This is the first book to consider the formation, history, and practice of Asian Canadian theatre.

Theatre and (Im)migration shines a bright light on the impact that immigrant artists have made and continue to make on the development of Canadian theatre, from themes, characters, and world issues to financial structures and artistic techniques. The collection of essays demonstrates how the increased presence of immigrant theatre artists actively contributing to English- and French-Canadian theatre prompt their audiences to rethink fundamental concepts of nationalism and multiculturalism. Contributors include Moira Day, Alan Filewood, Aida Jordão, Ric Knowles, Natasha Martina Koechl, Rebecca Margolis, Lisa Ndejuru, Nicole Nolette, Eleanor Ty, and many more.

A collection of essays by seasoned and emerging scholars that take the emotional temperature of Canadian performances.

This volume on Indigenous theatre features an all-Indigenous table of contents that will accompany the two-volume anthology Staging Coyote's Dream.

Thirty-five critics provide a unique overview of the contemporary performing arts and their cultural and economic impact in French and English Canada, in a province-by-province assessment of playwrighting, theatre production, opera and dance, radio and TV drama. Over 70 production photographs and an extensive bibliography and index make this one of the most important books on Canadian theatre in the last decade.

A collection of writing by celebrated scholars and artists that explores the state of political performance in contemporary Canada.