The invention of the New York skyscraper is one of the most fascinating developments in the history of architecture. This authoritative book chronicles the history of New York's first skyscrapers, challenging conventional wisdom that it was in Chicago and not New York that the skyscraper was born. 206 illustrations.

The early 1900s U.S. saw considerable seasonal variations in the balance of trade, primarily caused by the annual agricultural cycle. This examination of the New York money market demonstrates that the frequent fluctuations in monetary conditions were caused by variations in the trade flows rather than capital movements by banks.

The pure, abstract sculptures made by Constantin Brancusi have had a large and enthusiastic audience in New York ever since they were first shown on American soil at the 1913 Armory Show. The numerous American collectors, muses, friends, and exhibitions that enabled his success had a profound influence on the eccentric Romanian artist who lived in Paris. And the feeling was definitely reciprocated. From the trial concerning his Bird in Space--which helped define modern art--to his first museum retrospective, and his dream of a skyscraper sculpture, New York was the place where Brancusi's career unfolded. Over the last one hundred years his effect on the city's art scene has never waned. Through stunning archival images and text by Brancusi authority Jérôme Neutres, Brancusi New York tells the story of the mutually beneficial relationship between the sculptor and the Big Apple. The book also features gorgeous new photographs of the five bronze sculptures on display at the Paul Kasmin Gallery in New York for the exhibition Brancusi in New York: 1913-2013.

In this work, Green shows how two notable, seemingly quite disparate events of the pre-WW I era converged, both in time and place, and (more importantly) in their enthusiasm for radical art and radical politics. Champions of the Armory Show and the Paterson Strike Pageant interpreted these events as liberating forces from bourgeois tastes and bourgeois economics. Their common cause notwithstanding, Green notes the lines of divergence between these two celebrations and among their supporters, both then and in the years that immediately followed.