After thinking about abstracts for many years and having studied abstract artists over the years, I finally found some time to create abstracts that I've been thinking about for years. Sparked by a side project that had me create abstract like backgrounds, I decided to take the thought further. These are some of the results from the second and third year of the abstract experiment. Along the way were many variations on some of the themes here, however, those will not be included in this volume of art. These were selected from around 200 abstracts that I thought worked better than the others that I rejected for this book. I hope you like my choices. They are all available as prints at http: //MikeCressy.imagekind.com/ Volume One of this series is available for purchase. Just in case you'd like to compare or complete your collection

A leading authority on the subject presents a radically new approach to the understanding of abstract art, in this richly illustrated and persuasive history. In his fresh take on abstract art, noted art historian Pepe Karmel chronicles the movement from a global perspective, while embedding abstraction in a recognizable reality. Moving beyond the canonical terrain of abstract art, the author demonstrates how artists from around the world have used abstract imagery to express social, cultural, and spiritual experience. Karmel builds this fresh approach to abstract art around five inclusive themes: body, landscape, cosmology, architecture, and man-made signs and patterns. In the process, this history develops a series of narratives that go far beyond the established figures and movements traditionally associated with abstract art. Each narrative is complemented by a number of featured abstract works, arranged in thought-provoking pairings with accompanying extended captions that provide an in-depth analysis. This wide-ranging examination incorporates work from Asia, Australia, Africa, and South America, as well as Europe and North America, through artists ranging from Wu Guanzhong, Joan Miró, Jackson Pollock, to Hilma af Klint, and Odili Donald Odita. Breaking new ground, Karmel has forged a new history of this key art movement.

This volume is a companion to the highly successful book published in association with the Journal of Alzheimer’s Disease (JAD) on the centennial of Alzheimer’s discovery: “Alzheimer’s Disease: A Century of Scientific and Clinical Research”. Instead of looking back, this collection, “Alzheimer’s Disease: Advances for a New Century”, will look forward. Using scientometric analysis the most promising developments since the Alzheimer Centennial in 2006 have been substantiated. While prior trends and advances in genetics, amyloid-?, tau, neuropathology, and oxidative stress continue as active areas, emergent areas impacting the transition from normal cognition to Alzheimer’s disease such as diagnostic imaging, biomarkers, metabolism, and lifestyle (areas conceived only a few years ago) now dominate the debate. Invited contributors have summarized their landmark publications identified by our analysis and have put them into perspective, explaining the impetus behind the work, the contribution of the results to the field, and who played a role in the work.

Vols. 1-44 include Proceedings of the annual meeting, 1889-1933, later published separately.