This is the first book- length academic study of the portrayal in contemporary historical crime fiction of Nazi Germany and the Holocaust and their legacies. It discusses novels written by five authors: David Downing, Philip Kerr, Luke McCallin, Joseph Kanon and David Thomas. Their work belongs to a subgenre of the historical crime novel that has emerged since the late 1980s to become a significant body of writing located at the intersection of crime fiction and Holocaust literature. The readings of these novels explore questions of form and genre to ask how popular fiction might approach the Holocaust. Themes of resistance and complicity and the relationship between them, and problems of guilt and responsibility are also discussed. This book also explores questions of justice to show how these novels explore social and moral justice, and vengeance and revenge, as alternatives to ordinary legal justice after the Holocaust.

Surveying irreverent and controversial representations of the Holocaust - from Sylvia Plath and the Sex Pistols to Quentin Tarantino and Holocaust comedy - Matthew Boswell considers how they might play an important role in shaping our understanding of the Nazi genocide and what it means to be human.

New essays by leading scholars examining today's vibrant and innovative German crime fiction, along with its historical background. Although George Bernard Shaw quipped that "the Germans lack talent for two things: revolution and crime novels," there is a long tradition of German crime fiction; it simply hasn't aligned itself with international trends. Duringthe 1920s, German-language writers dispensed with the detective and focused instead on criminals, a trend that did not take hold in other countries until after 1945, by which time Germany had gone on to produce antidetective novels that were similarly ahead of their time. German crime fiction has thus always been a curious case; rather than follow the established rules of the genre, it has always been interested in examining, breaking, and ultimately rewriting those rules. This book assembles leading international scholars to examine today's German crime fiction. It features innovative scholarly work that matches the innovativeness of the genre, taking up the Regionalkrimi;crime fiction's reimagining and transforming of traditional identities; historical crime fiction that examines Germany's and Austria's conflicted twentieth-century past; and how the newly vibrant Austrian crime fiction ties in with and differentiates itself from its German counterpart. Contributors: Angelika Baier, Carol Anne Costabile-Heming, Kyle Frackman, Sascha Gerhards, Heike Henderson, Susanne C. Knittel, Anita McChesney, Traci S. O'Brien, Jon Sherman, Faye Stewart, Magdalena Waligórska. Lynn M. Kutch is Professor of German at Kutztown University of Pennsylvania. Todd Herzog is Professor and Head of the Department of German Studies at the University of Cincinnati.

“A winner . . . combines the pace and style of Brown’s Da Vinci Code and the densely plotted espionage of Daniel Silva’s Gabriel Allon novels.”—The Florida Times-Union Atlanta judge Rachel Cutler loves her job and her kids, but her life takes a dark turn when her father dies under strange circumstances, leaving behind clues to a secret about one of the greatest treasures ever made by man. Forged of the exquisite gem, the Amber Room inexplicably disappeared sometime during World War II. Determined to solve its mysteries, Rachel takes off for Germany with her ex-husband, Paul, close behind. Before long, they’re in over their heads. Locked into a treacherous game with professional killers, Rachel and Paul find themselves on a collision course with the forces of greed, power, and history itself. BONUS: This edition contains an excerpt from Steve Berry’s The Columbus Affair. Praise for The Amber Room “Compelling . . . adventure-filled . . . a fast-moving, globe-hopping tale.”—San Francisco Chronicle “Magnificently engrossing . . . pure intrigue, pure fun.”—Clive Cussler “Thrilling . . . fast-paced, highly entertaining.”—Baton Rouge Advocate

An NPR Book of the Year A Crime Reads Best Crime Book of 2018 A vicious murder puts Bernie Gunther on the trail of World War 2 criminals in Greece in this riveting historical thriller in Philip Kerr's New York Times bestselling series. Munich, 1956. Bernie Gunther has a new name, a chip on his shoulder, and a dead-end career when an old friend arrives to repay a debt and encourages "Christoph Ganz" to take a job as a claims adjuster in a major German insurance company with a client in Athens, Greece. Under the cover of his new identity, Bernie begins to investigate a claim by Siegfried Witzel, a brutish former Wehrmacht soldier who served in Greece during the war. Witzel's claimed losses are large , and, even worse, they may be the stolen spoils of Greek Jews deported to Auschwitz. But when Bernie tries to confront Witzel, he finds that someone else has gotten to him first, leaving a corpse in his place. Enter Lieutenant Leventis, who recognizes in this case the highly grotesque style of a killer he investigated during the height of the war. Back then, a young Leventis suspected an S.S. officer whose connection to the German government made him untouchable. He's kept that man's name in his memory all these years, waiting for his second chance at justice... Working together, Leventis and Bernie hope to put their cases--new and old--to bed. But there's a much more sinister truth to acknowledge: A killer has returned to Athens...one who may have never left.

Bernie Gunther enters a dangerous battleground when he investigates crimes on the Eastern Front at the height of World War 2 in this gripping historical mystery from New York Times bestselling author Philip Kerr. Berlin, 1943. A month has passed since Stalingrad. Though Hitler insists Germany is winning the war, morale is low and commanders on the ground know better. Then Berlin learns of a Red massacre of Polish troops near Smolensk, Russia. In a rare instance of agreement, both the Wehrmacht and Propaganda Minister Goebbels want irrefutable evidence of this Russian atrocity. And so Bernie Gunther is dispatched. In Smolensk, Bernie finds an enclave of Prussian aristocrats who look down at the wise-cracking, rough-edged Berlin bull. But Bernie doesn’t care about fitting in. He only wants to uncover the identity of a savage killer—before becoming a victim himself.

The Weimar Republic (1918-1933) was a crucial moment not only in German history but also in the history of both crime fiction and criminal science. This study approaches the period from a unique perspective - investigating the most notorious criminals of the time and the public's reaction to their crimes. The author argues that the development of a new type of crime fiction during this period - which turned literary tradition on its head by focusing on the criminal and abandoning faith in the powers of the rational detective - is intricately related to new ways of understanding criminality among professionals in the fields of law, criminology, and police science. Considering Weimar Germany not only as a culture in crisis (the standard view in both popular and scholarly studies), but also as a culture of crisis, the author explores the ways in which crime and crisis became the foundation of the Republic's self-definition. An interdisciplinary cultural studies project, this book insightfully combines history, sociology, literary studies, and film studies to investigate a topic that cuts across all of these disciplines.