For most of the last century, popular and scholarly common sense has equated American evangelicalism with across-the-board social, economic, and political conservatism. However, if a growing chorus of evangelical leaders, media pundits, and religious scholars is to be believed, the era of uncontested evangelical conservatism is on the brink of collapse-if it hasn't collapsed already. Combining vivid ethnographic storytelling and incisive theoretical analysis, New Monasticism and the Transformation of American Evangelicalism introduces readers to the fascinating and unexplored terrain of neo-monastic evangelicalism. Often located in disadvantaged urban neighborhoods, new monastic communities pursue religiously inspired visions of racial, social, and economic justice-alongside personal spiritual transformation-through diverse and creative expressions of radical community. In this account, Wes Markofski has immersed himself in the paradoxical world of evangelical neo-monasticism, focusing on the Urban Monastery-an influential neo-monastic community located in a gritty, racially diverse neighborhood in a major Midwestern American city. The resulting account of the way in which this movement reflects and is contributing to the transformation of American evangelicalism challenges entrenched stereotypes and calls attention to the dynamic diversity of religious and political points of view which vie for supremacy in the American evangelical subculture. New Monasticism and the Transformation of American Evangelicalism is the first sociological analysis of new monastic evangelicalism and the first major work to theorize the growing theological and political diversity within twenty-first-century American evangelicalism.

For most of the last century, popular and scholarly common sense has equated American evangelicalism with across-the-board social, economic, and political conservatism. However, if a growing chorus of evangelical leaders, media pundits, and religious scholars is to be believed, the era of uncontested evangelical conservatism is on the brink of collapse-if it hasn't collapsed already. Combining vivid ethnographic storytelling and incisive theoretical analysis, New Monasticism and the Transformation of American Evangelicalism introduces readers to the fascinating and unexplored terrain of neo-monastic evangelicalism. Often located in disadvantaged urban neighborhoods, new monastic communities pursue religiously inspired visions of racial, social, and economic justice-alongside personal spiritual transformation-through diverse and creative expressions of radical community. In this account, Wes Markofski has immersed himself in the paradoxical world of evangelical neo-monasticism, focusing on the Urban Monastery-an influential neo-monastic community located in a gritty, racially diverse neighborhood in a major Midwestern American city. The resulting account of the way in which this movement reflects and is contributing to the transformation of American evangelicalism challenges entrenched stereotypes and calls attention to the dynamic diversity of religious and political points of view which vie for supremacy in the American evangelical subculture. New Monasticism and the Transformation of American Evangelicalism is the first sociological analysis of new monastic evangelicalism and the first major work to theorize the growing theological and political diversity within twenty-first-century American evangelicalism.

For four decades, the Rev. Dr. Jonathan R. Wilson has cultivated an imagination for “kingdom realism” as a pastor, teacher, theologian, and friend. To celebrate his seventieth birthday, Kingdom Come has gathered reflections from fellow theologians, popular authors, poets, and practitioners to mark both the range of Wilson’s influence on the Christian church and the consistency of his prayer and work for God’s kingdom to come here on earth as it is in heaven.

The New Monastic Movement is a vibrant source of renewal for the church’s life and mission. Many involved in this movement have quoted Dietrich Bonhoeffer’s conviction that the church must recover ancient spiritual disciplines if it is to effectively engage “the powers that be.” Melodies of a New Monasticism adopts a musical metaphor of polyphony (the combination of two or more lines of music) to articulate the way that these early Christian virtues can be woven together in community. Creatively using this imagery, this book draws on the theological vision of Bonhoeffer and the contemporary witness of George MacLeod and the Iona Community to explore the interplay between discipleship, doctrine, and ethics. A recurring theme is the idea of Christ as the cantus firmus (the fixed song) around which people perform the diverse harmonies of God in church and world, including worship, ecumenism, healing, peace, justice, and ecology.

Approaches to Monasticism in the Context of Christian Responses to Modern Culture is a study of how the values and practices of monasticism are being shaped by the shift to a cultural understanding of Christianity in modern times. The values and practices of traditional monasticism are contrasted with those of various expressions of new monasticism against the background of a multicultural and fluid social environment in an effort to find some reciprocal illumination. The study aims to describe monasticism in terms of authenticity and lived religion.

This book presents a broad sociological perspective on the contemporary issues facing Christian monasticism. Since the founding work of Max Weber, the sociology of monasticism has received little attention. However, the field is now being revitalized by some new research. Focusing on Christian monks and nuns, the contributors explore continuity and discontinuity with the past in what superficially might appear a monolithic tradition. Contributors speak not only about monasticism in Europe and the United States but also in Africa and Latin America, a different landscape where the question of recruitment does not figure among issues considered as problematic.

Twenty-first-century monastic communities represent unique social environments in which music plays an integral part. This book examines the role of music in Catholic, Anglican/Episcopalian and neo-monastic communities in Britain and North America, engaging closely with communities of practice to provide a penetrating insight into the role of music in self-care and as a vector for identity construction on both individual and community levels. The author explores the essential role of music in community dynamics, the rationale for using instruments, the implications of both chant-based and freestyle composition, gender-related differences in musical activity, the role of dance (‘music made visible’) in community life, the commodification of monastic music, the ‘Singing Nun’ phenomenon and the role of music in established and emerging neo-monastic communities. The result is a comprehensive and compelling study of the agency of music in the construction and expression of personal and community identity.