A crucial and compelling account of New York Times Co. v. Sullivan, the landmark Supreme Court case that redefined libel, from the Pulitzer Prize–winning legal journalist Anthony Lewis. The First Amendment puts it this way: "Congress shall make no law...abridging the freedom of speech, or of the press." Yet, in 1960, a city official in Montgomery, Alabama, sued The New York Times for libel—and was awarded $500,000 by a local jury—because the paper had published an ad critical of Montgomery's brutal response to civil rights protests. The centuries of legal precedent behind the Sullivan case and the U.S. Supreme Court's historic reversal of the original verdict are expertly chronicled in this gripping and wonderfully readable book by the Pulitzer Prize Pulitzer Prize–winning legal journalist Anthony Lewis. It is our best account yet of a case that redefined what newspapers—and ordinary citizens—can print or say.

An Introduction to Constitutional Law teaches the narrative of constitutional law as it has developed historically and provides the essential background to understand how this foundational body of law has come to be what it is today. This multimedia experience combines a book and video series to engage students more directly in the study of constitutional law. All students—even those unfamiliar with American history—will garner a firm understanding of how constitutional law has evolved. An eleven-hour online video library brings the Supreme Court’s most important decisions to life. Videos are enriched by photographs, maps, and audio from the Supreme Court. The book and videos are accessible for all levels: law school, college, high school, home school, and independent study. Students can read and watch these materials before class to prepare for lectures or study after class to fill in any gaps in their notes. And, come exam time, students can binge-watch the entire canon of constitutional law in about twelve hours.

Examines the 1964 Supreme Court First Amendment case between the New York Times and Montgomery, Alabama commissioner L.B. Sullivan over an advertisement the Times ran protesting mistreatment of African-American students and the arrest of Martin Luther Kin

"Vivid storytelling built on exacting research." —Bill Keller, New York Times Book Review In 1735, struggling printer John Peter Zenger scandalized colonial New York by launching a small newspaper, the New-York Weekly Journal. The newspaper was assailed by the new British governor as corrupt and arrogant, and as being a direct challenge against the prevailing law that criminalized any criticism of the royal government. Zenger was thrown in jail for nine months before his landmark one-day trial on August 4, 1735, in which he was brilliantly defended by Andrew Hamilton. In Indelible Ink, Pulitzer Prize–winning social historian Richard Kluger has fashioned the first book-length narrative of the Zenger case, rendering with colorful detail its setting in old New York and the vibrant personalities of its leading participants, whose virtues and shortcomings are assessed with fresh scrutiny often at variance with earlier accounts.

A user’s guide to understanding contemporary free speech issues in the United States Americans today are confronted by a barrage of questions relating to their free speech freedoms. What are libel laws, and do they need to be changed to stop the press from lying? Does Colin Kaepernick have the right to take a knee? Can Saturday Night Live be punished for parody? While citizens are grappling with these questions, they generally have nowhere to turn to learn about the extent of their First Amendment rights. The Fight for Free Speech answers this call with an accessible, engaging user’s guide to free speech. Media lawyer Ian Rosenberg distills the spectrum of free speech law down to ten critical issues. Each chapter in this book focuses on a contemporary free speech question—from student walkouts for gun safety to Samantha Bee’s expletives, from Nazis marching in Charlottesville to the muting of adult film star Stormy Daniels— and then identifies, unpacks, and explains the key Supreme Court case that provides the answers. Together these fascinating stories create a practical framework for understanding where our free speech protections originated and how they can develop in the future. As people on all sides of the political spectrum are demanding their right to speak and be heard, The Fight for Free Speech is a handbook for combating authoritarianism, protecting our democracy, and bringing an understanding of free speech law to all.

Both his family and his city are crumbling when thirteen-year-old Griffin Watts stumbles headlong into his estranged father’s illicit architectural salvage business in 1970s Manhattan. Griffin clambers up the façades of tenements and skyscrapers to steal their nineteenth-century architectural sculptures—gargoyles and sea monsters, goddesses and kings. As his father sees it, these evocative creatures, crafted by immigrant artisans, are an endangered species in an age of sweeping urban renewal. Desperate for money to help his artist mother keep their home, and yearning to connect with his father, Griffin fails to see that his father’s deepening obsession with preserving the treasures of Gilded Age New York endangers them all. As he struggles to hold his family together and build a first love with his girlfriend on a sturdier foundation than his parents’ marriage, Griffin must learn to develop himself into the man he wants to become, and discern which parts of his life may be salvaged—and which parts must be let go. Hilarious and poignant, this critically acclaimed debut is both a vivid love letter to a vanishing city and an intimate portrait of father and son. And it solves the mystery of a stunningly brazen architectural heist—the theft of an entire landmark building—that made the front page of The New York Times in 1974. With writing both tender and powerful, The Gargoyle Hunters brings a remarkable new voice to the canon of New York fiction.

More than any other people on earth, we Americans are free to say and write what we think. The press can air the secrets of government, the corporate boardroom, or the bedroom with little fear of punishment or penalty. This extraordinary freedom results not from America’s culture of tolerance, but from fourteen words in the constitution: the free expression clauses of the First Amendment.InFreedom for the Thought That We Hate, two-time Pulitzer Prize-winner Anthony Lewis describes how our free-speech rights were created in five distinct areas—political speech, artistic expression, libel, commercial speech, and unusual forms of expression such as T-shirts and campaign spending. It is a story of hard choices, heroic judges, and the fascinating and eccentric defendants who forced the legal system to come face to face with one of America’s great founding ideas.