This latest volume in a series of short play anthologies compiled by Deb and Norman Bert provides roles for almost any mix of students in an acting class. The plays range in mood from serious and heavy to dark or satiric comedy to farce. The heart of the book includes fifteen scripts for two actors. Also included are five monologues and five three-character plays. The playwrights are icons of the American avante garde, writers who have contributed much to regional theatre over recent years. An excellent resource for classrooms and festival competition use.

23 short length plays for a cast of one, two, or three. 5 minutes acting time for each character. Performance times vary from 8-15 minutes.

Twenty-five contemporary one-act plays by nationally known playwrights designed to fit many needs. Includes plays for one, two, or three actors with a playing time of 10 to 15 minutes with about 5 minutes acting time per character. Each play is a complete work--no cuttings-- and are of contest caliber.

Home of the most popular one-act plays for student actors, Playscripts, Inc. presents 15 of their very best short comedies. From a blind dating debacle to a silly Shakespeare spoof, from a fairy tale farce to a self-hating satire, this anthology contains hilarious large-cast plays that have delighted thousands of audiences around the world. Includes the plays The Audition by Don Zolidis, Law & Order: Fairy Tale Unit by Jonathan Rand, 13 Ways to Screw Up Your College Interview by Ian McWethy, Darcy's Cinematic Life by Christa Crewdson, The Whole Shebang by Rich Orloff, A Funny Thing Happened on the Way to Fifth Period by Jason Pizzarello, Small World by Tracey Scott Wilson, The Absolute Most Cliched Elevator Play in the History of the Entire Universe by Werner Trieschmann, The Seussification of Romeo and Juliet by Peter Bloedel, Show and Spell by Julia Brownell, Cut by Ed Monk, Check Please by Jonathan Rand, Aliens vs. Cheerleaders by Qui Nguyen, The Brothers Grimm Spectaculathon by Don Zolidis, 15 Reasons Not To Be in a Play by Alan Haehnel

Each of the plays is a complete dramatic work varying in length from 10--30 minutes. Scripts are excellent for secondary and university level. Comprises 9 plays for 1 man and 1 woman; 3 plays for 2 men; and 3 plays for 2 women.

This fine selection of 20th century plays includes contributions from Robert Emmons Rogers ("The Boy Will"), Booth Tarkington ("Beauty and the Jacobin"), Ernest Dowson ("The Pierrot of the Minute"), Oliphant Down ("The Maker of Dreams"), Percy MacKaye ("Gettysburg"), A.A. Milne ("Wurzel-Flummery"), Harold Brighouse ("Maid of France"), Lady Gregory ("Spreading the News"), Jeannette Marks ("Welsh Honeymoon"), John Millington Synge ("Riders to the Sea"), Lord Dunsany ("A Night at an Inn"), Stark Young ("The Twilight Saint"), Lady Alix Egerton ("The Masque of the Two Strangers"), Maurice Maeterlinck ("The Intruder"), Josephine Preston Peabody ("Fortune and Men's Eyes"), and John Galsworthy ("The Little Man"). All of these plays may be staged free of charge in the United States (and possible in other countries--check your local copyright laws for details).

The Director as Collaborator teaches essential directing skills while emphasizing how directors and theater productions benefit from collaboration. Good collaboration occurs when the director shares responsibility for the artistic creation with the entire production team, including actors, designers, stage managers, and technical staff. Leadership does not preclude collaboration; in theater, these concepts can and should be complementary. Students will develop their abilities by directing short scenes and plays and by participating in group exercises. New to the second edition: updated interviews, exercises, forms, and appendices new chapter on technology including digital research, previsualization and drafting programs, and web-sharing sites new chapter on devised and ensemble-based works new chapter on immersive theater, including material and exercises on environmental staging and audience–performer interaction