement to preserve iconic sites of regional history. Following retirement from her newspaper job, she put her experience to good use as a member of the Springfield City Council and community activist. Told largely through Upton’s own words, this insightful biography captures the excitement of being on the front lines of newsgathering in the days when the whole world depended on newspapers to find out what was happening.

"Newspaperwoman of the Ozarks is a long-overdue study of Lucile Morris Upton, one of the region's best-known reporters and local historians. A longtime reporter and columnist at Springfield Newspapers during a time when the remote Ozarks was reshaped from backcountry into a national vacation hub and the role of women in the United States shifted drastically, Upton not only reported on these rapidly changing times but also personified them in her own life. In this significant contribution to the historical research of Ozarkers' daily lives, author Susan Croce Kelly traces Upton's life, from teaching school to covering the news to governing her city and raising awareness for historic preservation, and paints a vivid picture of Ozarks culture over nearly a century of change"--

From The Notebook Of A Roving Newspaper Correspondent.

The job of regional literature is twofold: to explore and confront the culture from within, and to help define that culture for outsiders. Taken together, the two centuries of Ozarks literature collected in this ambitious anthology do just that. The fiction, nonfiction, poetry, and drama presented in The Literature of the Ozarks complicate assumptions about backwoods ignorance, debunk the pastoral myth, expand on the meaning of wilderness, and position the Ozarks as a crossroads of human experience with meaningful ties to national literary movements. Among the authors presented here are an Osage priest, an early explorer from New York, a native-born farm wife, African American writers who protested attacks on their communities, a Pulitzer Prize–winning poet, and an art history professor who created a fictional town and a postmodern parody of the region’s stereotypes. The Literature of the Ozarks establishes a canon as nuanced and varied as the region’s writers themselves.