In over 220 drawings and photographs, Robert Mellin presents the development of architecture in the decades immediately following Newfoundland's 1949 union with Canada. Newfoundland's wholehearted embrace of modern architecture in this era affected planning as well as the design of cultural facilities, commercial and public buildings, housing, recreation, educational facilities, and places of worship, and Premier Joseph Smallwood often relied on modern architecture to demonstrate the progress made by his administration. Mellin explores the links between Smallwood and modern architecture, revealing how Smallwood guided the development of numerous architectural projects. He also looks at the work of two innovative local architects, Frederick A. Colbourne and Angus J. Campbell, showing how their architecture was influenced by their life-long interest in art. The first comprehensive work on an important period of architectural development in urban and rural Newfoundland, Newfoundland Modern complements Mellin's award-winning book on the outport of Tilting, Fogo Island.

Byrne, Chaffey, Fahey, Fizzard, Fudge, Grouchy, Hynes, Inkpen, Lyver, McLaughlin, Miles, Murphy, Puddester, Quirk -- the names themselves are evocative of Newfoundland. Family Names of the Island of Newfoundland traces the origins of almost 3,000 surnames found on the Island and provides an engaging and comprehensive collection of etymology, genealogy, and Newfoundland history. The introduction presents a fascinating discussion of the history and linguistic origins of surnames found in Newfoundland, which come from many different cultures, notably English, Welsh, Irish, Scottish, French, Syrian, Lebanese, and Mi'kmaq. The main body of the book comprises a dictionary of surnames in the province based on data collected from provincial voting lists, family records, government documents, and newspaper reports dating back to the seventeenth century. Each entry includes variant spellings and cross-references of the surname, the countries in which the name originated, and its meaning. Newfoundland place names associated with the surname are also given. The book also includes a ranking of the most common surnames in Newfoundland and a comparative analysis of the frequency of surnames in Scotland, Ireland, England, and Newfoundland. Originally published in 1977, Family Names of the Island of Newfoundland is a unique reference work, giving Newfoundlanders, both in the province and away, a fascinating look at their roots. This edition incorporates a number of additions and corrections and has been completely reset in a sturdier and more convenient format. It will be of great use to individuals tracing their ancestors and to genealogists researching early settlers in Newfoundland.

10" x 10", 80 pages, 80 full color photographs BrownTrout Publishers is proud to announce a new series of hardcover gift books featuring the world's most popular dogs as photographed by the best shooters in the business. The books are distinctively designed for the individual breeds and feature fascinating in-depth descriptions of the origins, special characteristics, and unique qualities of each breed by noted canine enthusiast and naturalist Robert Hutchinson.

Twentieth Century Newfoundland: Explorations brings together ten papers by eight well-known historians of Newfoundland and Labrador. The papers address a wide variety of subject matter and open many avenues for further research. The book concludes with an extensive bibliography on the Newfoundland and Labrador in the Twentieth century. This bibliography is organized by topic and will serve the needs of the general reader and specialists alike. Twentieth Century Newfoundland: Explorations highlight the scope and complexity of present day writing about the history of Newfoundland and Labrador. James Hiller, Professor of History at Memorial University and author of a number of articles on Newfoundland in the Nineteenth and Twentieth Centuries. Peter Neary, Professor of History at the University of Weste Ontario and the author of Newfoundland in the North Atlantic World, 1929-1949(1998).

The English Language in Canada examines the current status, history and principal features of Canadian English, focusing on the 'standard' variety heard across the country today. The discussion of the status of Canadian English considers the number and distribution of its speakers, its relation to French and other Canadian languages and to American English, its status as the expressive medium of English Canadian culture and its treatment in previous research. The review of its history concentrates on the historical roots and patterns of English-speaking settlement that established Canadian English and influenced its character in each region of Canada. The analysis of its principal features compares the vocabulary, pronunciation and grammar of Canadian English to standard British and American English. Subsequent chapters examine variation and change in the vocabulary and pronunciation of Canadian English, while a final chapter briefly considers the future of Canadian English.

The Canadian province of Newfoundland and Labrador is a mythologized place that resonates with tragic adventure, polar expeditions and Grand Banks fishing; a real and imagined geography with an incredible artistic output that calls for critical discussion. This book examines the diversity of this province’s literature and culture, taking into consideration the expertise of scholars and writers who have first-hand knowledge of its unique context. Chapters on history, travel, fiction, autobiography, poetry, theatre, storytelling, filmmaking, and the visual arts provide an up-to-date survey across a broad range of artistic endeavours, as well as close readings of selected texts. The questions that fill the pages of Pathways of Creativity in Contemporary Newfoundland and Labrador arise from the awareness its contributors have of historically shared experiences, but also of shared delusions, and their essays provoke contemplation beyond the labels local/global, Newfoundlander/Come-From-Away. Aboriginal histories and writing come to the foreground in this panoramic view that balances descriptions of mainstream, vernacular and Indigenous cultural productions. The final chapter is organized as a multi-voiced interview which serves as a supplement to the academic essays. Here, themes are revisited and personalized as several writers express their feelings about what it means to be a Newfoundlander and an artist. As such, this book will encourage dialogue about Newfoundland and Labrador’s literary and artistic achievements within the international community of readers and researchers.