"The brain contains ten thousand cells," wrote the poet Matthew Prior in 1718, "in each some active fancy dwells." In the seventeenth and eighteenth centuries, just as scientists began to better understand the workings of the nerves, the nervous system became the site for a series of elaborate fantasies. The pineal gland is transformed into a throne for the sovereign soul. Animal spirits march the nerves like parading soldiers. An internal archivist searches through cerebral impressions to locate certain memories. An anatomist discovers that the brain of a fashionable man is stuffed full of beautiful clothes and billet-doux. A hypochondriac worries that his own brain will be disassembled like a watch. A sentimentalist sees the entire world as a giant nervous system comprising sympathetic spectators. Nervous Fictions is the first account of the Enlightenment origins of neuroscience and the "active fancies" it generated. By surveying the work of scientists (Willis, Newton, Cheyne), philosophers (Descartes, Cavendish, Locke), satirists (Swift, Pope), and novelists (Haywood, Fielding, Sterne), Keiser shows how attempts to understand the brain’s relationship to the mind produced in turn new literary forms. Early brain anatomists turned to tropes to explicate psyche and cerebrum, just as poets and novelists found themselves exploring new kinds of mental and physical interiority. In this respect, literary language became a tool to aid scientific investigation, while science spurred literary invention.

In one of the finest novels yet in Tapply's long-running series, Nervous Water explores the previously hidden past of his much beloved character, Boston attorney Brady Coyne. Contacted by an aged relative with whom he'd long lost touch, Brady agrees to help his Uncle Moze with a sensitive family matter. Having received a diagnosis of terminal cancer, Moze is looking to mend fences with his only daughter. But the daughter seems to have simply disappeared, leaving no clues or hints as to her whereabouts. As Brady tackles the seemingly impossible task of finding his cousin - a case that looks less and less like a simple missing person case - it becomes clear that whatever is going on now is related to a dark, undiscussed episode in his family's past: the brutal, still unsolved murder of another of Brady's uncles.

This book focuses on the centrality of illness—particularly psychosomatic illness—as an imaginative construct in Victorian culture. It shows how illness shaped the terms through which people perceived relationships between body and mind, self and other, private and public, and how Victorians tried to understand and control their world through a process of physiological and pathological definition.

"Winner of the Flannery O'Connor Award for Short Fiction."

These essays demonstrate the sweeping influence of the human nervous system on the rise of literature and sensibility in early modern Europe. The brain and nerves have usually been treated as narrow topics within the history of science and medicine. Now George Rousseau, an international authority on the relations of literature and medicine, demonstrates why a broader context is necessary. The nervous system was a crucial factor in the rise of recent civilization. More than any other body part, it holds the key to understanding how far back the strains and stresses of modern life - fatigue, depression, mental illness - extend.

This book presents a basic examination of the human nervous system.