Introduction: A rising necropolis -- Patriotic fever -- Danse macabre -- Immunocapital -- Public health, private acclimation -- Denial, delusion, and disunion -- Incumbent arrogance -- Epilogue: Fever and folly.

From Roman burial rites to the horrors of the plague, from the founding of the great Victorian cemeteries to the development of cremation and the current approach of metropolitan society towards death and bereavement -- including more recent trends to displays of collective grief and the cult of mourning, such as that surrounding the death of Diana, Princess of Wales -- NECROPOLIS: LONDON AND ITS DEAD offers a vivid historical narrative of this great city's attitude to going the way of all flesh. As layer upon layer of London soil reveals burials from pre-historic and medieval times, the city is revealed as one giant grave, filled with the remains of previous eras -- pagan, Roman, medieval, Victorian. This fascinating blend of archaeology, architecture and anecdote includes such phenomena as the rise of the undertaking trade and the pageantry of state funerals; public executions and bodysnatching. Ghoulishly entertaining and full of fascinating nuggets of information, Necropolis leaves no headstone unturned in its exploration of our changing attitudes to the deceased among us. Both anecdotal history and cultural commentary, Necropolis will take its place alongside classics of the city such as Peter Ackroyd's LONDON.

By the 1890s, Siam (Thailand) was the last holdout against European imperialism in Southeast Asia. But the kingdom's exceptional status came with a substantial caveat: Bangkok, its bustling capital, was a port city that was subject to many of the same legal and fiscal constraints as other colonial treaty ports. Sovereign Necropolis offers new insight into turn-of-the-century Thai history by disinterring the forgotten stories of those who died "unnatural deaths" during this period and the work of the Siamese state to assert their rights in a pluralistic legal arena. Based on a neglected cache of inquest files compiled by the Siamese Ministry of the Capital, official correspondence, and newspaper accounts, Trais Pearson documents the piecemeal introduction of new forms of legal and medical concern for the dead. He reveals that the investigation of unnatural death demanded testimony from diverse strata of society: from the unlettered masses to the king himself. These cases raised questions about how to handle the dead—were they spirits to be placated or legal subjects whose deaths demanded compensation?—as well as questions about jurisdiction, rights, and liability. Exhuming the history of imperial politics, transnational commerce, technology, and expertise, Sovereign Necropolis demonstrates how the state's response to global flows transformed the nature of legal subjectivity and politics in lasting ways. A compelling exploration of the troubling lives of the dead in a cosmopolitan treaty port, the book is a notable contribution to the growing corpus of studies in science, law, and society in the non-Western world.

In this unique literary memoir, “the greatest Russian poet of our time” pays tribute to the major authors of Russian Symbolist movement (Vladimir Nabokov). In Necropolis, the poet Vladislav Khodasevich turns to prose to memorializes some of the greatest writers of late 19th and early 20th century Russia. In the process, he delivers an insightful and intimate eulogy of the era. Recalling figures including Alexander Blok, Sergey Esenin, Fyodor Sologub, and the socialist realist Maxim Gorky, Khodasevich reveals how their lives and artworks intertwined, including a notorious love triangle among Nina Petrovskaya, Valery Bryusov, and Andrei Bely. Khodasevich testifies to the seductive and often devastating Symbolist ideal of turning one’s life into a work of art. He notes how this ultimately left one man with the task of memorializing his fellow artists after their deaths. Khodasevich’s portraits deal with revolution, disillusionment, emigration, suicide, the vocation of the poet, and the place of the artist in society. Personal and deeply perceptive, Necropolis show the early twentieth-century Russian literary scene in a new light.

The stakes get higher in #1 NYT bestselling author Anthony Horowitz's latest masterpiece.As the fourth novel in the spellbinding Gatekeepers series begins, the world is under the greatest threat it's ever known. The evil corporation Nightrise has amassed an immense amount of power . . . and the devastating force of the Old Ones is about to be unleashed around the globe. To stop this from happening, Matt and three of the Gatekeepers head to Hong Kong--not just the modern city of skyscrapers and wealth, but the secretive underworld beneath. In Hong Kong they will meet the final Gatekeeper, a girl named Scarlet, whose fate is inextricably joined to their own....

An author visiting Jerusalem is pulled into a stranger’s mysterious death in this gripping, moving novel by one of Colombia’s major literary voices. Winner of the La Otra Orilla Literary Award Upon recovering from a prolonged illness, an author is invited to a literary gathering in Jerusalem that turns out to be a most unusual affair. In the conference rooms of a luxury hotel, as war rages outside, he listens to a series of extraordinary life stories: the saga of a chess-playing duo, the tale of an Italian porn star with a socialist agenda, the drama of a Colombian industrialist who has been waging a longstanding battle with local paramilitaries, and many more. But it is José Maturana—evangelical pastor, recovering drug addict, ex-con—with his story of redemption at the hands of a charismatic tattooed messiah from Miami, Florida, who fascinates the author more than any other. Maturana’s language is potent and vital, and his story captivating. Hours after his stirring presentation to a rapt audience, however, Maturana is found dead in his hotel room. At first it seems likely that he has taken his own life. But there are a few loose ends that don’t support the suicide hypothesis, and the author is moved by Maturana’s life story to discover the truth about his death, in a literary mystery from “one of the most interesting Latin American writers . . . his most ambitious novel yet” (La Nación). “A modern Decameron.” —La Liberté

A "dark and funny debut"(Seattle-Times) about a young police officer struggling to maintain a sense of reality in a town where the dead outnumber the living. Colma, California, the "cemetery city" serving San Francisco, is the resting place of the likes of Joe DiMaggio, Wyatt Earp, and William Randolph Hearst. It is also the home of Michael Mercer, a by-the-book rookie cop struggling to settle comfortably into adult life. Instead, he becomes obsessed with the mysterious fate of his predecessor, Sergeant Wes Featherstone, who spent his last years policing the dead as well as the living. As Mercer attempts to navigate the drama of his own daily life, his own grip on reality starts to slip-either that, or Colma's more famous residents are not resting in peace as they should be.