He's a bad bad boy...a man with no heart. Gil Allemand wants to be left alone, especially by the beautiful outcast who's invaded the vineyard where he meant to wallow in his grief. She has a ton of impudence and brazenness, a talent for trouble, and a child who brings back memories better left in the dark recesses of his mind. Yet Jenna's feisty spirit might just be heaven-sent to save a hard, inflexible man. ...she's a desperate young mother. Jenna Bonnet's bad luck has taken a turn she never imagined. With twenty-five silver francs, a mare that can't walk up the hill to the chateau that is her five-year-old son's birthright, a son she is desperate to keep alive, she's come home to a village that despises her. However, this single-minded young widow with a shocking past has learned how to fight. She'll do anything to keep her child alive—even take on a man with no heart.

From leading expert Eliana Gil, this book provides child clinicians with essential knowledge and tools for evaluating and working with posttraumatic play. Such play, which is often repetitive and disturbing, may help resolve traumatic experiences--but can also become toxic. The book guides the clinician to determine what is going on with a given child and intervene sensitively and effectively. Evocative case material is interwoven with up-to-date information on the developmental impact of trauma and ways to facilitate children's natural reparative capacities. A reproducible assessment checklist to help clinicians differentiate between useful and dangerous posttraumatic play can be downloaded and printed in a convenient 8 1/2" x 11" size. ÿ

High Growth Handbook is the playbook for growing your startup into a global brand. Global technology executive, serial entrepreneur, and angel investor Elad Gil has worked with high-growth tech companies including Airbnb, Twitter, Google, Stripe, and Square as they’ve grown from small companies into global enterprises. Across all of these breakout companies, Gil has identified a set of common patterns and created an accessible playbook for scaling high-growth startups, which he has now codified in High Growth Handbook. In this definitive guide, Gil covers key topics, including: · The role of the CEO · Managing a board · Recruiting and overseeing an executive team · Mergers and acquisitions · Initial public offerings · Late-stage funding. Informed by interviews with some of the biggest names in Silicon Valley, including Reid Hoffman (LinkedIn), Marc Andreessen (Andreessen Horowitz), and Aaron Levie (Box), High Growth Handbook presents crystal-clear guidance for navigating the most complex challenges that confront leaders and operators in high-growth startups.

TORN COVENANTS, sequel to THE MISTS OF MANITTOO, in THE DOWLAND TRILOGY, is the moving story of Elizabeth Dowland and Wakwa Manunnappu, her Native American husband, striving to build a life together in a world bent on tearing them apart. It is 1748. Elizabeth is now living in the Massachuseuck town with Wakwa and his other wife, Qunneke. Wakwas mythic march north to secure peace with the northern tribes and Elizabeths efforts to teach the skill of weaving to the Massachuseuck women result in betrayal and injury. Overcoming mortal dangers and succeeding in protecting Beths vast land inheritance with sanction by the British Crown bring the red and white families ever closer. Heroic efforts to hold the marriage together cannot stop the reach of conspiracy. TORN COVENANTS is a story of love and the labor of birthing a nation.

Imagine a peaceful night of relaxing fishing at a Dam Reservoir, where you and your family have vacationed for the last 18 years. On this particular night you've disappeared and the only evidence you've left behind is a truck, a pool of blood, a blood trail, tissue and drag marks. This is where this story started for the Police, however for Dennis Roe; it was a night of terror and horror, when he was confronted by a trained assassin. For the family it was where their nightmares began. This was not the first time he/they had killed, including the Colonial Parkway. He is one of Virginia's most prolific serial killers. He/They is known to have killed internationally, discarding the bodies in the water, so as not be found. There are over a hundred unsolved murders where he traveled. The killer confessed to Bradley North with regard to the first murder, he was suspected of and why "he said" he was ordered to kill this person. It took almost 9 years to convict him of one murder. After reading this story, you will think twice before going on what could turn out to be, your last outing ever. Bradley Dallas North

Photographer Madison Morgan is commissioned to cover the 1965 Civil Rights March from Selma to Montgomery. Besides surprising her guardian by showing up at his home, delving into her past, and trying to solve the reoccurring nightmares, she becomes embroiled in deep Southern traditions, dark hidden family secrets, and clandestine subterfuge. Soon love turns hate, life dissolves into murder and traditions fall before pride. Through it all, she discovers how deep the connection goes that she has to one particular individual, who not only understands her but is also overly protective of her.

In the first book to critically examine each of the fourteen feature films Sam Peckinpah directed during his career, Michael Bliss stresses the persistent moral and structural elements that permeate Peckinpah’s work. By examining the films in great detail, Bliss makes clear the moral framework of temptation and redemption with which Peckinpah was concerned while revealing the director’s attention to narrative. Bliss shows that each of Peckinpah’s protagonists is involved with attempting, in the words of Ride the High Country’s Steve Judd, "to enter my house justified." The validity of this systematic method is clearly demonstrated in the chapter devoted to The Wild Bunch. By enumerating the doublings and triplings of action and dialogue found in the film, Bliss underscores its symbolic and structural complexity. Beginning the chapters treating Junior Bonner and The Getaway with analyses of their important title sequences, Bliss shows how these frequently disregarded pieces present in miniature the major moral and narrative concerns of the films. In his chapter on The Osterman Weekend, Bliss makes apparent Peckinpahs awareness of and concern with the self-reflexive nature of filmmaking itself. Bliss shows that like John Ford, Peckinpah moved from optimism to pessimism. The films of the director’s early period, from The Deadly Companions to Cable Hogue, support the romantic ideals of adventure and camaraderie and affirm a potential for goodness in America. In his second group of films, which begins with Straw Dogs and ends with Bring Me the Head of Alfredo Garcia, both heroes and hope have vanished. It is only in The Osterman Weekend that Peckinpah appears finally to have renewed his capacity for hope, allowing his career to close in a positive way.