Strong, bold, and vivacious—Japanese American young women were leaders and heroines of the Roaring Twenties. Controversial to the male immigrant elite for their rebellion against gender norms, these women made indelible changes in the community, including expanding sexual freedoms, redefining women's roles in public and private spheres, and furthering racial justice work. Young men also reconceptualized their ideas of manliness to focus on intellectualism and athleticism, as racist laws precluded many from expressing masculinity through land ownership or citizenry. New Women of Empire centers the compelling life histories of five young women and men in Los Angeles to illuminate how they negotiated overlapping imperialisms through new gender roles. With extensive youth networks and the largest Japanese population in the United States, Los Angeles was a critical site of transnational relations, and in the 1920s and '30s Japanese American youth became politicized through active participation in Christian civic organizations. By racially uplifting their peers through youth clubs, athletics, and cultural ambassadorship, these young leaders reshaped Japanese and US imperialisms and provided the groundwork for future expressions of model minority respectability and Japanese American feminisms.

When Germany annexed colonies in Africa and the Pacific beginning in the 1880s, many German women were enthusiastic. At the same time, however, they found themselves excluded from what they saw as a great nationalistic endeavor. In German Women for Empire, 1884–1945 Lora Wildenthal untangles the varied strands of racism, feminism, and nationalism that thread through German women’s efforts to participate in this episode of overseas colonization. In confrontation and sometimes cooperation with men over their place in the colonial project, German women launched nationalist and colonialist campaigns for increased settlement and new state policies. Wildenthal analyzes recently accessible Colonial Office archives as well as mission society records, periodicals, women’s memoirs, and fiction to show how these women created niches for themselves in the colonies. They emphasized their unique importance for white racial “purity” and the inculcation of German culture in the family. While pressing for career opportunities for themselves, these women also campaigned against interracial marriage and circulated an image of African and Pacific women as sexually promiscuous and inferior. As Wildenthal discusses, the German colonial imaginary persisted even after the German colonial empire was no longer a reality. The women’s colonial movement continued into the Nazi era, combining with other movements to help turn the racialist thought of the late-nineteenth and early-twentieth centuries into the hierarchical evaluation of German citizens as well as colonial subjects. Students and scholars of women’s history, modern German history, colonial politics and culture, postcolonial theory, race/ethnicity, and gender will welcome this groundbreaking study.

Many well-known male writers produced fictions about colonial spaces and discussed the advantages of realism over romance, and vice versa, in the ‘art of fiction’ debate of the 1880s; but how did female writers contribute to colonial fiction? This volume links fictional, non-fictional and pictorial representations of a colonial otherness with the late nineteenth-century artistic concerns about representational conventions and possibilities. The author explores these texts and images through the postcolonial framework of ‘exoticism’, arguing that the epistemological dilemma of a ‘self’ encountering an ‘other’ results in the interrelated predicament to find poetic modalities – mimetic, realistic and documentary on the one hand; romantic, fantastic and picturesque on the other – that befit an ‘exotic’ representation. Thus women writers did not only participate in the making of colonial fictions but also in the late nineteenth-century artistic debate about the nature of fiction. This book maps the epistemological concerns of exoticism and of difference – self and other, home and away, familiarity and strangeness – onto the representational modes of realism and romance. The author focuses exclusively on female novelists, travel writers and painters of the turn-of-the-century exotic, and especially on neglected authors of academically under-researched genres such as the bestselling novel and the travelogue.

A sweeping argument that from the mid-seventeenth century until the mid-twentieth, the English-language novel encoded ideas equating race with liberty.

The Life of Margaret Alice Murray: A Woman’s Work in Archaeology is the first book-length biography of Margaret Alice Murray (1863–1963), one of the first women to practice archeology. Despite Murray’s numerous professional successes, her career has received little attention because she has been overshadowed by her mentor, Sir Flinders Petrie. This oversight has obscured the significance of her career including her fieldwork, the students she trained, her administration of the pioneering Egyptology Department at University College London (UCL), and her published works. Rather than focusing on Murray’s involvement in Petrie’s archaeological program, Kathleen L. Sheppard treats Murray as a practicing scientist with theories, ideas, and accomplishments of her own. This book analyzes the life and career of Margaret Alice Murray as a teacher, excavator, scholar, and popularizer of Egyptology, archaeology, anthropology, linguistics, and more. Sheppard also analyzes areas outside of Murray’s archaeology career, including her involvement in the suffrage movement, her work in folklore and witchcraft studies, and her life after her official retirement from UCL.

In Married to the empire, Mary A. Procida provides a new approach to the growing history of women and empire by situating women at the centre of the practices and policies of British imperialism. Rebutting interpretations that have marginalized women in the empire, this book demonstrates that women were crucial to establishing and sustaining the British Raj in India from the "High Noon" of imperialism in the late nineteenth century through to Indian independence in 1947. Using three separate modes of engagement with imperialism – domesticity, violence, and race – Procida demonstrates the many and varied ways in which British women, particularly the wives of imperial officials, created a role for themselves in the empire. Drawing on a wide range of sources, including memoirs, novels, interviews, and government records, the book examines how marriage provided a role for women in the empire, looks at the home as a site for the construction of imperial power, analyses British women's commitment to violence as a means of preserving the empire, and discusses the relationship among Indian and British men and women. Married to the empire is essential reading to students of British imperial history and women's history, as well as those with an interest in the wider history of the British Empire.