When a young woman vanishes without a trace, the residents of rural Grand Trespass, Louisiana, begin to regard each other with suspicion even as a killer hides quietly in their midst.

A rollicking memoir about the rewards of risk and the surprising facts of safety and self-defense, from a woman who has earned two black belts in her pursuit of living fearlessly.

"Sixteen-year-old Allie has already experienced a lifetime of horror, having lost her mother and serial-killer brother to mental illness. Returning to her childhood home in Louisiana, Allie ends up in foster care and is placed with Miss Bitty, an eccentric but kind older woman who shows her a new direction and a brighter future." But after young neighborhood women start turning up dead, Miss Bitty grows distant, and Allie begins to see shadowy figures, she wonders if death has left her. (cover p. 4)

If you are hanging from a trapeze And up sneaks a camel with bony knees, Remember this rule, if you please— Never talk to strangers. This book brilliantly highlights situations that children will find themselves in—whether they’re at home and the doorbell rings, or playing in the park, or mailing a letter on their street—and tells them what to do if a stranger (always portrayed as a large animal, such as a rhino) approaches. Colorful, ’60s-style “psychedelic” artwork and witty, lively rhyme clearly spell out a message about safety that empowers kids, and that has never been more relevant. Irma Joyce wrote many Golden Books during the 1960s. George Buckett was a popular children’s book illustrator during the 1960s.

Malcolm Gladwell, host of the podcast Revisionist History and author of the #1 New York Times bestseller Outliers, offers a powerful examination of our interactions with strangers and why they often go wrong—now with a new afterword by the author. A Best Book of the Year: The Financial Times, Bloomberg, Chicago Tribune, and Detroit Free Press How did Fidel Castro fool the CIA for a generation? Why did Neville Chamberlain think he could trust Adolf Hitler? Why are campus sexual assaults on the rise? Do television sitcoms teach us something about the way we relate to one another that isn’t true? Talking to Strangers is a classically Gladwellian intellectual adventure, a challenging and controversial excursion through history, psychology, and scandals taken straight from the news. He revisits the deceptions of Bernie Madoff, the trial of Amanda Knox, the suicide of Sylvia Plath, the Jerry Sandusky pedophilia scandal at Penn State University, and the death of Sandra Bland—throwing our understanding of these and other stories into doubt. Something is very wrong, Gladwell argues, with the tools and strategies we use to make sense of people we don’t know. And because we don’t know how to talk to strangers, we are inviting conflict and misunderstanding in ways that have a profound effect on our lives and our world. In his first book since his #1 bestseller David and Goliath, Malcolm Gladwell has written a gripping guidebook for troubled times.

Death has always stalked single mother Allie Callahan. For the first time in her life, she has found a fragile sort of happiness living a quiet, peaceful existence in East Texas with her young son, Sammy, and her adoptive mother. Still, Allie fears she may be susceptible to the same mental illness that destroyed her serial-killer mother and brother. She's haunted by the idea that she could become incapable of caring for Sammy. When twelve-year-old twins Zoe and Carrie arrive on her doorstep late one night, their parents slain in a vicious double homicide, Allie's strength and sanity are put to the test. What did the twins see on the night of their parents' horrific murder? They are too frightened to say. Soon faced with a series of menacing phone calls, a rising body count, and the pressure of keeping the girls and her own son safe, Allie fears she'll lose her mind--and her one shot at happiness--once and for all.

**NOW A MAJOR FILM - ALL OF US ARE STRANGERS - STARRING PAUL MESCAL, CLAIRE FOY, ANDREW SCOTT AND JAMIE BELL** 'Deeply satisfying. . . a wonderful study of grief and isolation.' Daily Mail 'A sharp, chilling contemporary ghost story.' The Scotsman 'Powerful.' Guardian 'Sexy, insightful and frequently funny.' Irish Examiner Middle-aged, jaded and divorced, TV scriptwriter Harada returns one night to the dilapidated downtown district of Tokyo where he grew up. There, at the theatre, he meets a likable man who looks exactly like his long-dead father. And so begins Harada's ordeal, as he's thrust into a reality where his parents appear to be alive at the exact age they had been when they had died so many years before.