A bold and haunting debut story collection that follows various characters as they navigate the day-to-day perils of Jim Crow racism from Diane Oliver, a missing figure in the canon of twentieth-century African American literature, with an introduction by Tayari Jones A remarkable talent far ahead of her time, Diane Oliver died in 1966 at the age of 22, leaving behind these crisply told and often chilling tales that explore race and racism in 1950s and 60s America. In this first and only collection by a masterful storyteller finally taking her rightful place in the canon, Oliver’s insightful stories reverberate into the present day. There’s the nightmarish “The Closet on the Top Floor” in which Winifred, the first Black student at her newly integrated college, starts to physically disappear; “Mint Juleps not Served Here” where a couple living deep in a forest with their son go to bloody lengths to protect him; “Spiders Cry without Tears,” in which a couple, Meg and Walt, are confronted by prejudices and strains of interracial and extramarital love; and the high tension titular story that follows a nervous older sister the night before her little brother is set to desegregate his school. These are incisive and intimate portraits of African American families in everyday moments of anxiety and crisis that look at how they use agency to navigate their predicaments. As much a social and historical document as it is a taut, engrossing collection, Neighbors is an exceptional literary feat from a crucial once-lost figure of letters.

What is it like to be a fly on the wall in our neighbours' houses? With these eight gently humorous stories, Philippa Pearce lifts the lid from the neighbours' houses and shows us the lives within. From the author of Tom's Midnight Garden and A Dog So Small.

As a young girl climbs the seven stories to her own (very boring!) apartment, she imagines what’s behind each of the doors she passes. Does the door with all the locks belong to a family of thieves? Might the doorway with muddy footprints conceal a pet tiger? Each spread reveals—in lush detail—the wilds of the girl’s imagination, from a high-flying circus to an underwater world and everything in between. When the girl finally reaches her own apartment, she is greeted by her parents, who might have a secret even wilder than anything she could have imagined!

“A modern-day Crucible….Beneath the surface of a suburban utopia, madness lurks.” —Liv Constantine, bestselling author of The Last Mrs. Parrish “Sarah Langan is a phenomenal talent with a wicked sense of wry humor. Good Neighbors knocked me out. Like Shirley Jackson, Langan’s work blends a bleak streak with an underlying sense of the humane that wrung my heart.” —Victor LaValle, author of The Changeling Celeste Ng’s enthralling dissection of suburbia meets Shirley Jackson’s creeping dread in this propulsive literary noir, when a sudden tragedy exposes the depths of deception and damage in a Long Island suburb—pitting neighbor against neighbor and putting one family in terrible danger. Welcome to Maple Street, a picture-perfect slice of suburban Long Island, its residents bound by their children, their work, and their illusion of safety in a rapidly changing world. Arlo Wilde, a gruff has-been rock star who’s got nothing to show for his fame but track marks, is always two steps behind the other dads. His wife, beautiful ex-pageant queen Gertie, feels socially ostracized and adrift. Spunky preteen Julie curses like a sailor and her kid brother Larry is called “Robot Boy” by the kids on the block. Their next-door neighbor and Maple Street’s Queen Bee, Rhea Schroeder—a lonely community college professor repressing her own dark past—welcomes Gertie and family into the fold. Then, during one spritzer-fueled summer evening, the new best friends share too much, too soon. As tensions mount, a sinkhole opens in a nearby park, and Rhea’s daughter Shelly falls inside. The search for Shelly brings a shocking accusation against the Wildes that spins out of control. Suddenly, it is one mom’s word against the other’s in a court of public opinion that can end only in blood. A riveting and ruthless portrayal of American suburbia, Good Neighbors excavates the perils and betrayals of motherhood and friendships and the dangerous clash between social hierarchy, childhood trauma, and fear.

A reclusive woman opens up her home to her neighbors in the wake of a devastating earthquake, setting off events that reveal secrets, break relationships apart, and bring strangers together to forge powerful new bonds.

When a new family moves in, the whole neighborhood comes together to celebrate their diverse community in this uplifting new book from the bestselling creators of All Are Welcome! Let’s go walking down our street. Friends and neighbors here to greet. There are oh so many folks to meet. We all are neighbors here. Moving to a new place can be hard, but when your neighbors welcome you with open arms, there are so many things to discover and celebrate. Come along with the kids from the bestsellers of All Are Welcome and Big Feelings as they introduce the new kid to a community where everyone has a place and is loved and appreciated—no matter what.

In July 2011, billionaire Jonah Shacknai's Coronado, California, mansion was the setting for two horrifying deaths only days apart--his young son's plunge from a balcony and his girlfriend's ghastly hanging. What really happened? Baffling questions remain unanswered. Rule looks at the closed cases through the eyes of a relentless crime reporter. The second probe began in Utah when Susan Powell vanished in a 2009 blizzard. Her controlling husband, Josh, proved capable of a blind rage that was heartbreakingly fatal to his innocent young sons almost three years later in a tragedy that shocked America as the details unfolded. If anyone had detected the depth of depravity within Josh Powell, perhaps the family that loved and trusted him would have been saved. In these and seven other riveting cases, Ann Rule exposes the twisted truth behind headlined and little-known homicides and speaks for vulnerable victims who relied on the wrong people.