This book examines the new orientations in the writing of cultural histories of India from the pre-colonial and early modern period to the postcolonial and contemporary era. It analyses the 'materialist' turn through wide-ranging textual, visual, aural, ritual, and spatial resources like eighteenth-century scribal literature in western India, art deco architecture in twentieth century Calcutta, circulating heads in Naga hills, and Mayawati's monuments in Lucknow.

Cultural History Of India Has Been Divided Into Three Parts To Discuss Various Aspects Of Development Of Indian Culture. It Talks About How Religions Such As The Vedic Religion, Buddhism, Jainism, Saivism And Vaisnavism Aimed At Securing Social Harmony, Moral Upliftment, And Inculcated A Sense Of Duty In The Individual. The Development Of Indian Art And Architecture Was A Creative Effort To Project Symbols Of Divine Reality As Conceived And Understood By The Collective Consciousness Of The People As A Whole. The Book Also Focuses On Social Intuitions, Educational Systems And Economic Organisation In Ancient India. Finally, The Book Discusses The Dietary System Of Indians From Pre-Historic Times To C. 1200 A.D. The Basis For Inclusion Of Food And Drinks In The Book On Indian Culture Is That Ancient Indians Believed That Food Not Only Kept An Individual Healthy, But Was Also Responsible For His Mental Make Up.According To The Author, It Is Of Utmost Importance That The Present Generation Imbibe Those Elements Of Indian Culture Which Have Kept India Vital And Going Through Its Long And Continuous History .Cultural History Of India Is An Extremely Useful Journal On Indian History And Culture For All Readers, Both In India And Abroad. It Is Therefore A Must-Read For All Interested In Indias Proud Past, Which Forms The Eternal Bed-Rock Of Its Fateful Present And Glorious Future. It Is An Academic Book Very Useful For Student Of History Aspiring For I.A.S.

This book, edited by the well-known historian A. L. Basham, presents a comprehensive survey of Indian culture, covering such aspects as religion, philosophy, social organization, literature, art. architecture, music and science. It includes a special section dealing with the influence ofIndian civilization on the rest of the world, as well as details of the political history of the region to provide a chronological framework for the non-specialist. Contributors include such eminent scholars as Radhakrishnan, Burrow, Das, and Spear.

In A Cultural History of India, first published in 1975, A.L. Basham brought together scholars from across the globe to provide international viewpoints on the rich cultural heritage of India. With contributors from across the world covering a wide array of topics including religion, philosophy, social organization, literature, art, architecture, music, and science, the book presented a comprehensive survey of India's rich cultural heritage. Over the years the book became a classic in its own right. The Illustrated Cultural History of India, an adapted and illustrated version of the original book, aims to sensitize young readers to the country's historic past and rich cultural heritage, and the need to preserve it. Key chapters cover the Indus civilization, Ashokan India and the Gupta Age, ancient Indian religions, philosophy, classical literature, early art and architecture, music, Muslim architecture in India, Islam, Sikhism, the nationalist movement, and modern Indian literature, and are complemented by extensive visuals, making for an informative and interesting read.

Are Indian women powerful mother goddesses, or domestic handmaidens trailing behind men in literacy, wages, opportunities, and rights? Have they been agents of their own destinies, or voiceless victims of patriarchy? Behind these colorful over-simplifications lies the reality of many feminine personas belonging to various classes, ethnicities, religions, and castes. This two-volume set looks at Indian history from ancient to modern times, revealing precisely why ideas of gender rights were not static across eras or regions. Raman's work is a reflection on the various ways in which women in a non-Western culture have developed and expressed their own feminist agenda. Are Indian women powerful mother goddesses, or domestic handmaidens trailing behind men in literacy, wages, opportunities, and rights? Have they been agents of their own destinies, or voiceless victims of patriarchy? Behind these coloful over-simplifications lies the reality of many feminine personas belonging to various classes, ethnicities, religions, and castes. This two-volume set looks at Indian history from ancient to modern times, revealing precisely why ideas of gender rights were not static across eras or regions. Raman's work is a reflection on the various ways in which women in a non-western culture have developed and expressed their own feminist agenda. Individual chapters highlight the enduring legacies of many important male and female figures, illustrating how each played a key role in modifying the substance of women's lives. Political movements are examined as well, such as the nationalist reform movement of 1947 in which the ideal of Indian womanhood became central to the nation and the push for independence. Also included is a survey of women in contemporary India and the role they played in the resurgence of militant Hindu nationalism. Aside from being an engaging and readable narrative of Indian history, this set integrates women's issues, roles, and achievements into the general study of the times, providing a clear presentation of the social, cultural, religious, political, and economic realities that have helped shape the identity of Indian women.

This book explores the social and cultural histories of India, focusing on cultural encounters and representations of subaltern communities from the seventeenth to the twenty-first century. Examining cultural encounters between Europeans and Indians during the precolonial and colonial periods, the book analyzes European, especially English, efforts to exoticize or investigate the social practices of the Other. It also presents the culturally conditioned Indian subject's perspective on Europe and the imperial society. The book engages with narratives of suppressed movements of tribals and dalits, of erosion of the culture and history of ancient communities, and recovers the local narratives of marginalized groups in Andaman and Malabar, which get superseded by the larger narrative of nation-building. Often relying on oral history instead of printed material and sociological fieldwork, the alternate histories are presented through unconventional, literary or semi-literary genres like travel narratives, fiction, films, and songs, thus presenting an alternative interpretation to the central narrative of the progress of mainstream India. Representing cultural history and the view from below, the book shifts its focus from the conventional historiography associated with political history and will be of interest to academics working in the field of cultural studies, the historiography of India, South Asian Studies and an interdisciplinary audience in history, sociology, literature, media, and English studies.

An internationally recognized authority on Chinese history and a leading innovator in its telling, Cho-yun Hsu constructs an original portrait of Chinese culture. Unlike most historians, Hsu resists centering his narrative on China's political evolution, focusing instead on the country's cultural sphere and its encounters with successive waves of globalization. Beginning long before China's written history and extending through the twentieth century, Hsu follows the content and expansion of Chinese culture, describing the daily lives of commoners, their spiritual beliefs and practices, the changing character of their social and popular thought, and their advances in material culture and technology. In addition to listing the achievements of emperors, generals, ministers, and sages, Hsu builds detailed accounts of these events and their everyday implications. Dynastic change, the rise and fall of national ambitions, and the growth and decline of institutional systems take on new significance through Hsu's careful research, which captures the multiple strands that gave rise to China's pluralistic society. Paying particular attention to influential relationships occurring outside of Chinese cultural boundaries, he demonstrates the impact of foreign influences on Chinese culture and identity and identifies similarities between China's cultural developments and those of other nations.