Frontiers of Development in the Amazon: Riches, Risks, and Resistances contributes to ongoing debates on the processes of change in the Amazon, a region inherently tied to the expansion of internal and external socio-economic and environmental frontiers. This book offers interdisciplinary analyses from a range of scholars in Europe, Latin America, and the United States that question the methods of development and the range of socio-ecological impacts of those methods by examining the theoretical, methodological, and empirical dimensions of frontier-making along with evaluating and refining existing frameworks. Contributors focus on the complex politics of border formation shaped by institutional, economic, and political forces, placing them in relation to ethical, imaginary, and symbolic elements. In doing so, contributors explore the dynamic production of identities, values, and subjectivities, covering matters of migratory patterns, complex power struggles, and intensive—at times violent—clashes. Among other topics, this book assesses the recent encroachment of export-driven agribusiness into the Amazon Region in the context of recolonization, resource exploitation and multiple programs of modernization and national integration. Scholars of Latin American studies, international development, environmental studies, and applied social sciences will find this book particularly useful.

Patriarchy’s Creative Resilience explores the disturbing sustainability of White male supremacy. Kramp traces an imaginative failure and an imaginative success; his focus on British speculative fiction published between 1870 and 1900 demonstrates how even this elastic and wildly inventive literary form remains incapable of promoting non- patriarchal masculinity, and he attributes this inability to the creative resiliency of white male supremacy. He demonstrates the inventive use of diverse resources that we frequently view as custom or uncomplicated history and a versatility that we often dismiss as sheer power. He draws on an archive of late nineteenth- century speculative fiction to detail a versatile patriarchal toolbox, including hegemonic masculinity, control of dangerous women, hyperbolic and sentimental performances of male sovereignty, and reversions to authoritarian, at times violent conduct. He also considers how the classic military strategy of dividing to conquer undergirds all these tactics, inhibiting our creating energies and dynamic collaborations. Various chapters demonstrate the enterprise, ingenuity, and adaptability of patriarchy to refashion and rejustify normalized systems of oppression. While scholars have consistently identified moments and agents of resistance to patriarchal structures by highlighting creativity, resiliency, and resourcefulness, Kramp’s project reveals how patriarchy itself is creative, resilient, and resourceful.

In June 1889, Mrs Humphry Ward's open letter "An Appeal Against Female Suffrage" was published with over a hundred other female signatories against the extension of Parliamentary suffrage to women. Inflamed by this "most despicable piece of treachery ever perpetrated towards women by women", Corbett wrote and published New Amazonia.In her novel, Corbett envisions a successful suffragette movement eventually giving rise to a breed of highly evolved "Amazonians" who turn Ireland into a utopian society. The book's female narrator wakes up in the year 2472, much like Julian West awakens in the year 2000 in Edward Bellamy's Looking Backward. Corbett's heroine, however, is accompanied by a man of her own time, who has similarly awakened from a hashish dream to find himself in New Amazonia.The narrator reacts very positively to what she sees and learns; but her male companion reacts precisely oppositely and adjusts badly. Read on to know more! Excerpt: "The next event I can chronicle was opening my eyes on a scene at once so beautiful and strange that I started to my feet in amaze. This was not my study, and I beheld nothing of the magazine which was the last thing I remembered seeing before I went to sleep. ... I was recalled to the necessity of behaving more decorously by hearing someone near me exclaim in mystified accents, "By Jove! But isn't this extraordinary? I say, do you live here, or have you been taking hasheesh too?"...

Language as a complex and dynamic phenomenon is an important instrument for reflecting individual and social identity. The formation of languages under the influence of specific norms and rules, which depend on historical and cultural developments, goes beyond their mere use as a means of communication. Languages are used to formulate thoughts, express emotions, demonstrate behaviour and produce artistic texts as skills and actions. Languages are also used to exert pressure, direct thoughts and influence people. Especially since the 1970s, under the influence of women's rights and feminist approaches in the West, language has played a prominent role in the reflection on gender and identity in cultural, linguistic and literary studies. This influence has led to an increased awareness of how language shapes and perpetuates concepts of gender and identity. Against this backdrop, this thesis will analyse various dimensions of the linguistic construction of gender and identity and examine their impact on socio-cultural structures. Translation and Gender: Beyond Power and Boundaries is an anthology of studies that analyse in depth the connections between translation and gender, translation and women, and translation and feminist understanding. The publication offers the opportunity to discuss various topics and answer questions related to different approaches.

Finalist, 2019 Locus Award for Nonfiction, presented by the Locus Science Fiction Foundation Traverses the history of imagined futures from the 1890s to the 2010s, interweaving speculative visions of gender, race, and sexuality from literature, film, and digital media Old Futures explores the social, political, and cultural forces feminists, queer people, and people of color invoke when they dream up alternative futures as a way to imagine transforming the present. Lothian shows how queer possibilities emerge when we practice the art of speculation: of imagining things otherwise than they are and creating stories from that impulse. Queer theory offers creative ways to think about time, breaking with straight and narrow paths toward the future laid out for the reproductive family, the law-abiding citizen, and the believer in markets. Yet so far it has rarely considered the possibility that, instead of a queer present reshaping the ways we relate to past and future, the futures imagined in the past can lead us to queer the present. Narratives of possible futures provide frameworks through which we understand our present, but the discourse of “the” future has never been a singular one. Imagined futures have often been central to the creation and maintenance of imperial domination and technological modernity; Old Futures offers a counterhistory of works that have sought—with varying degrees of success—to speculate otherwise. Examining speculative texts from the 1890s to the 2010s, from Samuel R. Delany to Sense8, Lothian considers the ways in which early feminist utopias and dystopias, Afrofuturist fiction, and queer science fiction media have insisted that the future can and must deviate from dominant narratives of global annihilation or highly restrictive hopes for redemption. Each chapter chronicles some of the means by which the production and destruction of futures both real and imagined takes place: through eugenics, utopia, empire, fascism, dystopia, race, capitalism, femininity, masculinity, and many kinds of queerness, reproduction, and sex. Gathering stories of and by populations who have been marked as futureless or left out by dominant imaginaries, Lothian offers new insights into what we can learn from efforts to imaginatively redistribute the future.

Since the late twentieth century, there has been a strategic campaign to recover the impact of Victorian women writers in the field of English literature. However, with the increased understanding of the importance of interdisciplinarity in the twenty-first century, there is a need to extend this campaign beyond literary studies in order to recognise the role of women writers across the nineteenth century, a time that was intrinsically interdisciplinary in approach to scholarly writing and public intellectual engagement.