The Cabildo -- New Orleans' unique Spanish city government -- touched the life of every citizen of the city during its thirty-four years of existence, and its decisions often had an impact on the administration of Louisiana far beyond the confines of New Orleans itself. Moreover, its archival records, with lavish and detailed information about every aspect of life within Spanish New Orleans, are the richest of any city in the Spanish Borderlands. Yet curiously, until now there has been no thorough analysis of this influential institution.In The New Orleans Cabildo, Gilbert C. Din and John E. Harkins have filled that scholarly gap and made a significant contribution to our understanding of the Spanish hegemony in Louisiana. New Orleans, which had been a small, isolated, and insignificant town under the French grew to be a thriving center of trade, communications, and economic activity under Spanish rule. Din and Harkins examine the offices and personnel of the Cabildo and explore its vast responsibilities in the areas of justice, medicine and health, public works, land grants and building regulations, ceremonial and liaison duties, regulation of markets and food prices, and treatment of slaves and free blacks, among others. They also review the difficulties encountered by the Cabildo and the ways it responded to the city's -- and the colony's -- economic, legal, social, and military problems.Through careful and thoughtful utilization of documents from archives in Louisiana and Spain -- particularly minutes from the Cabildo meetings -- Din and Harkins have produced in The New Orleans Cabildo a model history of a complex and all-encompassing institution.

An essential reference guide to one of New Orleans’s most iconic Uptown neighborhoods, New Orleans Architecture: Volume IX documents the remarkable architectural history of the former city of Carrollton, once the seat of Jefferson Parish and now listed on the National Register of Historic Places. Following the format of previous volumes in the series, Robert J. Cangelosi Jr. divides the study into three sections. He begins in the early eighteenth century by chronicling the area’s development as one of the many upriver communities just west of New Orleans. Its fields and plantations afforded early homesteaders tillable farmland and easy access to the Mississippi River. Later, during the War of 1812, American troops led by William Carroll encamped there, and the area was subsequently named for the general. In 1831, developers purchased the land, subdivided it, and began construction of a road and a canal linking the area to New Orleans. Local officials reorganized Carrollton in 1845—by then a village of about 1,000 residents—as a town in Jefferson Parish, and in 1859 a charter officially incorporated it as a city. Just fifteen years later, the City of New Orleans annexed Carrollton—now replete with schools, public gardens, and brick-paved streets—as the Seventh Municipal District. The volume’s second section consists of a “Building Index,” which gives the original owners, dates of construction, costs, designers, and builders for many of the structures erected in Carrollton since its founding. In the “Selective Architectural Inventory,” the book’s final section, Cangelosi explores the history of nearly 420 historic homes and buildings in Carrollton, and shares thumbnail photographs, detailed sales records, and information on a variety of architectural styles. New Orleans Architecture: Volume IX serves as a valuable resource for the city’s Historic District Landmark Commission and the State Historic Preservation Office, as well as home owners, real estate agents, guides, historians, and tourists.

Today, eighteen Butterfly Man armoires (ca. 1815) are documented as having been made in the same New Orleans workshop. While their maker's identity remains a mystery, his cabinets represent the zenith of craftsmanship in early nineteenth-century Louisiana. In order to contextualize the Butterfly Man's story, this study explores the history and use of the armoire in Europe and Louisiana and considers early nineteenth-century cabinetmaking in New Orleans. Who were the early cabinetmakers and where were they from? What was their place in the social fabric of New Orleans? What were the Butterfly Man's influences and how do his armoires reflect them? Who might the Butterfly Man have been?Chasing the Butterfly Man: The Search for a Lost New Orleans Cabinetmaker, 1810-1825, written by New Orleans art historian Cybèle Gontar and published by the Louisiana Museum Foundation, is the first comprehensive exploration of this New Orleans cabinetmaker, his construction methods, and the on-going search for his identity.

This illuminating book examines how the public funerals of major figures from the Civil War era shaped public memories of the war and allowed a diverse set of people to contribute to changing American national identities. These funerals featured lengthy processions that sometimes crossed multiple state lines, burial ceremonies open to the public, and other cultural productions of commemoration such as oration and song. As Sarah J. Purcell reveals, Americans' participation in these funeral rites led to contemplation and contestation over the political and social meanings of the war and the roles played by the honored dead. Public mourning for military heroes, reformers, and politicians distilled political and social anxieties as the country coped with the aftermath of mass death and casualties. Purcell shows how large-scale funerals for figures such as Henry Clay and Thomas J. "Stonewall" Jackson set patterns for mourning culture and Civil War commemoration; after 1865, public funerals for figures such as Robert E. Lee, Charles Sumner, Frederick Douglass, and Winnie Davis elaborated on these patterns and fostered public debate about the meanings of the war, Reconstruction, race, and gender.

Modern American Spiritualism blossomed in the 1850s and continued as a viable faith into the 1870s. Because of its diversity and openness to new cultures and religions, New Orleans provided fertile ground to nurture Spiritualism, and many séance circles flourished in the Creole Faubourgs of Tremé and Marigny as well as the American sector of the city. Melissa Daggett focuses on Le Cercle Harmonique, the francophone séance circle of Henry Louis Rey (1831-1894), a Creole of color who was a key civil rights activist, author, and Civil War and Reconstruction leader. His life has so far remained largely in the shadows of New Orleans history, partly due to a language barrier. Spiritualism in Nineteenth-Century New Orleans focuses on the turbulent years between the late antebellum period and the end of Reconstruction. Translating and interpreting numerous primary sources and one of the only surviving registers of séance proceedings, Daggett has opened a window into a fascinating life as well as a period of tumult and change. She provides unparalleled insights into the history of the Creoles of color and renders a better understanding of New Orleans's complex history. The author weaves an intriguing tale of the supernatural, of chaotic post-bellum politics, of transatlantic linkages, and of the personal triumphs and tragedies of Rey as a notable citizen and medium. Wonderful illustrations, reproductions of the original spiritual communications, and photographs, many of which have never before appeared in published form, accompany this study of Rey and his world.

New Orleans history is steeped in coffee. Outside the Cathedral of St. Louis in Jackson Square, early entrepreneurs like Old Rose provided eager churchgoers with the brew, and it was sold in the French Market beginning in the late 1700s. Caf du Monde and Morning Call started serving caf au lait more than a century ago. People gathered for business, socializing, politics and auctions at five hundred coffee exchanges and shops in the 1800s. Since 1978, myriad specialty coffee shops have opened to meet increasing demand for great coffee. Author Suzanne Stone presents the full story of this celebrated tradition, including how chicory became part of the city's special flavor.

For twenty years, starting in 1999, Jarvis DeBerry's New Orleans Times-Picayune column was the place where the city got its most honest look at itself: the good, the bad, the wonderful, and yes, also the weird. And the city took note. DeBerry's columns inspired letters to the editor, water cooler conversations, city council considerations, and barbershop pontification. I Feel To Believe collects his best columns, documenting two decades of constancy and upheaval, loss, racial injustice, and class strife. In a world of tradition in which lifelong New Orleanians hold strongly that one has to be us to truly see us, DeBerry arrived and began his journey. Generations from now, his readers will receive a deep look at the Crescent City before, during, and after Katrina. I Feel To Believe is all at once an accounting, a reckoning, a celebration.