The 18th-century Neapolitan crèche at the Art Institute of Chicago, which contains over 200 figures arranged in a panorama of street life, represents the pinnacle of a rich artistic heritage. This luxurious catalogue is the first to study the crèche in the context of art and music history. Essays explore the Neapolitan crèche tradition and examine the design of Chicago's example with reference to other important crèches in Europe and the United States. Entries on individual figures identify the characters and types they represent, as well as their social and historical meaning and religious significance. Other entries address groups of figures, animals, and cultural themes present in the crèche. Together the essays and entries highlight the astonishing realism and potent symbolism of these figures, which range from heavenly angels and the Holy Family around the manger to street vendors and revelers feasting, drinking, and dancing in a tavern.

Savvy Italians will tell you that Neapolitans are considered the cleverest, most imaginative, most romantic, and the most entertaining people in the country. The world's finest men's fashions are Neapolitan, Italy's most celebrated popular songs and a high proportion of popular and operatic singers are Neapolitan—starting with Enrico Caruso. Sophia Loren and Toto are famously Neapolitan. Divorce Italian Style and Marriage Italian Style were based on plays written by the great Neapolitan Eduardo de Filippo. If you check the Italian literary awards year after year, you will find an amazingly high proportion of Neapolitans walking off with the highest honors. Naples has been a great creative center for hundreds of years. Neapolitan creativity has survived centuries of foreign occupation, widespread misery, the end of its role as a great capital city, repeated natural catastrophes, and terrible epidemics. What accounts for the creativity of Naples? The sorcerer Virgil is said to have created a Golden Egg, inside a crystal sphere, to save Naples from natural catastrophe. The egg, locked in an iron cage, was buried beneath a castle—still known as the "Egg Castle"—to give it stability and to give eternal life to Naples. Michael Ledeen suggests some surprising answers in a highly original exploration of Neapolitan life and death that ranges from religion to organized crime, war and violence. His deep affection for this remarkable city and its people is evident on every page.

Cincinnati Magazine taps into the DNA of the city, exploring shopping, dining, living, and culture and giving readers a ringside seat on the issues shaping the region.

This book investigates Jimmie Durham’s community-building process of making and display in four of his projects in Europe: Something ... Perhaps a Fugue or an Elegy (2005); two Neapolitan nativities (2016 and ongoing); The Middle Earth (with Maria Thereza Alves, 2018); and God’s Poems, God’s Children (2017). Andrea Feeser explores these artworks in the context of ideas about connection set forth by writers Ann Lauterbach, Franz Rosenzweig, Pamela Sue Anderson, Vinciane Despret, and Hirokazu Miyazaki, among others. Feeser argues that the materials in Durham’s artworks; the method of their construction; how Durham writes about his pieces; how they exist with respect to one another; and how they address viewers, demonstrate that we can create alongside others a world that embraces and sustains what has been diminished. The book will be of interest to scholars working in contemporary art, animal studies, new materialism research, and eco-criticism.

Hope is an endangered virtue in today’s chaotic world. Yet Christmas provides us with the inspiring reminder that our true hope lies not in the understanding that people can sometimes be good, but that God, who is good, is also faithful and loves us in our unloveliness and graces us in our gracelessness. In a unique guide for Christian travelers, Scott Mages marries the fascinating story of the figures that surround the infant Jesus in that inescapable seasonal tableau of shepherds and wise men, as told through the bible, folk tales, and art, with reflections on the enduring meanings of each. While addressing Christian curiosities like why so many manger scenes display Joseph with staff and lantern and where in the scripture we can find the ox and ass who preceded Mary in artists’ renditions, Mages leads others through the history of the figures of the crèche and their lessons while offering a spiritual preparation for Christmas. Shared for the curious and pious, lovers of odd facts and forgotten legends, and seekers of more than the glitz that often passes for Christmas, A Place for Jesus guides Christians on an inspiring journey to learn and understand the lessons surrounding the figures of the crèche.

Contents -- Acknowledgements -- Introduction -- 1. Private Devotions in Public Places: The Sacred Spaces of Yard Shrines and Sidewalk Altars -- 2. Imagined Places and Fragile Landscapes: Nostalgia and Utopia in Nativity Presepi -- 3. Festive Intensification and Place Consciousness in Christmas House Displays -- 4. Multivocality and Sacred Space: The Our Lady of Mount Carmel Grotto in Rosebank, Staten Island -- "We Go Where the Italians Live": Processions as Glocal Mapping in Williamsburg, Brooklyn -- Conclusion -- Notes -- Bibliography -- Index

Elaborate and awe-inspiring. Plain and simple. Christmas creche come in as many varieties as there are people. In exploring the mystery of Christmas through art, drama, and devotion this beautiful volume reminds us of God's gift.