The dramatic trilogy has been flourishing for some time now in new works and revivals of older works by American, British, and European playwrights. This book analyzes recent American works by Caucasian, African American, Asian American, and Hispanic American men and women. There are five chapters beginning with Opposing Families (trilogies of, e.g., Lanford Wilson, Foote, Machado, and McCraney are examined). Carson, Rabe, and McLaughlin are among those in the Classical Reimaginings chapter while Coen, Berc, and Wolfe constitute the Medieval Reimaginings chapter. Van Itallie, Havis, Rapp, and Hwang, among others, create New Forms. LaBute, Fierstein, and Nelson, among others, create New Selves. The concluding chapter is devoted to Ruhl's Passion Play, which spans 400 years of theatre-creating from Elizabethan England to Hitler's Germany to the Reagan era in America.

Did you know that Central Park was built on Seneca Village, a community of modest farms, also known as a safe haven for runaway slaves? Did you know Washington Square Park used to be a potter's field? Author James Roman, a native New Yorker, brings to this guide an intimate knowledge and love of New York's neighborhoods and the quirks of history that have helped shape the city. Discover 400 years of innovation through the true stories of the visionaries, risk-takers, dreamers, and schemers such as John Jacob Astor, Cornelius Vanderbilt, Stanford White, Gertrude Whitney and more with historical photographs and period maps. This second edition includes a new Broadway chapter and completely updated walking tours. A Must Read for anyone who loves New York City.

Gerald Bordman's American Musical Theatre has become a landmark book since its publication in 1978. It chronicles American musicals, show by show and season by season, and offers a running commentary and assessment as well as providing the basic facts about each production. This updated edition includes the new shows that have opened on Broadway since the original publication. Also included are over a hundred musicals that were turn-of-the-century, cheap-priced touring shows which never played Broadway, but were the training ground for many theatre greats.