Marcus Mosiah Garvey was once the most famous black man on earth. A brilliant orator who electrified his audiences, he inspired thousands to join his "Back to Africa" movement, aiming to create an independent homeland through Pan-African emigration--yet he was barred from the continent by colonial powers. This self-educated, poetry-writing aesthete was a shrewd promoter whose use of pageantry fired the imagination of his followers. At the pinnacle of his fame in the early 1920s, Garvey's Universal Negro Improvement Association boasted millions of members in more than forty countries, and he was an influential champion of the Harlem Renaissance. J. Edgar Hoover was so alarmed by Garvey that he labored for years to prosecute him, finally using dubious charges for which Garvey served several years in an Atlanta prison. This biography restores Garvey to his place as one of the founders of black nationalism and a key figure of the 20th century.--From publisher description.

"I do not speak carelessly or recklessly but with a definite object of helping the people, especially those of my race, to know, to understand, and to realize themselves."—Marcus Garvey, Halifax, Nova Scotia, 1937 A popular companion to the scholarly edition of The Marcus Garvey and Universal Negro Improvement Association Papers, this volume is a collection of autobiographical and philosophical works produced by Garvey in the period from his imprisonment in Atlanta to his death in London in 1940.

Marcus Garvey founded the Universal Negro Improvement Association in 1914. He was one of the first black leaders to encourage black people to discover their cultural traditions and history, and to seek common cause in the struggle for true liberty and political recognition. This book discusses his philosophy and opinions.

In the early twentieth century, Marcus Garvey sowed the seeds of a new black pride and determination. Attacked by the black intelligentsia and ridiculed by the white press, this Jamaican immigrant astonished all with his black nationalist rhetoric. In just four years, he built the Universal Negro Improvement Association (UNIA), the largest and most powerful all-black organization the nation had ever seen. With hundreds of branches, throughout the United States, the UNIA represented Garvey’s greatest accomplishment and, ironically, the source of his public disgrace. Black Moses brings this controversial figure to life and recovers the significance of his life and work. “Those who are interested in the revolutionary aspects of the twentieth century in America should not miss Cronon’s book. It makes exciting reading.”—The Nation “A very readable, factual, and well-documented biography of Marcus Garvey.”—The Crisis, NAACP “In a short, swiftly moving, penetrating biography, Mr. Cronon has made the first real attempt to narrate the Garvey story. From the Jamaican's traumatic race experiences on the West Indian island to dizzy success and inglorious failure on the mainland, the major outlines are here etched with sympathy, understanding, and insight.”—Mississippi Valley Historical Review (Now the Journal of American History). “Good reading for all serious history students.”—Jet “A vivid, detailed, and sound portrait of a man and his dreams.”—Political Science Quarterly

Henry Walker was once a world-class magician, performing to sold-out shows in New York. But now he has been reduced to joining Musgrove's Chinese Circus (which at no point in its tour of the deep South has ever included a single Chinese person) as the shambling Negro Magician, whose dark black skin and electric green eyes bewitch most audiences. But one balmy Mississippi night in 1954, Henry disappears in the company of three rowdy white teens and is never seen again. Wallace pieces together Henry's incredible vagabond life – from a deal with a bone-white devil known only as Mr. Sebastian, to the heartrending loss of his sister Hannah – and creates an enchanting tale of love, loss, identity, and the limitation of magic.

Racism is resilient, duplicitous, and endlessly adaptable, so it is no surprise that America is again in a period of civil rights activism. A significant reason racism endures is because it is structural: it's embedded in culture and in institutions. One of the places that racism hides-and thus perhaps the best place to oppose it-is books for young people. Was the Cat in the Hat Black? presents five serious critiques of the history and current state of children's literature tempestuous relationship with both implicit and explicit forms of racism. The book fearlessly examines topics both vivid-such as The Cat in the Hat's roots in blackface minstrelsy-and more opaque, like how the children's book industry can perpetuate structural racism via whitewashed covers even while making efforts to increase diversity. Rooted in research yet written with a lively, crackling touch, Nel delves into years of literary criticism and recent sociological data in order to show a better way forward. Though much of what is proposed here could be endlessly argued, the knowledge that what we learn in childhood imparts both subtle and explicit lessons about whose lives matter is not debatable. The text concludes with a short and stark proposal of actions everyone-reader, author, publisher, scholar, citizen- can take to fight the biases and prejudices that infect children's literature. While Was the Cat in the Hat Black? does not assume it has all the answers to such a deeply systemic problem, its audacity should stimulate discussion and activism.