The ultimate collection of early American choral music, including folk hymns from the 19th century. A two volume work in a sturdy slipcase, American Harmony includes full musical scores and complete verses for 176 pieces of music, 100 illustrations, over 100 pages of biographical information about composers and musical arrangers, and a CD recording of 35 pieces. The first volume of this set covers New England compositions from 1770 to 1815, the second volume covers a wide range of locations from 1813 to the present. Selections are drawn from well-known sources (such as the shape-note hymnal, The Sacred Harp) as less well known sources, all in their original harmonizations. The author, Nym Cooke, has made the study of shape-note music his life's work and is among the foremost authorities on the subject. Beginning his research in 1976, he has sung every one of the 5,000 pieces published in American tunebooks through 1810, researched the composers' biographies, and determined not only how the music should be presented in print, but also how it might best be performed in person. In addition to the music, the author's historical introduction and detailed critical commentary provide context. As The American Record Guide said, "American Harmony is a thing of beauty... not only to the eye but also the mind and the ear."

Title: The continental harmony: containing a number of anthems, fuges, and chorusses in several parts: never before published.Author: William BillingsPublisher: Gale, Sabin Americana Description: Based on Joseph Sabin's famed bibliography, Bibliotheca Americana, Sabin Americana, 1500--1926 contains a collection of books, pamphlets, serials and other works about the Americas, from the time of their discovery to the early 1900s. Sabin Americana is rich in original accounts of discovery and exploration, pioneering and westward expansion, the U.S. Civil War and other military actions, Native Americans, slavery and abolition, religious history and more.Sabin Americana offers an up-close perspective on life in the western hemisphere, encompassing the arrival of the Europeans on the shores of North America in the late 15th century to the first decades of the 20th century. Covering a span of over 400 years in North, Central and South America as well as the Caribbean, this collection highlights the society, politics, religious beliefs, culture, contemporary opinions and momentous events of the time. It provides access to documents from an assortment of genres, sermons, political tracts, newspapers, books, pamphlets, maps, legislation, literature and more.Now for the first time, these high-quality digital scans of original works are available via print-on-demand, making them readily accessible to libraries, students, independent scholars, and readers of all ages.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++SourceLibrary: Huntington LibraryDocumentID: SABCP03901200CollectionID: CTRG02-B215PublicationDate: 17940101SourceBibCitation: Selected Americana from Sabin's Dictionary of books relating to AmericaNotes: Includes index. Error in paging: p. 168 misnumbered 198.Collation: 199, 1] p., 1] leaf of plates: ill., music; 13 x 23 cm

For nearly seven decades, Jane Blaffer Owen was the driving force behind the restoration and revitalization of the town of New Harmony, Indiana. In this delightful memoir, Blaffer Owen describes the transformational effect the town had on her life. An oil heiress from Houston, she met and married Kenneth Dale Owen, great-great-grandson of Robert Owen, founder of a communal society in New Harmony. When she visited the then dilapidated town with her husband in 1941, it was love at first sight, and the story of her life and the life of the town became intertwined. Her engaging account of her journey to renew the town provides glimpses into New Harmony's past and all of its citizens—scientists, educators, and naturalists—whose influence spread far beyond the town limits. And there are fascinating stories of the artists, architects, and theologians who became part of Blaffer Owen's life at New Harmony, where, she says, "My roots could sink deeply and spread."

Combining new musicology trends, formal musical analysis, and literary feminist recovery work, Leslie Ritchie examines rare poetic, didactic, fictional, and musical texts written by women in late eighteenth-century Britain. She finds instances of and resistance to contemporary perceptions of music as a form of social control in works by Maria Barth?mon, Harriett Abrams, Mary Worgan, Susanna Rowson, Hannah Cowley, and Amelia Opie, among others. Relating women's musical compositions and writings about music to theories of music's function in the formation of female subjectivities during the latter half of the eighteenth century, Ritchie draws on the work of cultural theorists and cultural historians, as well as feminist scholars who have explored the connection between femininity and performance. Whether crafting works consonant with societal ideals of charitable, natural, and national order, or re-imagining their participation in these musical aids to social harmony, women contributed significantly to the formation of British cultural identity. Ritchie's interdisciplinary book will interest scholars working in a range of fields, including gender studies, musicology, eighteenth-century British literature, and cultural studies.

A new method of music theory education for undergraduate music students, Harmony, Counterpoint, Partimento is grounded in schema theory and partimento, and takes an integrated, hands-on approach to the teaching of harmony and counterpoint in today's classrooms and studios. A textbook in three parts, the package includes: - the hardcopy text, providing essential stylistic and technical information and repertoire discussion; - an online workbook with a full range of exercises, including partimenti by Fenaroli, Sala, and others, along with arrangements of eighteenth- and nineteenth-century compositions; - an online instructor's manual providing additional information and realizations of all exercises. Linking theoretical knowledge with aural perception and aesthetic experience, the exercises encompass various activities, such as singing, playing, improvising, and notation, which challenge and develop the student's harmonic, melodic, and rhythmic imagination. Covering the common-practice period (Corelli to Brahms), Harmony, Counterpoint, Partimento is a core component of practice-oriented training of musicianship skills, in conjunction with solfeggio, analysis, and modal or tonal counterpoint.

A heartfelt middle-grade novel from New York Times bestselling author Barbara O’Connor about a boy whose life is upended after the loss of his older brother—timeless, classic, and whimsical. Walter Tipple is looking for adventure. He keeps having a dream that his big brother, Tank, appears before him and says, “Let’s you and me go see my world, little man.” But Tank went to the army and never came home, and Walter doesn’t know how to see the world without him. Then he meets Posey, the brash new girl from next door, and an eccentric man named Banjo, who’s off on a bodacious adventure of his own. What follows is a summer of taking chances, becoming braver, and making friends—and maybe Walter can learn who he wants to be without the brother he always wanted to be like. Halfway to Harmony is an utterly charming story about change and growing up. Don't miss Barbara O'Connor's other middle-grade work—like Wish; Wonderland; How to Steal a Dog; Greetings from Nowhere; Fame and Glory in Freedom, Georgia; The Fantastic Secret of Owen Jester; and more!