Because of the triumph of postmodern studies, explication of classic poems by great dead white male English poets of preceding centuries has greatly declined in the last several decades, even though many of the poems may still be puzzling to interested readers, young and old. This book is addressed to both audiences in the hope that new explications of twelve classic poems (or sections of these poems) by Blake, Wordsworth, Coleridge, Keats, Shelley, Tennyson, Browning, Arnold, Hardy, Yeats, and Auden may help sustain interest in the poems. Although the explication procedure is now unpopular in theory and held to be as subjective as interpretation, the procedure is based on the experience that, if a puzzling poem is reasoned with, it can often be found to make sense on a basic level of understanding—a sense perhaps complex, ambiguous, or ambivalent but not self-contradictory. In essence, then, this is a book of poetry explications having esthetic aims but written in an era of unesthetic political and cultural studies. The term conservative in the title refers to explicatory rather than political conservatism as well as to critical and literary conservation—i.e., to conserving the practice of explication whether upon literary works old or new, and so also conserving esthetic interest in the old works themselves. The book also attempts to show that new conservative explications are still possible and can be still useful—even in the postmodern era and even on classic poems already much explicated—and that therefore explication still has much to do in the work of literary studies in the postmodern era.

Now updated to include Trump's election and the rise of global populism, Corey Robin's 'The Reactionary Mind' traces conservatism back to its roots in the reaction against the French Revolution.

In a manner that reflects his long-time academic and practitioner’s association with conservative politics and ideas in Canada, Hugh Segal traces the deep historical roots of Canadian conservatism and the themes that unite its pre- and post-confederation reality with today’s challenges and issues. The Right Balance connects the historical roots and exclusive intellectual principles of Canadian conservatism to the fundamental idea of Canada with a new and insightful perspective. Provocative and timely, this book puts the present Stephen Harper–led Conservatives into a dynamic historical context and gives readers fresh insights into how Canadian Conservatism is different and why, providing depth and texture to today’s headlines. The Right Balance will appeal to both adults and students who are interested in the economics,

A call to arms for the growing movement of "Conservatarians"--members of the right who are fiscally conservative but socially liberal--and a fascinating look at conservatism's past and future. There is an underserved movement budding among conservatives, in which fiscal responsibility, constitutional obedience, and controlled government spending remain crucial tenets, but issues like gay marriage and drug control are approached with a libertarian bent. In The Conservatarian Manifesto, Charles C.W. Cooke engages with the data and the philosophy behind this movement, applauding conservatarianism as a force that can help Republicans mend the many ills that have plagued their party in recent years. Conservatarians are vexed by Republicans' failure to cut the size and scope of Washington D.C., but they are critical of some libertarians for their unacceptable positions on abortion, national defense, and immigration. They applaud conservatives' efforts to protect Second Amendment rights--efforts that have recently been wildly successful--but they see the War on Drugs as an unmitigated disaster that goes against everything conservatives ought to value. All movements run the risk of stagnation, and of losing touch with the principles and values that made them successful in the first place. In this book, Charles Cooke shows the way back to a better and more honest conservatism that champions limited government, reality-based policy, and favor for the smallest minority of all: the individual.

This book argues that the American conservative movement, as it now exists, does not have deep roots. It began in the 1950s as the invention of journalists and men of letters reacting to the early Cold War and trying to construct a rallying point for likeminded opponents of international Communism. The resulting movement has exaggerated the permanence of its values; while its militant anti-Communism, instilled in its followers, and periodic suppression of dissent have weakened its capacity for internal debate. Their movement came to power at least partly by burying an older anti-welfare state Right, one that in fact had enjoyed a social following that was concentrated in a small-town America. The newcomers played down the merits of those they had replaced; and in the 1980's the neoconservatives, who took over the postwar conservative movement from an earlier generation, belittled their predecessors in a similar way. Among the movement's major accomplishments has been to recreate its own past. The success of this revised history lies in the fact that even the movement's critics are now inclined to accept it.

Bryan M. Santin examines over a half-century of intersection between American fiction and postwar conservatism. He traces the shifting racial politics of movement conservatism to argue that contemporary perceptions of literary form and aesthetic value are intrinsically connected to the rise of the American Right. Instead of casting postwar conservatives as cynical hustlers or ideological fanatics, Santin shows how the long-term rhetorical shift in conservative notions of literary value and prestige reveal an aesthetic antinomy between high culture and low culture. This shift, he argues, registered and mediated the deeper foundational antinomy structuring postwar conservatism itself: the stable social order of traditionalism and the creative destruction of free-market capitalism. Postwar conservatives produced, in effect, an ambivalent double register in the discourse of conservative literary taste that sought to celebrate neo-aristocratic manifestations of cultural capital while condemning newer, more progressive manifestations revolving around racial and ethnic diversity.

In the battles over religion and politics in America, both liberals and conservatives often appeal to history. Liberals claim that the Founders separated church and state. But for much of American history, David Sehat writes, Protestant Christianity was intimately intertwined with the state. Yet the past was not the Christian utopia that conservatives imagine either. Instead, a Protestant moral establishment prevailed, using government power to punish free thinkers and religious dissidents. In The Myth of American Religious Freedom, Sehat provides an eye-opening history of religion in public life, overturning our most cherished myths. Originally, the First Amendment applied only to the federal government, which had limited authority. The Protestant moral establishment ruled on the state level. Using moral laws to uphold religious power, religious partisans enforced a moral and religious orthodoxy against Catholics, Jews, Mormons, agnostics, and others. Not until 1940 did the U.S. Supreme Court extend the First Amendment to the states. As the Supreme Court began to dismantle the connections between religion and government, Sehat argues, religious conservatives mobilized to maintain their power and began the culture wars of the last fifty years. To trace the rise and fall of this Protestant establishment, Sehat focuses on a series of dissenters--abolitionist William Lloyd Garrison, suffragist Elizabeth Cady Stanton, socialist Eugene V. Debs, and many others. Shattering myths held by both the left and right, David Sehat forces us to rethink some of our most deeply held beliefs. By showing the bad history used on both sides, he denies partisans a safe refuge with the Founders.