From her prison cell in revolutionary Paris, nineteen-year-old aristocrat Hélène d’Aubign recalls the events that led her to choose between following in her parents’ unforgivable footsteps or abandoning the man she loves. Despite her world of privilege, Hélène is inspired early on by the radical ideas of her progressive governess. Though her family tries to intervene, the seeds of revolution have already been planted in Hélène’s heart, as are the seeds of love from an unlikely friendship with a young jeweler’s apprentice. Hélène’s determination to find true love is as revolutionary as her attempt to unravel the truth behind a concealed murder that tore her family apart. As violence erupts in Paris, Hélène is forced into hiding with her estranged family, where the tangled secrets of their past become entwined with her own. When she finally returns to the blood-stained streets of Paris, she finds everything—and everyone—very much changed. In a city where alliances shift overnight, no one knows whom to trust. Faced with looming war, the mystery of her family’s past, and the man she loves near death, Hélène will soon find out if doing one wrong thing will make everything right, or if it will simply push her closer to the guillotine.

The Greeks, in Dr. Johnson's phrase, 'shock the mind by ascribing effects to non-entity'. The culture of ancient Greece was thronged with personifications. In poetry and the visual arts, personified figures of what might seem abstractions claim our attention. This study examines the logic, the psychology and the practice of Greeks who worshipped these personifications with temples and sacrifices, and addressed them with hymns and prayers. Emma Stafford conducts case-studies of deified 'abstractions', such as Peitho (Persuasion), Eirene (Peace) and Hygieia (Health). She also considers general questions of Greek psychology, such as why so many of these figures were female. Modern scholars have asked, Did the Greeks believe their own myths? This study contributes importantly to the debate, by exploring widespread and creative popular theology in the historical period.

Every night, a pageant of Greek mythology circles overhead. Perseus flies to the rescue of Andromeda, Orion faces the charge of the snorting Bull, and the ship of the Argonauts sails in search of the Golden Fleece. Constellations are the invention of the human imagination, not of nature. They are an expression of the human desire to impress its own order upon the apparent chaos of the night sky. Modern science tells us that these twinkling points of light are glowing balls of gas, but the ancient Greeks, to whom we owe many of our constellations, knew nothing of this. Ian Ridpath, well-known astronomy writer and broadcaster, has been intrigued by the myths of the stars for many years. Star Tales is the first modern guide to combine all the fascinating myths in one book, illustrated with the beautiful and evocative engravings from two of the leading star atlases: Johann Bode's Uranographia of 1801 and John Flamsteed's Atlas Ceolestis of 1729. This is an excellent reference and the perfect gift for the armchair astronomer and those interested in classical mythology alike.

Nicole Loraux has devoted much of her writing to charting the paths of the Greek "imaginary," revealing a collective masculine psyche fraught with ambivalence as it tries to grasp the differences between nature and culture, body and soul, woman and man. The Experiences of Tiresias, its title referring to the shepherd struck blind after glimpsing Athena's naked body, captures this ambivalence in exploring how the Greek male defines himself in relationship to the feminine. In these essays, Loraux disturbs the idea of virile men and feminine women, a distinction found in official discourse and aimed at protecting the ideals of male identity from any taint of the feminine. Turning to epic and to Socrates, however, she insists on a logic of an inclusiveness between the genders, which casts a shadow over their clear, officially defined borders. The emphasis falls on the body, often associated with feminine vulnerability and weakness, and often dissociated from the ideal of the brave, self-sacrificing male warrior. But heroes such as the Homeric Achilles, who fears yet fights bravely, and Socrates, who speaks of the soul through the language of the body, challenge these representations. The anatomy of pain, the heroics of childbirth, the sorrows of tears, the warrior's wounds, and the madness of the soul: all these experiences are shown to engage with both the masculine and the feminine in ways that do not denigrate the experiences for either gender. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

'Athena seized the writhing serpent and hurled it into the sky, and fixed it to the very pole of the heavens.' The constellations we recognize today were first mapped by the ancient Greeks, who arranged the stars into patterns for that purpose. In the third century BC Eratosthenes compiled a handbook of astral mythology in which the constellations were associated with figures from legend, and myths were provided to explain how each person, creature, or object came to be placed in the sky. Thus we can see Heracles killing the Dragon, and Perseus slaying the sea-monster to save Andromeda; Orion chases the seven maidens transformed by Zeus into the Pleiades, and Aries, the golden ram, is identified flying up to the heavens. This translation brings together the later summaries from Eratosthenes' lost handbook with a guide to astronomy compiled by Hyginus, librarian to Augustus. Together with Aratus's astronomical poem the Phaenomena, these texts provide a complete collection of Greek astral myths; imaginative and picturesque, they also offer an intriguing insight into ancient science and culture. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.