1951, Paris. San Francisco socialite Nancy Cooke meets Luis de Herrera, a dashing sports car driver from Argentina who is driving with the American team at Le Mans. It is love at first sight for the couple, but several obstacles keep them apart. After heartbreaking separations and months of uncertainty, they finally marry. Is it happily ever after? Not quite . Nancy's divorce isn't recognized by the strict Catholic country of Argentina, and she struggles to be accepted as de Herrera's wife. But as time passes, Nancy becomes more familiar with the people of Argentina, especially of Juan Peron and his wife, Evita. She witnesses the country's fictitious agony over Evita's illness, and the choreographed, Hollywood-like production mourning her death. Later, Nancy even participates in the revolution to overthrow Peron. But while visiting the United States, Nancy and Luis are exposed to atomic radiation fallout, resulting in Luis's tragic death. Such a horrific event spurs Nancy's search for answers, and begins a new, lifelong spiritual quest that continues to this day. With amazing candor and heartbreaking emotion, Never Tango with a Stranger tells Nancy's bittersweet story of love, loss, and illumination, and provides a compelling portrait of the power and strength of the human spirit.

Diamonds are a thief's best friend Adam Patrick Henry, professional jewel thief, knows an amateur—and a cheap wig—when he sees one. The mysterious woman across the room is far from a pro, but her good instincts might come in handy on his next job. He could use a partner, and if that partner happens to be irresistible, all the better. Jessica Hughes has a long way to climb—and a whole lot to prove—before she's back where she belongs. A cruel setup cost Jessica her job and her reputation, and she's not opposed to a disguise and some underhanded tactics if it means getting her life back. But she's no thief, not really, and teaming up with a gorgeous stranger who's clearly up to no good might prove more dangerous than it's worth. Working a job this big could give Adam and Jessica everything they've ever wanted—if their rocky partnership lasts long enough to carry it off. This book is approximately 37,000 words

Argentinean tango is a global phenomenon. Since its origin among immigrants from the slums of Buenos Aires and Montevideo, it has crossed and re-crossed many borders.Yet, never before has tango been danced by so many people and in so many different places as today. Argentinean tango is more than a specific music and style of dancing. It is also a cultural imaginary which embodies intense passion, hyper-heterosexuality, and dangerous exoticism. In the wake of its latest revival, tango has become both a cultural symbol of Argentinean national identity and a transnational cultural space in which a modest, yet growing number of dancers from different parts of the globe meet on the dance floor. Through interviews and ethnographical research in Amsterdam and Buenos Aires, Kathy Davis shows why a dance from another era and another place appeals to men and women from different parts of the world and what happens to them as they become caught up in the tango salon culture. She shows how they negotiate the ambivalences, contradictions, and hierarchies of gender, sexuality, and global relations of power between North and South in which Argentinean tango is—and has always been—embroiled. Davis also explores her uneasiness about her own passion for a dance which—when seen through the lens of contemporary critical feminist and postcolonial theories—seems, at best, odd, and, at worst, disreputable and even a bit shameful. She uses the disjuncture between the incorrect pleasures and complicated politics of dancing tango as a resource for exploring the workings of passion as experience, as performance, and as cultural discourse. She concludes that dancing tango should be viewed less as a love/hate embrace with colonial overtones than a passionate encounter across many different borders between dancers who share a desire for difference and a taste of the ‘elsewhere.’ Dancing Tango is a vivid, intriguing account of an important global cultural phenomenon.

Anyone can turn their life around. Anyone can significantly transform the way people respond to them. I know they can because I did. I thought it might be fun to share some of my wonderful, wacky, and weird interactions with random people. I talk to strangers because they talk to me, and tales of events closer to home have inspired my second book. Enjoy!

These wide-ranging conversations have an exceptionally open and intimate tone, giving us a personal glimpse of one of the most fascinating figures in contemporary world literature. Interviewer Fernando Sorrentino, an Argentinian writer and anthologist, is endowed with literary acumen, sensitivity, urbanity, and an encyclopedic memory of Jorge Luis Borges' work (in his prologue, Borges jokes that Sorrentino knows his work "much better than I do"). Borges wanders from nostalgic reminiscence to literary criticism, and from philosophical speculation to political pronouncements. His thoughts on literature alone run the gamut from the Bible and Homer to Ernest Hemingway and Julio Cortázar. We learn that Dante is the writer who has impressed Borges most, that Borges considers Federico García Lorca to be a "second-rate poet," and that he feels Adolfo Bioy Casares is one of the most important authors of this century. Borges dwells lovingly on Buenos Aires, too. From the preface: For seven afternoons, the teller of tales preceded me, opening tall doors which revealed unsuspected spiral staircases, through the National Library's pleasant maze of corridors, in search of a secluded little room where we would not be interrupted by the telephone…The Borges who speaks to us in this book is a courteous, easy-going gentleman who verifies no quotations, who does not look back to correct mistakes, who pretends to have a poor memory; he is not the terse Jorge Luis Borges of the printed page, that Borges who calculates and measures each comma and each parenthesis. Sorrentino and translator Clark M. Zlotchew have included an appendix on the Latin American writers mentioned by Borges

Written decades before Eat, Pray, Love, this inspiring memoir details one woman’s incredible journey through India to bring Eastern spirituality to the Western world. Even before she arrived at the ashram of Maharishi Mahesh Yogi, founder of Transcendental Meditation, in Rishikesh, India, a city at the foothills of the Himalayas along the banks of the Ganges River, in 1962, Nancy Cooke de Herrera lived a lifetime of adventure. During the 1950s, she traveled the globe as a goodwill ambassador of the US State Department, giving lectures on American fashion, culture, and customs. But when her beloved husband, Luis, died, de Herrera sought a life of greater meaning. The Maharishi became her guru, mentor, and friend, and in return she served as his publicist, spreading his message of peace and love wherever she went. In this remarkable autobiography, with a foreword by Deepak Chopra, de Herrera recounts not only her international escapades but also her inner journey to spiritual enlightenment. Trained by the Maharishi, she returned home and taught meditation to troubled youth, HIV/AIDS patients, and celebrities such as Madonna, Sheryl Crow, and Greta Garbo. Her publicity efforts led to the explosion of interest in meditation, yoga, and Eastern spirituality in America. Rich in endearing anecdotes about life at the ashram with famous visitors, including the Beatles, Mia Farrow, and Mike Love, and pieces of timeless wisdom, All You Need Is Love reveals a life lived with compassion, open-mindedness, and the belief that one person can change the world.