Based on a set of papers presented by sixteen international scholars at the Dumbarton Oaks Pre-Columbian Studies symposium held in Lima, Peru, in 2004, this volume brings together essays on the nature of political organization of the Moche, a complex pre-Inca society that existed on the north coast of Peru from c. 100 to 800 CE.

This book interprets how ancient civilizations responded to various stresses, including environmental change, warfare, and the fragmentation of political institutions. It focuses on what happened during and after the decline of once powerful regimes, and posits that they experienced social resilience and transformation instead of collapse.

In a special precinct dedicated to ritual sacrifice at Huaca de la Luna on the north coast of Peru, about seventy-five men were killed and dismembered, their remains and body parts then carefully rearranged and left on the ground with numerous offerings. The discovery of this large sacrificial site—one of the most important sites of this type in the Americas—raises fundamental questions. Why was human sacrifice so central to Moche ideology and religion? And why is sacrifice so intimately related to the notions of warfare and capture? In this pioneering book, Steve Bourget marshals all the currently available information from the archaeology and visual culture of Huaca de la Luna as he seeks to understand the centrality of human sacrifice in Moche ideology and, more broadly, the role(s) of violence in the development of social complexity. He begins by providing a fully documented account of the archaeological contexts, demonstrating how closely interrelated these contexts are to the rest of Moche material culture, including its iconography, the regalia of its elite, and its monumental architecture. Bourget then probes the possible meanings of ritual violence and human sacrifice and their intimate connections with concepts of divinity, ancestry, and foreignness. He builds a convincing case that the iconography of ritual violence and the practice of human sacrifice at all the principal Moche ceremonial centers were the main devices used in the establishment and development of the Moche state.

The Ancient Andean States combines modern social theory, recent archaeological literature, and the experience of the author to examine politics and power in the great Andean pre-Hispanic societies. The ancient Andean states were the great shapers of Peruvian prehistory. Social complexity, architectural monumentality, and specialized economic production, among others, were features of these sophisticated societies known by professionals and travelers from around the world. How and when these states emerged and succeeded is still debated. By examining Andean pre-Hispanic societies such as Caral, Sechín, Chavín, Moche, Wari, Chimú, and Inca, this book delves into their political and economic structures as well as explores their ideological worldviews. It reveals how these societies were organized and how different social groups interacted in the states. Archaeologists and anthropologists interested in Peruvian archaeology and the political and social structures of ancient societies will find this book to be a valuable addition to their shelves.

Moche murals of northern Peru represent one of the great, yet still largely unknown, artistic traditions of the ancient Americas. Created in an era without written scripts, these murals are key to understandings of Moche history, society, and culture. In this first comprehensive study on the subject, Lisa Trever develops an interdisciplinary methodology of “archaeo art history” to examine how ancient histories of art can be written without texts, boldly inverting the typical relationship of art to archaeology. Trever argues that early coastal artistic traditions cannot be reduced uncritically to interpretations based in much later Inca histories of the Andean highlands. Instead, the author seeks the origins of Moche mural art, and its emphasis on figuration, in the deep past of the Pacific coast of South America. Image Encounters shows how formal transformations in Moche mural art, before and after the seventh century, were part of broader changes to the work that images were made to perform at Huacas de Moche, El Brujo, Pañamarca, and elsewhere in an increasingly complex social and political world. In doing so, this book reveals alternative evidentiary foundations for histories of art and visual experience.

This book examines the varied faces of war, politics, and violent spectacle over thousands of years in the pre-Columbian Andes.

Through a detailed examination of the archaeological evidence and written records, this comprehensive text aims to develop a common understanding of what complexity means to archaeologists, and the methods by which they identify and analyze it. In this first new undergraduate textbook on ancient complex societies in two decades, the authors use vivid writing, textboxes on key themes and sites, and a glossary to keep students thoroughly engaged.