Neoplatonic Demons and Angels is a collection of eleven studies which examine, in chronological order, the place reserved for angels and demons not only by the main Neoplatonic philosophers (Plotinus, Porphyry, Iamblichus, and Proclus), but also in Gnosticism, the Chaldaean Oracles, Christian Neoplatonism, especially by Pseudo-Dionysius the Areopagite. This volume originates from a panel held at the 2014 ISNS meeting in Lisbon, but is supplemented by a number of invited papers.

"A collection of essays examining medieval and early modern texts aimed at performing magic or receiving illumination via the mediation of angels. Includes discussion of Jewish, Christian and Muslim texts"--Provided by publisher.

A new explanation of the beginnings of Jewish angelology and demonology, drawing on non-canonical writings and Aramaic Dead Sea Scrolls.

This book examines the role of angels in medieval and Renaissance art and religion from Dante to the Counter-Reformation.

This is the first modern study of Agrippa's occult philosophy, revealing it to be a coherent part of his intellectual work. It analyzes the text of "De occulta philosophia," explicating the sophisticated structure and argument of the work.

Ancient theories of posthuman transformation can shape, chasten, and reform modern (biotechnical) theories of posthuman enhancement.

This study explains how the myths of Greece and Rome were transmitted from antiquity to the Renaissance. Luc Brisson argues that philosophy was ironically responsible for saving myth from historical annihilation. Although philosophy was initially critical of myth because it could not be declared true or false and because it was inferior to argumentation, mythology was progressively reincorporated into philosophy through allegorical exegesis. Brisson shows to what degree allegory was employed among philosophers and how it enabled myth to take on a number of different interpretive systems throughout the centuries: moral, physical, psychological, political, and even metaphysical. How Philosophers Saved Myths also describes how, during the first years of the modern era, allegory followed a more religious path, which was to assume a larger role in Neoplatonism. Ultimately, Brisson explains how this embrace of myth was carried forward by Byzantine thinkers and artists throughout the Middle Ages and Renaissance; after the triumph of Chistianity, Brisson argues, myths no longer had to agree with just history and philosophy but the dogmas of the Church as well.