This is a dual language ( German/English ) reprint of the now extremely rare and expensive book, Neue Deutsche Baukunst, published in 1941 to showcase the architectural beauty of the building programme instituted by National Socialist Germany. Book consists of photographs of these new structures with details of the architect or artist involved in the project.

"The reunification of Germany has propelled the country to the forefront of the European community, and has generated an immense amount of new building projects, bringing a new focus and clarity to German architecture. This lavishly illustrated volume presents a showcase of the latest and best of these works." "The architects featured range from internationally known practitioners, such as Josef Paul Kleihues (Pre- and Early History Museum in Frankfurt), O. M. Ungers (Town Portal Buildings in Frankfurt, Baden Regional Library in Karlsruhe), Daniel Libeskind (Berlin Museum), Gottfried Bohm (Deutsche Bank in Luxembourg), and Gunter Behnisch (German Postal Museum and German Federal Bank, both in Frankfurt), to architects who have gained great renown within Germany to young and rising talents. The wide variety of projects presented includes Meinhard von Gerkan's Airport Terminal in Stuttgart and Elbschlucht Complex in Hamburg, Karljosef Schattner's varied projects in Eichstatt, and Christoph Langhof's Pressehaus in Berlin. The comprehensive essays examine Germany's architectural history and postwar urban planning, as well as the ramifications of reunification."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

This is an account of the Battle of Stalingrad's later stages, written from the perspective of a radio operator in a platoon leader's, later squadron commander's tank. Obergefreiter Panse's chances of survival are vastly superior to that of a simple soldier in the Infantry divisions consumed in the battle for Stalingrad. Of the 145 men who started the campaign in his squadron only six survived to the surrender on the 2nd of February 1943.

Over the course of the nineteenth century, drastic social and political changes, technological innovations, and exposure to non-Western cultures affected Germany's built environment in profound ways. The economic challenges of Germany's colonial project forced architects designing for the colonies to abandon a centuries-long, highly ornamental architectural style in favor of structural technologies and building materials that catered to the local contexts of its remote colonies, such as prefabricated systems. As German architects gathered information about the regions under their influence in Africa, Asia, and the Pacific—during expeditions, at international exhibitions, and from colonial entrepreneurs and officials—they published their findings in books and articles and organized lectures and exhibits that stimulated progressive architectural thinking and shaped the emerging modern language of architecture within Germany itself. Offering in-depth interpretations across the fields of architectural history and postcolonial studies, Itohan Osayimwese considers the effects of colonialism, travel, and globalization on the development of modern architecture in Germany from the 1850s until the 1930s. Since architectural developments in nineteenth-century Germany are typically understood as crucial to the evolution of architecture worldwide in the twentieth century, this book globalizes the history of modern architecture at its founding moment.

This book vividly illustrates the ways in which buildings designed by many of Germany's most celebrated twentieth century architects were embedded in widely held beliefs about the power of architecture to influence society. German Architecture for a Mass Audience also demonstrates the way in which these modernist ideas have been challenged and transformed, most recently in the rebuilding of central Berlin.

For years following reunification, Berlin was the largest construction site in Europe, with striking new architecture proliferating throughout the city in the 1990s and early 2000s. Among the most visible and the most contested of the new projects were those designed for the national government and its related functions. Berlin Contemporary explores these buildings and plans, tracing their antecedents while also situating their iconic forms and influential designers within the spectacular world of global contemporary architecture. Close studies of these sites, including the Reichstag, the Chancellery, and the reconstruction of the Berlin Stadtschloss (now known as the Humboldt Forum), demonstrate the complexity of Berlin's political and architectural “rebuilding”-and reveal the intricate historical negotiations that architecture was summoned to perform.