A study of the hymnic and liturgical material in the New Testament which describes Christ's nature and person. Professor Sanders analyzes the hymns in detail and finds in them a common mythological pattern. He traces its origin to a particular and unorthodox branch of Judaism which is itself a branch of the 'wisdom' tradition where the thanksgiving hymn had its home. His conclusions therefore have considerable importance and implications for questions about the origins of Gnosticism and its influence on Christianity. This is the full-scale historical religious study of the New Testament Christological hymns, and English readers will find particularly useful Professor Sanders' critical survey of recent continental scholarship on this and related subjects.

We know that the earliest Christians sang hymns. But are some of these early Christian hymns preserved for us in the New Testament? Matthew Gordley takes a new look at didactic hymns in the Greco-Roman and Jewish world of the early church, considering how they might function in the New Testament and what they could tell us about early Christian worship.

The Christians, from the very outset, committed their theology and prayer to the form of the song. The hymnal elements in the New Testament are among the earliest of all strands, some of them composed within a decade of the death of Jesus. From the third century onwards it was their custom to light the lamps of the house when dusk fell, and sing a hymn, for the onset of evening marked the new liturgical day in the earliest centuries. This collection of some of the most charming of the hymns of the Early Church presents the original Greek and Latin verse with a facing translation and a pronunciation guide for the Byzantine Greek. They range from simple chants such as the Phos Hilaron, comparing Christ to the "cheerful light" of a lamp, to sophisticated pieces by some of the great rhetoricians such as Gregory Nazianzen, Ambrose, Synesios, and Romanos. This is a book that will delight both academic and church readerships.

To answer the title question effectively requires more than the citing of a few texts; we must first acknowledge that the way to the answer is more difficult than it appears and recognize that the answer may be less straightforward than many would like. The author raises some fascinating yet vexing questions: What is worship? Is the fact that worship is offered to God (or a god) what defines him (or her) as "G/god?" What does the act of worship actually involve? The conviction that God exalted Jesus to his right hand obviously is central to Christian recognition of the divine status of Jesus. But what did that mean for the first Christians as they sought to reconcile God's status and that of the human Jesus? Perhaps the worship of Jesus was not an alternative to worship of God but another way of worshiping God. The questions are challenging but readers are ably guided by James Dunn, one of the world's top New Testament scholars.

An important collection of Martin Hengel's studies on early Christology, including previously unpublished work.The essays include 'Jesus the Messiah of Israel', 'Jesus as Messianic Teacher of Wisdom and the Beginnings of Christology', 'Sit at My Right Hand', 'The Song about Christ in Earliest Worship', 'The Dionysiac Messiah', 'The Kingdom of Christ in John', 'Christological Titles in Early Christianity'.A substantial foreword describes the context of the essays in contemporary scholarship.

A Symphony of New Testament Hymns opens a window of insight into familiar Scripture passages - poetic passages that were later often set to music. By showing that the composers of some of these traditional New Testament, pre-60 C.E. hymns intentionally created passages that are lyrical or hymnic within the prose, this work presents the sometimes hidden depth behind their construction and meaning. Inspired by Roy Harris' Folksong Symphony, Father Karris arranges his treatment of Philippians 2:6-11, Colossians 1:15-20, Ephesians 2:14-16, Timothy 3:16, 2 Timothy 2:11-13, Titus 3:4-7, and 1 Peter 3:18-22 in a way that faith-fully addresses today's spiritual concerns, such as spirituality, ecology, reconciliation, baptism, and angels. The first book in English in thirty years to study New Testament hymns, A Symphony of New Testament Hymns brings readers greater enjoyment of these lesser-known Pauline hymns and a deepening of faith. Father Karris contends we have much to learn from what these songs proclaimed about Jesus at a time when the four gospels hadn't been published. The first chapters, Beginnings" and "Background," address the nature of hymns. Subsequent chapters contain a translation and analysis of the above texts, a study of contexts, key concepts and images, suggestions for reflection on the contemporary significance of the hymn, and an annotated bibliography. The concluding chapter offers a retrospective look at the many Christological themes reflected in the texts. Viewing Paul's letters and the common New Testament introduction topics from a refreshingly unique perspective, A Symphony of New Testament Hymns is especially appropriate for students and professors of the New Testament. Those looking for biblical spirituality, liturgists and musicians looking for new texts to set, and those in catechetical work - especially those involved in the RCIA - will also benefit from Father Karris' distinctive look at how the earliest Christians lyrically proclaimed Jesus Christ as Lord. Robert J. Karris, OFM, taught New Testament for sixteen years at Catholic Theological Union in Chicago. He is a veteran author, known primarily for his studies on Luke. He holds a ThD from Harvard University. "