This work revisits the millennia-old Jewish-Christian encounter by providing a nuanced understanding of its challenges as well as presenting new perspectives on hitherto neglected areas of cultural, religious, and social interchange and influence.

The history of relations between Jews and Christians has been a long, complex and often unsettled one; yet histories of medieval Christendom have traditionally paid only passing attention to the role played by Jews in a predominantly Christian society. This book provides an original survey of medieval Christian-Jewish relations encompassing England, Spain, France and Germany, and sheds light in the process on the major developments in medieval history between 1000 and 1300. Anna Sapir Abulafia's balanced yet humane account offers a new perspective on Christian-Jewish relations by analysing the theological, socio-economic and political services Jews were required to render to medieval Christendom. The nature of Jewish service varied greatly as Christian rulers struggled to reconcile the desire to profit from the presence of Jewish men and women in their lands with conflicting theological notions about Judaism. Jews meanwhile had to deal with the many competing authorities and interests in the localities in which they lived; their continued presence hinged on a fine balance between theology and pragmatism. The book examines the impact of the Crusades on Christian-Jewish relations and analyses how anti-Jewish libels were used to define relations. Making adept use of both Latin and Hebrew sources, Abulafia draws on liturgical and exegetical material, and narrative, polemical and legal sources, to give a vivid and accurate sense of how Christians interacted with Jews and Jews with Christians.

This book challenges the standard conception of the Middle Ages as a time of persecution for Jews. Jonathan Elukin traces the experience of Jews in Europe from late antiquity through the Renaissance and Reformation, revealing how the pluralism of medieval society allowed Jews to feel part of their local communities despite recurrent expressions of hatred against them. Elukin shows that Jews and Christians coexisted more or less peacefully for much of the Middle Ages, and that the violence directed at Jews was largely isolated and did not undermine their participation in the daily rhythms of European society. The extraordinary picture that emerges is one of Jews living comfortably among their Christian neighbors, working with Christians, and occasionally cultivating lasting friendships even as Christian culture often demonized Jews. As Elukin makes clear, the expulsions of Jews from England, France, Spain, and elsewhere were not the inevitable culmination of persecution, but arose from the religious and political expediencies of particular rulers. He demonstrates that the history of successful Jewish-Christian interaction in the Middle Ages in fact laid the social foundations that gave rise to the Jewish communities of modern Europe. Elukin compels us to rethink our assumptions about this fascinating period in history, offering us a new lens through which to appreciate the rich complexities of the Jewish experience in medieval Christendom.

This volume of collected essays addresses the Fourth Gospel's stance toward Jews and its impact on Jewish-Christian relations from antiquity to the present day in media such as sermons, iconography, art, music, and film. It will provide new insight into the Gospel of John and contribute to the mutual understanding between Christians and Jews.

""New Perspectives in American Jewish History: A Documentary Tribute to Jonathan D. Sarna," compiled by Sarna's former students, presents heretofore unpublished, neglected, and rarely seen historical records, documents, and images that illuminate the heterogeneity, breadth, diversity, and colorful dynamism of the American Jewish experience"--

Jews among Christians explores a corpus of illuminated Hebrew manuscripts of the Lake Constance region produced in the first decades of the fourteenth century. The author Sarit Shalev-Eyni, Professor at the Hebrew University of Jerusalem, provides a detailed and insightful study of the content, design, and iconography of the illustrations and decorations of a group of Ashkenahzi codices, thereby uncovering a surprising interface between Jews and Christians in the urban workshops of the time. Here, Christian artists would include midrashic components required by their Jewish instructor while drawing on the iconographic traditions of their Christian education, and artists of both religions were able to represent their own theological attitudes as well as profane tendencies and parody - in short, the various aspects of late medieval culture.A close comparison with the well-known Gradual of St. Katharinenthal, now in Zurich, and manuscripts such as the Schocken Bible, formerly in Jerusalem, and the Tripartite Mahzor -- originally bound as two volumes, but now split between Budapest, London and Oxford -- places the corpus firmly in the Lake Constance region and all but confirms the instructor to be one Hayyim, the scribe. The author's discussion of Hayyim's life and work and her historical overview of the relations between Jews and Christians in the final chapters of the book deepens our understanding of the religious and cultural dialogue between the two faiths not only in the production of this group of manuscripts but in the course of every-day life in the Middle Ages.