Describing an era of exploration during the Renaissance that went far beyond geographic bounds, this book shows how the evidence of the New World shook the foundations of the old, upsetting the authority of the ancient texts that had guided Europeans so far afield. What Anthony Grafton recounts is a war of ideas fought by mariners, scientists, publishers, and rulers over a period of 150 years. In colorful vignettes, published debates, and copious illustrations, we see these men and their contemporaries trying to make sense of their discoveries as they sometimes confirm, sometimes contest, and finally displace traditional notions of the world beyond Europe.

This extraordinary book encompasses the time period from the first Christian evangelists' arrival in Latin America to the dictators of the late twentieth century. With unsurpassed knowledge of Latin American history, John Lynch sets out to explore the reception of Christianity by native peoples and how it influenced their social and religious lives as the centuries passed. As attentive to modern times as to the colonial period, Lynch also explores the extent to which Indian religion and ancestral ways survived within the new Christian culture.The book follows the development of religious culture over time by focusing on peak periods of change: the response of religion to the Enlightenment, the emergence of the Church from the wars of independence, the Romanization of Latin American religion as the papacy overtook the Spanish crown in effective control of the Church, the growing challenge of liberalism and the secular state, and in the twentieth century, military dictators' assaults on human rights. Throughout the narrative, Lynch develops a number of special themes and topics. Among these are the Spanish struggle for justice for Indians, the Church's position on slavery, the concept of popular religion as distinct from official religion, and the development of liberation theology.

Written by a highly interdisciplinary range of contributors, New Worlds from Old Texts explores ancient Greek perceptions of space, and how they may have differed from the modern cartographic view.

In this charming and witty dialogue translated by the first professional woman writer in English, a 17th century astronomer staying at the chateau of a beautiful Marchioness accompanies her into her garden at night and introduces her to the new discoveries of astronomy Although more than 300 years old, Fontenelle's dialogues in a garden over five nights are still a surprisingly painless way to learn about the sun, the moon, the planets, and the stars, even though new planets were later discovered and modern science has filled out many details Fontenelle could not have known. Only the confidence with which he discusses inhabitants of the planets, the moon, and even the sun is now seen as misplaced. This is no lecture, but a conversation with the cut and thrust of intelligent argument as the Marchioness challenges each of the astronomer's assertions and requires him to explain the evidence. Fontenelle's work has been through the hands of many different translators, but Aphra Behn's translation, one of the earliest, adds the feminine wit of a leading dramatist to the work, in the first modern edition of this translation.

A rich exploration of the importance of books and libraries in the ancient world that highlights how humanity’s obsession with the printed word has echoed throughout the ages • “Accessible and entertaining.” —The Wall Street Journal Long before books were mass-produced, scrolls hand copied on reeds pulled from the Nile were the treasures of the ancient world. Emperors and Pharaohs were so determined to possess them that they dispatched emissaries to the edges of earth to bring them back. When Mark Antony wanted to impress Cleopatra, he knew that gold and priceless jewels would mean nothing to her. So, what did her give her? Books for her library—two hundred thousand, in fact. The long and eventful history of the written word shows that books have always been and will always be a precious—and precarious—vehicle for civilization. Papyrus is the story of the book’s journey from oral tradition to scrolls to codices, and how that transition laid the very foundation of Western culture. Award-winning author Irene Vallejo evokes the great mosaic of literature in the ancient world from Greece’s itinerant bards to Rome’s multimillionaire philosophers, from opportunistic forgers to cruel teachers, erudite librarians to defiant women, all the while illuminating how ancient ideas about education, censorship, authority, and identity still resonate today. Crucially, Vallejo also draws connections to our own time, from the library in war-torn Sarajevo to Oxford’s underground labyrinth, underscoring how words have persisted as our most valuable creations. Through nimble interpretations of the classics, playful and moving anecdotes about her own encounters with the written word, and fascinating stories from history, Vallejo weaves a marvelous tapestry of Western culture’s foundations and identifies the humanist values that helped make us who we are today. At its heart a spirited love letter to language itself, Papyrus takes readers on a journey across the centuries to discover how a simple reed grown along the banks of the Nile would give birth to a rich and cherished culture.

Maps dominate the modern sense of place and geography. Yet, so far as we can tell, maps were rare in the Greco-Roman world and, when mentioned in sources, are mistrusted and criticized. Today, technological advances have brought to the fore an entirely new set of methods for representing and interacting with space. In contrast to traditional 'topographic' perspectives, the territorial extent of economic and political realms is increasingly conceived though a 'topological' lens, in which the nature and frequency of links among different sites matter more than the physical distances between them. New Worlds from Old Texts focuses on the ancient Greek experience of space, conceived of in terms of both its literature and material culture remains, and uses this to reflect on modern thinking. Comprising twelve chapters written by a highly interdisciplinary range of contributors, this edited collection explores the rich array of representational devices employed by ancient authors, whose narrative depictions of spatial relations defy the logic of images and surfaces that dominates contemporary cartographic thought. The volume focuses on Herodotus' Histories-a text that is increasingly cited by Classicists as an example of how ancient perceptions of space may have been rather different to the modern cartographic view-but also considers perceptions of space through the lens of other authors, genres, cultural contexts, and disciplines. In doing so, it reveals how a study of the ancient world can be reinvigorated by, and in turn help to shape, modern technological innovation and methods.