Now in paperback, Jean-Luc Marion's groundbreaking philosophy of human uncertainty. In Negative Certainties, renowned philosopher Jean-Luc Marion challenges some of the most fundamental assumptions we have developed about knowledge: that it is categorical, predicative, and positive. Following Descartes, Kant, and Heidegger, he looks toward our finitude and the limits of our reason. He asks an astonishingly simple—but profoundly provocative—question in order to open up an entirely new way of thinking about knowledge: Isn’t our uncertainty, our finitude, and rational limitations, one of the few things we can be certain about? Marion shows how the assumption of knowledge as positive demands a reductive epistemology that disregards immeasurable or disorderly phenomena. He shows that we have experiences every day that have no identifiable causes or predictable reasons and that these constitute a very real knowledge—a knowledge of the limits of what can be known. Establishing this “negative certainty,” Marion applies it to four aporias, or issues of certain uncertainty: the definition of man; the nature of God; the unconditionality of the gift; and the unpredictability of events. Translated for the first time into English, Negative Certainties is an invigorating work of epistemological inquiry that will take a central place in Marion’s oeuvre.

Few critical terms coined by poets are more famous than “negative capability.” Though Keats uses the mysterious term only once, a consensus about its meaning has taken shape over the last two centuries. Keats’s Negative Capability: New Origins and Afterlives offers alternative ways to approach and understand Keats’s seductive term.

Some fundamental aspects of the lived body only become evident when it breaks down through illness, weakness or pain. From a phenomenological point of view, various breakdowns are worth analyzing for their own sake, and discussing them also opens up overlooked dimensions of our bodily constitution. This book brings together different approaches that shed light on the phenomenology of the lived body—its normality and abnormality, health and sickness, its activity as well as its passivity. The contributors integrate phenomenological insights with discussions about bodily brokenness in philosophy, theology, medical science and literary theory. Phenomenology of the Broken Body demonstrates how the broken body sheds fresh light on the nuances of embodied experience in ordinary life and ultimately questions phenomenology’s preunderstanding of the body.

Introduction DENNIS R. EDWARDS Jeremiah 29 and Political Theology STEPHEN B. CHAPMAN Who Can Lead a Flock of Shepherds? Paul, the Pillars, and Political Challenges in Our Churches Today TIMOTHY MILINOVICH Response to Milinovich CHRISTY RANDAZZO Forgiveness as the Redoubling of God COLBY DICKINSON Response to Dickinson KAITLYN SCHIESS I Feel You: The Theo-Politics of Compassion and the Poor in Liberation Theology and Karl Barth JULES A. MARTINEZ OLIVIERI Response to Martinez ROSE LEE-NORMAN Some Texts and Our Politics VINCENT BACOTE Response to Bacote JONATHAN WILSON Love's Domain or White Christians' Dominion?: A Missiological Response to the American Culture Wars JANEL KRAGT BAKKER Response to Bakker CHRISTOPHER W. SKINNER What's in a Name? Ideology and Naming KAY HIGUERA SMITH Response to Smith BRET M. WIDMAN

“Beautifully written . . . advances scholarship on Marion, and offers a sustained and critical analysis of two weaknesses in Marion’s phenomenology.” —Tamsin Jones, author of A Genealogy of Marion’s Philosophy of Religion The philosophical work of Jean-Luc Marion has opened new ways of speaking about religious convictions and experiences. In this exploration of Marion’s philosophy and theology, Christina M. Gschwandtner presents a comprehensive and critical analysis of the ideas of saturated phenomena and the phenomenology of givenness. She claims that these phenomena do not always appear in the excessive mode that Marion describes and suggests instead that we consider degrees of saturation. Gschwandtner covers major themes in Marion’s work—the historical event, art, nature, love, gift and sacrifice, prayer, and the Eucharist. She works within the phenomenology of givenness, but suggests that Marion himself has not considered important aspects of his philosophy. “Christina M. Gschwandtner has established herself as a valued reader of contemporary French philosophy in general and of Marion’s writings in particular. She was the first to consider at length Marion’s extensive reflections on Descartes and to evaluate their theological importance, and she has translated two of Marion’s books from the French. This new study, Degrees of Givenness, extends her contribution to our understanding of this fecund philosopher.” —Notre Dame Philosophical Reviews

Thomas Pfau’s study of images and visual experience is a tour de force linking Platonic metaphysics to modern phenomenology and probing literary, philosophical, and theological accounts of visual experience from Plato to Rilke. Incomprehensible Certainty presents a sustained reflection on the nature of images and the phenomenology of visual experience. Taking the “image” (eikōn) as the essential medium of art and literature and as foundational for the intuitive ways in which we make contact with our “lifeworld,” Thomas Pfau draws in equal measure on Platonic metaphysics and modern phenomenology to advance a series of interlocking claims. First, Pfau shows that, beginning with Plato’s later dialogues, being and appearance came to be understood as ontologically distinct from (but no longer opposed to) one another. Second, in contrast to the idol that is typically gazed at and visually consumed as an object of desire, this study positions the image as a medium whose intrinsic abundance and excess reveal to us its metaphysical function—namely, as the visible analogue of an invisible, numinous reality. Finally, the interpretations unfolded in this book (from Plato, Plotinus, Pseudo-Dionysius, John Damascene via Bernard of Clairvaux, Bonaventure, Julian of Norwich, and Nicholas of Cusa to modern writers and artists such as Goethe, Ruskin, Turner, Hopkins, Cézanne, and Rilke) affirm the essential complementarity of image and word, visual intuition and hermeneutic practice, in theology, philosophy, and literature. Like Pfau’s previous book, Minding the Modern, Incomprehensible Certainty is a major work. With over fifty illustrations, the book will interest students and scholars of philosophy, theology, literature, and art history.

Matthias Schranner worked a number of years for the police as their leading negotiator in hostage takings and other crimes. Here he describes his successfully proven negotiating techniques. Using numerous practical examples, he illustrates various procedures which can be applied to negotiations about salary, sales, and contracts with individual customers, business partners, and groups of customers. This is a book for employees, colleagues and executives who want to negotiate competently and successfully in every situation. Matthias Schranner knows, more than anyone else, about negotiating under extreme conditions.