A new edition of the classic compilation of Nebraska lore and legend, first published in 1959, includes a selection of weather lore, superstitions, cave legends, superheroes, folk customs, hoaxes, a study of the use of dialect in folklore, and a critical analysis of the origins of American cowboy and folk songs. Reprint.

One day Roger Welsch ventured to ask his father a delicate personal question: “Why am I an only child?” His father’s answer is one of many examples of the delightful and laughter-inducing ribald tales Welsch has compiled from a lifetime of listening to and sharing the folklore of the Plains. More narrative than simple jokes, and the product of multiple retellings, these coarse tales were even delivered by such prudish sources as Welsch’s stern and fearsome German great-aunts. Speaking of cucumbers and sausages in a toast to a newly married couple, the prim and proper women of Welsch’s memory voice the obscene and unspeakable in stories fit for general company. Why I’m an Only Child and Other Slightly Naughty Plains Folktales is Welsch’s celebration of the gentle and evocative bits of humor reflecting the personality of the people of the Plains.

Contains over 500 articles Ranging over foodways and folksongs, quiltmaking and computer lore, Pecos Bill, Butch Cassidy, and Elvis sightings, more than 500 articles spotlight folk literature, music, and crafts; sports and holidays; tall tales and legendary figures; genres and forms; scholarly approaches and theories; regions and ethnic groups; performers and collectors; writers and scholars; religious beliefs and practices. The alphabetically arranged entries vary from concise definitions to detailed surveys, each accompanied by a brief, up-to-date bibliography. Special features *More than 2000 contributors *Over 500 articles spotlight folk literature, music, crafts, and more *Alphabetically arranged *Entries accompanied by up-to-date bibliographies *Edited by America's best-known folklore authority

As a New Deal program, the Federal Writers’ Project (FWP) aimed to put unemployed writers, teachers, and librarians to work. The contributors were to collect information, write essays, conduct interviews, and edit material with the goal of producing guidebooks in each of the then forty-eight states and U.S. territories. Project administrators hoped that these guides, known as the American Guide Series, would promote a national appreciation for America's history, culture, and diversity and preserve democracy at a time when militarism was on the rise and parts of the world were dominated by fascism. Marilyn Irvin Holt focuses on the Nebraska project, which was one of the most prolific branches of the national program. Best remembered for its state guide and series of folklore and pioneer pamphlets, the project also produced town guides, published a volume on African Americans in Nebraska, and created an ethnic study of Italians in Omaha. In Nebraska during the New Deal Holt examines Nebraska’s contribution to the project, both in terms of its place within the national FWP as well as its operation in comparison to other state projects.

"Jolynn Amrine Goertz and the Confederated Tribes of the Chehalis Reservation examine the methodologies, shortcomings, and limitations of anthropologists' relationship with Chehalis people in Western Washington and present complementary approaches to field work and its contextualization."--Provided by publisher.

To many observers, folklore and book culture may appear to be opposites. Folklore, after all, involves orally circulated stories and traditions while book culture is concerned with the transmission of written texts. However, as Kevin J. Hayes points out, there are many instances where the two intersect, and exploring those intersections is the purpose of this fascinating and provocative study. Hayes shows that the acquisition of knowledge and the ownership of books have not displaced folklore but instead have given rise to new beliefs and superstitions. Some books have generated new proverbs; others have fostered their own legends. Occasionally the book has served as an important motif in folklore, and in one folk genre--the flyleaf rhyme--the book itself has become the place where folklore occurs, thus indicating a lively interaction between folk, print, and manuscript culture. The author begins by examining the tradition of the Volksbucher--cheaply printed books, often concerned with the occult, whose powers are said to transcend the written text. Hayes looks in depth at one particular Volksbuch--The Sixth and Seventh Books of Moses--and proceeds, in subsequent chapters, to discuss a variety of folktales and legends, placing them within the context of book culture and the history of education. He closes with an examination of flyleaf rhymes, the little verses that book owners have inscribed in their books, and considers what they reveal about the identity of the inscribers as well as about attitudes toward book lending, book borrowing, and the circulation of knowledge. Solidly researched and venturing into areas long neglected by scholars. Folklore and Book Culture is a work that will engage not only folklorists but historians and literary scholars as well.

The people who call themselves Den Dha¾, a group of the Athapaskan-speaking natives of northwestern Canada known as the Slave or Slavey Indians, now number about one thousand and occupy three reserves in northwestern Alberta. Because their settlements were until recently widely dispersed and isolated, they have maintained their language and traditions more successfully than most other Indian groups. This collection of their stories, recorded in the Dene language with literal interlinear English glosses and in a free English translation, represents a major contribution to the documentation of the Dene language, ethnography, and folklore. The stories center on two animal people, Wolf, who often helps people in Dene myth and whom traditional members of the tribe still so respect that they do not trap wolves for fur; and Wolverine, a trickster and cultural transformer much like Coyote in the Navajo tradition or Raven in Northwest Coast traditions. "Wolverine" is also the name of the leader of the messianic Tea Dance that took hold among the Dene people early in the twentieth century. His visions and the accounts of his life, which are included here along with the traditional tales, show how the old myths have been transfigured but continue to pervade the Dene world-view.